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Michael Richards

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Approx. transcript time · 00:25:56Read transcript
  • The opening follows a coffee mug through the coffeehouse and captures a 1990s setting.
  • The large-cappuccino joke, soup-smelling girlfriend and opening Woman poem are enthusiastically praised.
  • The first visit to the parents includes the Scottish wall, Bay City Rollers and William’s head jokes, with LaPaglia visibly struggling not to laugh.
  • The Pentaverate conspiracy and Colonel Sanders attack are praised; the later Netflix adaptation is considered unnecessary.
  • The scene keeps adding jokes, including Tony kissing the mother and William crying on his huge pillow.
  • The planetoid and weather-system head jokes are praised even as written dialogue.
  • The butcher-shop flirting montage is nominated.
  • Hartman’s Alcatraz guide Vicky, his disturbing prison story and his glare at Charlie are praised as exceptionally funny.
  • Michael Richards’s smoking, explosive cameo is nominated.
  • Arkin’s supportive captain learning to act like a tough television boss is praised, especially the later confession scene.
  • The reconciliation poem and discovery of the supposed murderer are liked, though the first hour supplies the best scenes.
  • The first Stuart/MacKenzie-family scene receives agreement from all three; its greater length breaks the comparison with Hartman’s scene.
  • Grodin objecting to dashboard drumming receives a special mention.
  • Wright’s premature-birth dream line is recalled.
  • The late first-time viewer chooses beat poetry as a personal favorite.
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