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Film credit

Omar Epps

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Episodes featuring their films
4
Movies in this archive
4

Rewatchables episodes featuring Omar Epps’s films

Juice

1992 film

Bill Simmons · Van Lathan · Wosny Lambre

Aired January 11, 2022

The Program

1993 film

Bill Simmons · Ryen Russillo · Kyle Brandt

Aired December 8, 2020

Higher Learning

1995 film

Bill Simmons · Van Lathan · Wesley Morris

Aired February 19, 2020

Displaying all 4 episodes

Mentioned in discussions

Love & Basketball

Half-Assed Internet Research

Haysbert's hesitation to play another cheater; Omar Epps's repeat Quincy role; the Maxwell song rights fight; Lathan quitting basketball

In the discussion (5)
Approx. transcript time · 01:19:27Read transcript
  • Dennis Haysbert was hesitant to play another cheater after Waiting to Exhale, but told Jet he took it for the father-son relationship. — Jemele Hill
  • It was the second time Omar Epps played a Quincy who went by Q and the second time he dated Tyra Banks on screen. — Bill Simmons
  • The director wanted Maxwell's This Woman's Work despite the cost, kept it in for Sundance without the rights, and lobbied the studio head until he paid. — Bill Simmons
  • A parallel regret: not fighting to keep the expensive original score for the 30 for 30 The Two Escobars. — Bill Simmons
  • Lathan never played basketball again, which is called sad given how hard she worked; she seems traumatized by the filming. — Bill Simmons
Love & Basketball

What’s Aged the Best?

Soundtrack; 11-year-old Quincy's 'you want to be my girl'; Dennis Haysbert; the casting; Black high school cheerleaders; the USC coach's haircut; Monica's life-you-want line; roommates watching the dorm drama; the college party scene; gender conversations; the ex-player's struggle; Zeke's meeting excuse

In the discussion (14)
Approx. transcript time · 00:53:58Read transcript
  • The soundtrack is epic. — Jemele Hill
  • Eleven-year-old Quincy asking 'you want to be my girl' is adorable; boys at the time usually asked 'will you go with me.' — Jemele Hill
  • Dennis Haysbert is one participant's what's-aged-best: Heat, Waiting to Exhale, Major League, then President David Palmer on 24, said to have paved the way for Obama, then the Allstate commercials. — Bill Simmons
  • Haysbert's roles often lean toward the no-good man, but here he is a caring father and bad husband, and Q's disillusion with his parents' marriage is a nuanced thread. — Jemele Hill
  • The casting overall aged well: Omar Epps reinventing himself every five years (House, ER), Lathan steady, Gabrielle Union, Monica Calhoun, and Kyla Pratt as young Monica. — Jemele Hill
  • The high school cheerleaders and their chants are saluted as the real Black high school cheerleader experience, compared with the sanitized All American version. — Jemele Hill
  • The film balances present-day themes with nostalgia, especially through the New Edition opening. — Jemele Hill
  • The USC coach's late-80s women's basketball coach haircut and shoulder pads are a perfect personification of coaches of the time. — Bill Simmons
  • Monica's line outside her house that as a kid you see the life you want and never think it will not turn out that way is called pointed, a good yearbook quote. — Bill Simmons
  • During the love triangle, the roommates playing video games and enjoying the drama, with a shout-out to Charles O'Bannon, is classic college. — Bill Simmons
  • The party scene where the relationship first explodes, with alcohol and an available girl, is a familiar college breakup. — Jemele Hill
  • The subtle conversations about gender, including the choice between personal and professional life and the lack of visibility for women, aged incredibly well in the hosts' view. — Jemele Hill
  • The complication of being an ex-player, shown through Haysbert's character trying to build a life after playing, aged extraordinarily well. — Jemele Hill
  • Zeke's 'tell mom I have a meeting, I'll be home later' affair excuse is offered for both best and worst: the worst excuse ever, from the worst cheater ever. — Bill Simmons
Vision Quest The Rewatchables
In the discussion (3)
Approx. transcript time · 00:52:50Read transcript
  • Harold Sylvester has an incredible IMDb run: D.C. in Fast Break, an NBA star in Inside Moves, Hill Street Blues and An Officer and a Gentleman.
  • He is called the Omar Epps of his generation, and he clearly played basketball.
  • Fast Break is called the most politically incorrect sports movie ever; one participant has not seen it and is urged to watch it this week.
Higher Learning

Apex Mountain

Busta Rhymes’s movie career (likely apex)

In the discussion (7)
Approx. transcript time · 01:20:01Read transcript
  • Love & Basketball is favored as Omar Epps's career apex, with The Wood and ER also considered.
  • Higher Learning is considered a plausible Michael Rapaport apex, with a later television role also recalled but not clearly named.
  • Buffy the Vampire Slayer is preferred as Kristy Swanson's apex.
  • PCU is favored over Higher Learning as the apex for mid-1990s college-campus culture.
  • Higher Learning is considered Busta Rhymes's likely movie apex after Belly is correctly rejected as a film he appeared in.
  • John Singleton's apex is debated between Higher Learning's career leverage and Rosewood's stronger filmmaking, while Boyz n the Hood remains his best movie to one participant. — Van Lathan
  • Rosewood opening opposite Booty Call is cited as evidence that Singleton had less industry leverage by then. — Van Lathan
Higher Learning

Half-Assed Internet Research

The shooting's inspiration, cast backgrounds, deliberate isolation of Rapaport, and Kristy Swanson's politics

In the discussion (6)
Approx. transcript time · 01:18:35Read transcript
Higher Learning

What’s Aged the Best?

The national-anthem scene, Remy's radicalization, Malik's Columbus speech, Fudge's look, and Fishburne's immigrant-professor perspective

In the discussion (7)
Approx. transcript time · 00:55:07Read transcript
  • The national-anthem exchange is judged startlingly prescient in light of Colin Kaepernick's later protest. — Van Lathan
  • Remy's progression from isolation into white nationalism is called the film's strongest structural achievement. — Bill Simmons
  • Malik's Columbus speech is singled out as one of Omar Epps's better acting moments despite some theatricality. — Bill Simmons
  • Fudge's Afro is praised as a deliberate identity marker that was unusual in 1995. — Bill Simmons
  • Malik's statement that racism has become more mental than physical is treated as a point the film articulated unusually early. — Bill Simmons
  • Professor Phipps is read as an immigrant voice emphasizing opportunity and effort rather than the inherited racism confronting Black Americans.
  • Michael Rapaport's physical choices are praised as convincing isolation by some participants and criticized as inert by another. — Wesley Morris
Displaying discussions 13 - 18 of 18 in total

Films in the archive