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Above the Rim
Above the Rim
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Eric Nies
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Apex Mountain
Duane Martin; Eric Nies; shadow basketball; street-tournament imitations; 1990s New York basketball
In the discussion (11)
Approx. transcript time · 01:26:33Read transcript
- Two yes responses favor this as the peak 1990s basketball movie; Blue Chips is a dissenting choice for its predictive story.
- Playing basketball without a ball receives an uncontested yes.
- Tupac receives no because of personal troubles.
- The film and contemporary Knicks/point-guard culture support a yes for 1990s New York basketball relevance.
- Martin receives an unqualified yes.
- Pinkins’s Tony-winning theater work is preferred to this film as her overall peak.
- Rucker Park imitation tournaments receive a yes.
- Bernie Mac receives no, with his television show and The Players Club stronger candidates.
- Eric Nies receives a yes.
- Tha Dogg Pound receives an initial yes but New York, New York and its video are a competing peak.
- Leon receives a yes from one participant; The Five Heartbeats and especially The Temptations performance as David Ruffin are competing choices.
What’s Aged the Best?
Tupac; Wood Harris; Eric Nies; Shep’s game; marketing; villains; streetball; Tonya Pinkins
In the discussion (11)
Approx. transcript time · 00:49:28Read transcript
- Tupac at his peak and Harris’s later Wire connection have aged well.
- Eric Nies’s Real World and The Grind fame makes Montrose an especially 1990s casting choice; his basketball bearing and passing look convincing.
- Shep’s twenty-six points in one half in corduroys deserve comparison with famous real basketball performances.
- Kyle’s Michael Jordan Aerial Assault poster is exciting nostalgic decoration despite being judged a bad poster.
- Shep’s fourteen-year grief is both best and worst: it drives the plot but leaves him implausibly unable to function or accept companionship.
- The Holler If Ya Hear Me trailer is credited with attracting audiences and anticipating later song-driven marketing.
- The entertaining villains make it possible to root for both tournament teams.
- The film’s promotional poster is praised.
- The white big man on Kyle’s team is an enjoyable 1990s type; the idea he is the coach’s son is speculative and challenged by his absence from the school team.
- Yellow tape and crowds pressing onto the court convincingly capture New York streetball culture.
- Tonya Pinkins’s mother character is praised for fierce vulnerability, firm parenting and a steadying perspective on college ambitions.
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