Categories & segments

Ghost The Rewatchables
Ghost poster
Ghost

The Dion Waiters Award for Best Heat Check Performance

Schiavelli wins; a Swayze honorary exception is debated despite lead-role ineligibility.

In the discussion (2)
Approx. transcript time · 00:58:00Read transcript
  • Schiavelli is selected for three train-ghost scenes.
  • Whoopi and Swayze are ineligible as leads; a speaker still wants an honorary Swayze mention for making a dead observer compelling. This leads to a tentative most-with-least category idea, compared with Kevin Pollak in A Few Good Men, not a separately adopted award.
Ghost The Rewatchables
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Ghost

Half-Assed Internet Research

Effects, cold breath, home-video sales and hip-hop usage are reported.

In the discussion (4)
Approx. transcript time · 00:59:24Read transcript
  • The shadow sounds are reportedly slowed reversed babies crying; a Scooby-Doo comparison is a joke.
  • Swayze reportedly chewed ice to avoid visible breath during cold filming.
  • March 1991 video/laserdisc release, 646,000 rental videos, 66,000 laserdiscs and 65 million combined rentals/sales are reported, as are 20 ghosts in the film.
  • Swayze as slang for departing is discussed, with Biggie credited for popularizing it and its meaning extending beyond the movie.
Ghost The Rewatchables
Ghost poster
Ghost

Apex Mountain

Swayze and Zucker qualify; other peaks and an afterlife tangent are debated.

In the discussion (6)
Approx. transcript time · 01:01:26Read transcript
  • Swayze gets agreement; Point Break is called probably his last best film.
  • Ghost is proposed as Moore’s peak because it opens a decade including A Few Good Men, the Vanity Fair cover, a reported $20 million for Striptease, Disclosure and G.I. Jane. The cover itself is offered and accepted as an alternate apex.
  • Whoopi’s Ghost peak is rejected in favor of Sister Act, with 1992 also including The Player.
  • Goldwyn’s peak is placed at Scandal rather than Ghost; Zucker is selected, partly through speculative financial participation.
  • Unchained Melody and the shadow-dragging depiction of hell get yes answers.
  • A tentative unanswerable question interrupts: what happens to an ordinary person such as Lyle Ferguson, can one negotiate with the light, and is there minor-league heaven? A hospital patient’s immediate departure is contrasted with Sam remaining. Responses suggest only people involved in murder face the demons, while forgery might still allow heaven and good deeds might resolve purgatory. No separate formal category is announced.
Ghost The Rewatchables
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Ghost

Picking Nits

Crime logic, communication and the afterlife rules are challenged.

In the discussion (6)
Approx. transcript time · 01:05:35Read transcript
  • Carl’s street robbery for passwords and conspicuous office fraud are mocked; drug use is an inference explicitly never shown. The mob lawyer’s openness and Sam’s obliviousness compound the implausibility.
  • Willie returning to Molly’s apartment after she saw the killing seems reckless; $80,000 is considered a poor share for the crimes.
  • Molly should ask many questions about death, exclusivity and moving on; her lack of curiosity is challenged and partly defended as shock.
  • Sam can shove Willie and move objects but cannot touch Molly; an anger-based training explanation is accepted.
  • Carl’s hell sentence is questioned because he ordered a robbery rather than a killing; an objection points to greed rather than any benevolent motive. The debate asks about the risk of hell for Sam if he pushes Willie to his death, versus possible immunity while in purgatory, without resolving the rules.
  • Heaven Can Wait is praised, with James Mason and Buck Henry recalled as authority figures; Defending Your Life supplies a legal-system comparison. Demotion is questioned, and purgatory in New York is contrasted with fewer opportunities for wrongdoing in the woods. The medium’s message that others are waiting is taken to mean his time is limited and a higher authority decides.
Ghost The Rewatchables
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Ghost

Sequel, Prequel, Limited Series, or All-Black Remake

Conditional interest despite hoping it does not happen.

In the discussion (3)
Approx. transcript time · 01:13:21Read transcript
  • A modern continuation with Molly secretly pregnant and Moore returning is floated, without claiming an existing project.
  • A midseason Carl reveal, more people for Sam to visit and expanded or improved shadow-world effects could sustain episodes.
  • A third season with Sam gathering NBA scoops for Woj is a joke.
Ghost The Rewatchables
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Ghost

Probably Unanswerable Questions

Afterlife proof, clothes and Molly’s future are discussed.

In the discussion (4)
Approx. transcript time · 01:14:38Read transcript
  • The hell question is explicitly recalled from earlier discussion.
  • The hosts consider private facts a psychic could relay to prove identity; beliefs and spouses’ imagined reactions remain personal hypotheticals.
  • Sam’s permanent death outfit is questioned: his Macbeth-theater maroon shirt is compared with the Hawaiian shirt he wears rescuing the suspended statue, which might make the film funnier or more of a romp.
  • How soon Molly dates again prompts a correction from Sam to Carl as the man who kissed her, then a defense of her confused grief and quick rejection of Carl. Her final goodbye is interpreted as healing and readiness to move on, followed by a hypothetical joke about dating an athlete such as Jeff Hostetler.
Ghost The Rewatchables
Ghost poster
Ghost

Who Won the Movie?

