Francis refusing sex with Renee is selected as implausible.
The movie’s thin use of Maxine is criticized. — Wesley Morris
Jennifer Aniston’s movie career is debated as a product of poor choices and crowded competition, while her eventual hits are acknowledged. — Wesley Morris
Mr. Herlihy continues Sandler’s funny pattern of confrontations with combative older men. — Bill Simmons
Sonny’s misguided parenting discovery—options rather than orders—is amusing. — Bill Simmons
The soundtrack captures its era through Sheryl Crow, Garbage, Limp Bizkit, Everlast, Big Audio Dynamite, Styx, Eurythmics, Springsteen, New Radicals and Harvey Danger. — Bill Simmons
Shandling's ending idea; champagne for a million feet of film; withheld American Humane credit; Leslie Mann's drunk footage; repurposed Staples set; influence on The Office
The host reports Gary Shandling came up with the ending, per Apatow, noting it was important to show Andy having better sex because he was in love, which led to the musical number. — Bill Simmons
The host reports the film company does send champagne whenever someone shoots a million feet of film. — Bill Simmons
The host reports the American Humane Association withheld its no-animals-harmed line because several tropical fish were accidentally killed; the hosts joke that the credit has no effect on release, making it an animal snuff film. — Bill Simmons
The host reports Leslie Mann got drunk at a club with Seth Rogen and her friend Denise, who filmed her, and she used that footage for the scene; outtakes show Apatow feeding her lines. — Bill Simmons
The host reports the electronics store was not a set but a Staples that had just shut down. — Bill Simmons
The host reports the movie changed The Office: after a first season where Carell's character felt too nasty and menacing, seeing him as a buffoon here led them to incorporate more of that. — Bill Simmons
Elizabeth Banks dials it up, though it is in the script; she is called worthy, but it is hard to give the award in a comedy. — Bill Simmons
She is doing the 50s-and-60s sexpot comic character of Marilyn Monroe and Jane Mansfield, not far from Singing in the Rain. — Sean Fennessey
Asked about Leslie Mann: 'You could', but both performances are exactly what they should be, and it is hard to give this to comedies because doing it is doing it right.
The opening store scene does a lot, with Seth Rogen's story about a Tijuana show featuring a woman and a horse, which turned out not as cool as it sounds. — Bill Simmons
Paul Rudd accosting Jane Lynch over the Michael McDonald DVD, ending with the 'Yamo burn this place to the ground' line; the speaker's son got bored about 40 minutes in but watched that bit on YouTube over and over.
The same DVD played over and over in the store is very real to anyone who has worked retail. — Bill Simmons
The poker game feels like an SNL sketch; the line about a breast feeling like a bag of sand makes it the speaker's personal favorite scene. — Bill Simmons
The Leslie Mann scene is bonkers, the only unrealistically unhinged scene, but in a good way. — Bill Simmons
The body-waxing scene was like Caddyshack's Baby Ruth scene coming out of the theater.
The hosts say the waxing was done for real with five cameras and an actress as the waxer, so the nipple was not oiled and his right nipple was ravaged; it was really Carell's chest, and they had to keep waxing it for later shirtless scenes. — Bill Simmons
Paul Rudd bringing over a big box of porn and the Boner Jams '03 mix tape, followed by the Everybody Loves Raymond tape; Boner Jams '03 is called the favorite line in the movie.
The speed dating scene is really good, with Mo Collins's character flagged to come up later for the Dion Waiters category. — Bill Simmons
Andy's first date call to Catherine Keener while the others do 'you know how I know you're gay', which has not aged well in some ways but is Rudd and Rogen cooking. — Bill Simmons
The support group scene and Seth with his dad, who berates him about his little Jew fro. — Bill Simmons
The ending, where losing his virginity turns into a musical number with the whole cast, is called a really good choice and credited to Gary Shandling because they couldn't figure out the ending. — Bill Simmons
A special shout-out goes to the extended version of the Kevin Hart and Malco scene, compared to Clemens and Cecil Fielder going toe to toe; the lister agrees and had it in what's aged the best.
Andy following Rogen's character's tips in the bookstore: the just-ask-questions bit, the 'be David Caruso in Jade' advice, then the best line in the movie and the 90-second seduction by Elizabeth Banks. — Sean Fennessey
The David Caruso in Jade reference may have aged best or worst, since producer Craig would not know what Jade was. — Bill Simmons
Formal pick: the poker game, because it is perfectly written. — Bill Simmons
A second voice agrees the poker game is the most iconic now: the chest waxing was, but the bag-of-sand line is the one quoted back. — Sean Fennessey
It fits the movie because the other guys' sex talk makes sex seem gross and foreign, so Andy's choice to stay home with his electronic drum kit seems understandable. — Chris Ryan