What’s Aged the Best?
Tupac; Wood Harris; Eric Nies; Shep’s game; marketing; villains; streetball; Tonya Pinkins
In the discussion (11)
Approx. transcript time · 00:49:28Read transcript
- Tupac at his peak and Harris’s later Wire connection have aged well.
- Eric Nies’s Real World and The Grind fame makes Montrose an especially 1990s casting choice; his basketball bearing and passing look convincing.
- Shep’s twenty-six points in one half in corduroys deserve comparison with famous real basketball performances.
- Kyle’s Michael Jordan Aerial Assault poster is exciting nostalgic decoration despite being judged a bad poster.
- Shep’s fourteen-year grief is both best and worst: it drives the plot but leaves him implausibly unable to function or accept companionship.
- The Holler If Ya Hear Me trailer is credited with attracting audiences and anticipating later song-driven marketing.
- The entertaining villains make it possible to root for both tournament teams.
- The film’s promotional poster is praised.
- The white big man on Kyle’s team is an enjoyable 1990s type; the idea he is the coach’s son is speculative and challenged by his absence from the school team.
- Yellow tape and crowds pressing onto the court convincingly capture New York streetball culture.
- Tonya Pinkins’s mother character is praised for fierce vulnerability, firm parenting and a steadying perspective on college ambitions.