Two Whoopi choices and one Swayze choice; all three leads receive consideration.

In the discussion (3)
Approx. transcript time · 01:18:46Read transcript
  • Two adjacent responses favor Whoopi for her Oscar and indispensable memorable performance; a universal indispensability argument is immediately qualified.
  • One speaker votes Swayze for defining his era and unique physicality; Bacon and Kline would not make the same movie. Dave is a favorable Kline comparison.
  • The final return confirms the split: Swayze, Whoopi, and an agreeing Whoopi. These restate earlier choices, not additional voters.
Podcast choices
Speaker not identified
Patrick Swayze
Speaker not identified
Whoopi Goldberg
Speaker not identified
Whoopi Goldberg
Say Anything... The Rewatchables
Say Anything... poster
Say Anything...

Roger Ebert's review

Rating not yet verified

Roger Ebert gave the film an enthusiastic review and called it one of the year’s best; the podcast does not state a numeric star rating.

In the discussion (3)
Approx. transcript time · 00:25:51Read transcript
  • Cameron Crowe credited the enthusiastic Siskel and Ebert television review with helping the movie at the box office.
  • The quoted Ebert review calls the film one of the year’s best, says it cares deeply about its issues, and praises it as a funny, warm romantic comedy.
  • The discussion contrasts this praise with Ebert’s negative reviews of Heavyweights, The Cable Guy, and Tommy Boy.
Say Anything... The Rewatchables
Say Anything... poster
Say Anything...

Most Rewatchable Scene

The graduation party is the clearest favorite; the opening friend circle, phone call, family dinner, sex conversations, gas-station advice, prison confrontation, airplane ending, car scene, FBI interview, and breakup are also praised.

In the discussion (16)
Approx. transcript time · 00:31:14Read transcript
  • The opening with the lead’s three female friends efficiently establishes his goal, personality, and the social stakes around Diane.
  • Diane calling him back turns landline anxiety into a successful party invitation.
  • The graduation party is the leading choice because its rooms, background behavior, yearbooks, and shifting conversations feel like a real high-school party.
  • Corey’s songs about Joe reveal a complete funny and painful relationship story inside the party.
  • The couple separating and later recapping mirrors how dates actually move through parties.
  • The Superbad party is described as a later, more extreme descendant, including the risky period-stain joke and a strong first audience screening attended by Crow.
  • The dinner speech rejecting buying, selling, and processing before declaring kickboxing the sport of the future is a major scene choice.
  • Telling the female friends about sex is praised for Corey’s warning that the memory permanently changes the relationship.
  • Diane telling her father she chose to have sex is praised for Mahoney’s shifting relief and horror.
  • The male friends’ gas-station advice is praised as a parody of toxic masculinity and useless breakup clichés.
  • The prison confrontation exposes the father’s darkness, then pivots through Diane’s letter and the boyfriend’s hope that a loving version once existed.
  • The airplane-seatbelt and smoking chime ending is praised as an instantly recognizable romantic ending.
  • The car sex scene is praised for the leads’ sweetness and his involuntary shivering afterward.
  • Diane’s interview with the investigator is praised for the precise profile of her father’s cash purchases and stolen gifts.
  • The party through the long drive home is directly selected as the best depiction of the best night of someone’s life.
  • The breakup immediately after the lead declares his love is praised for his wounded, age-specific reaction and rainy tape-recorder montage.
Say Anything... The Rewatchables
Say Anything... poster
Say Anything...

What’s Aged the Best?

The real Cusack siblings, Mahoney’s proud-father reaction, deep supporting cast, organic title drop, and durable soundtrack age best.

In the discussion (5)
Approx. transcript time · 00:57:54Read transcript
  • John and Joan Cusack playing siblings gives the relationship an extra lived-in quality.
  • John Mahoney’s overwhelmed reaction to Diane’s fellowship is singled out as recognizable proud-parent behavior.
  • Lauren Dean, Pamela Adlon, B.B. Newworth, Jeremy Piven, Eric Stoltz, and Stone Gossard appearing in small roles shows the cast’s unusual depth.
  • The film says its own title naturally when Diane tells Lloyd he can say anything to her.
  • Peter Gabriel’s “In Your Eyes,” the Replacements, Living Colour, Fishbone, and the observed Red Hot Chilipvers create an era-specific soundtrack that still works.
Say Anything... The Rewatchables
Say Anything... poster
Say Anything...

What’s Aged the Worst?

The panel wants more late-1980s music, finds the kickboxing gear primitive, and says the boombox and persistent pursuit read differently now.

In the discussion (4)
Approx. transcript time · 01:00:23Read transcript
  • The soundtrack could have used more of the late-1980s college-rock and punk moment.
  • Lloyd’s MMA gloves and equipment look primitive beside modern gear.
  • The boombox image has lost context for younger viewers even though the scene and Peter Gabriel song remain powerful.
  • The era’s romantic-comedy pattern of repeated calls and waiting outside someone’s house would be received more critically now.
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