Macchio’s mustache and unconvincing basketball are criticized, with Scott Skiles and Tacko Fall comparisons for his play.
The striped prison uniforms are compared with Grease costumes.
The original surprise of seeing Herman Munster as the judge has faded as Gwynne’s role here became famous in its own right.
Mitchell Whitfield’s Stan performance prompts a wish for more casting auditions, alongside recognition of his later Friends role.
Pendleton reportedly regretted the stuttering-lawyer role after angry letters and believed it nearly ended his career.
The lawyer-switching subplot is considered unnecessary padding whose function is merely to send Stan back to Vinny.
The cast reportedly struggled not to laugh during the public-defender scenes.
The stutter is criticized as low comedy; another unexpected trait could have supplied the reversal without making stuttering the joke.
The disappearance of the adult-comedy market represented by Dale Launer’s Blind Date, Ruthless People and Dirty Rotten Scoundrels is treated as a bittersweet loss.
McGill’s oral-history description of Pesci monopolizing Tomei’s off-set time is treated as uncomfortable information about a reportedly Svengali-like working relationship.
McGill’s account of Pesci treating Jonathan Lynn harshly and storming off after the director laughed is received as an unwelcome glimpse behind the comedy.
Pesci’s bulky Patrick Ewing shoes divide opinion: dated even then for one response, stylish and useful for a short wearer for another.
A tuna can priced in pennies is treated as a vanished detail of everyday shopping.
