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Film credit

Matthew Laurance

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Episodes featuring their films
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Movies in this archive
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Rewatchables episodes featuring their films

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Mentioned in discussions

In the discussion (2)
Approx. transcript time · 01:14:58Read transcript
  • Joey Pantoliano is excluded from That Guy; John Stockwell is considered, but Matthew Laurance is selected, explicitly distinguished from his brother Mitchell.
  • The Laurance discussion detours into favorite Beverly Hills, 90210 parents, including David’s father, Dylan’s father, Kelly’s mother and Steve’s mother.
Eddie and the Cruisers poster
Eddie and the Cruisers

Most Rewatchable Scene

Writing On the Dark Side on the rooftop

In the discussion (8)
Approx. transcript time · 00:37:49Read transcript
  • Opening credits, On the Dark Side and Maggie’s newsroom pitch are scene candidates; her hook establishes the mystery and suggests a viewpoint the movie later shifts away from.
  • Frank meeting the band, Maggie visiting his classroom and the lounge-to-rooftop sequence are scene candidates; Eddie hears the value of Frank’s song before the rest of the group.
  • The rooftop’s instantly completed song is loved despite its implausibility, compared with Get Back’s slower creative process; Paré’s joy and Berenger’s physical performance sell the moment.
  • The lounge-to-Wild Summer Nights-to-Tender Years run is praised; Tender Years is a favorite non-Dark Side song and an enthusiastic audience extra is noticed.
  • Sal’s pizza-eating emotional scene and stage nostalgia receive praise; a Peter North effort award is proposed for Matthew Laurance’s commitment to a small part.
  • Wendell’s death into Tender Years and the disastrous Season in Hell session are scene candidates; the furious record executive and Eddie’s greatness-or-nothing stance are highlighted.
  • Writing On the Dark Side is the agreed most-rewatchable-scene choice.
  • The Palace of Depression flashback is another favorite because Eddie’s unraveling and other bandmates’ memories complicate Frank’s nostalgia.
Displaying all 3 discussions

Films in the archive