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Film credit

Gary Cole

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Episodes featuring their films
4
Movies in this archive
4

Rewatchables episodes featuring Gary Cole’s films

Pineapple Express

2008 film

Craig Horlbeck · Danny Kelly · Danny Heifetz

Aired October 18, 2022

Displaying all 4 episodes

Mentioned in discussions

Talladega Nights: The Ballad of Ricky Bobby

Half-Assed Internet Research

The production’s NASCAR access, unpaid brand placement, the stars’ first race-car experience, cast ages, and improvisational filming

In the discussion (6)
Approx. transcript time · 01:34:41Read transcript
  • The movie used real NASCAR locations, drivers, commentators, and details. — Craig Horlbeck
  • Sony reportedly did not charge Wonder Bread, Old Spice, Perrier, or other brands for product placement; the brands promoted the movie. — Craig Horlbeck
  • Will Ferrell’s father Roy Lee Ferrell played with the Righteous Brothers and has a song in the film.
  • Ferrell and John C. Reilly were frightened by their first short track runs but returned rather than leave early.
  • Gary Cole and Jane Lynch were only eleven and seven years older than Will Ferrell.
  • The dinner scene took a day and produced ruined takes because the camera operator laughed.
In the discussion (3)
Approx. transcript time · 01:30:00Read transcript
In the discussion (3)
Approx. transcript time · 01:27:58Read transcript
  • Gary Cole is offered as the beginner-level choice because viewers may recognize Office Space and Veep without knowing his name.
  • Ted Manson is the expert-level choice and Ian Roberts is the middle-level choice.
  • Greg Germann and Jack McBrayer extend the debate over how recognizable is too recognizable. — Craig Horlbeck
In the discussion (4)
Approx. transcript time · 00:58:09Read transcript
  • Team members and Patches are excluded for too much screen time; Bateman’s Pepper Brooks is the obvious choice. — Craig Horlbeck
  • Oswalt’s tiny voiceover contributions are likened to a successful half-court shot; Cole and Bateman together make every announcing scene memorable. — Craig Horlbeck
  • The feminine-versus-Canadian and1919Helsinki remarks are additional announcing highlights; one viewer initially believed the historical reference. — Craig Horlbeck
  • Armstrong is a late cameo-based contender, though Oswalt remains the tiny-appearance comparison. — Craig Horlbeck
In the discussion (3)
Approx. transcript time · 00:55:38Read transcript
  • The panel uses a broader recognition-based definition than the usual hosts, proposing Cole, Tudyk and Williams through familiar previous roles. — Craig Horlbeck
  • The referee is recognized as a real sports official and American Gladiators referee; his delayed final foot-fault call is criticized despite being correct.
  • Armstrong is permanently recognized as Booger from Revenge of the Nerds; Root and Cole are recognized through Barry and Office Space. — Craig Horlbeck
In the Line of Fire

The Joey Pants “That Guy” Award

Wheelchair gun expert (Professor Finley actor)

In the discussion (11)
Approx. transcript time · 01:07:25Read transcript
In the discussion (9)
Approx. transcript time · 00:26:34Read transcript
  • Bill Hader’s black-and-white Item 9 test parodies Reefer Madness and builds a complete stoner vocabulary in minutes. — Craig Horlbeck
  • The high-school visit exposes Dale’s inappropriate age gap and supplies the Goldblum impression, “time to suck today’s dick,” and an outsider correctly challenging the relationship.
  • Saul’s apartment scene captures the awkward transition from buying drugs to hanging out, adds 227, red wine, career talk, and the cross joint.
  • Smashing and losing the phones turns a simple anti-tracking plan into escalating incompetence, including the belief it is how authorities found Saddam.
  • The cop chase and foot through the windshield produce the movie’s most iconic action image. — Craig Horlbeck
  • Red calmly awaits death beside noodles and blood, discusses reincarnation, then supplies an improvised gun-up montage. — Craig Horlbeck
  • The long farm battle is divisive for its hard pivot and graphic violence but preserves funny gun conventions and Gary Cole’s villain.
  • The diner characters rewatch their own adventure aloud, accurately recreating the pleasure of hungover friends rebuilding the previous night.
  • The middle-school dealers’ hostility, fireworks, and adult vocabulary make another favorite scene.
Displaying all 9 discussions

Films in the archive