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The Last Days of Disco poster

The Last Days of Disco

113 minutes

Cast

Selected cast credits · Film reference

Kate Beckinsale Charlotte
Matt Ross Dan
Tara Subkoff Holly
Sonsee Neu Diana
Jaid Barrymore Tiger Lady
James Murtaugh Marshall
Cate Smit Helen
Debbon Ayer Betty
Zachary Taylor Backdoorman
Carolyn Farina Audrey Rouget
Dylan Hundley Sally Fowler
Taylor Nichols Charlie / Ted Boynton
Amanda Harker Model 1
Brandi Seymour Model 2
Leslie Lyles Sally
Robin Miles Josephine
Linda Pierce Real Estate Lady
Carlos Jacott Dog Walker
Sharon Scruggs Justine Prashker
Ajay Mehta Pharmacist
Norma Quarles Anti-Disco Rally Reporter
George Plimpton Clubgoer
Kimball Chen Clubgoer
Bunny Beekman Clubgoer
Redman Maxfield Clubgoer
Jack Staub Clubgoer
Michael Albanese Creep on Subway (uncredited)
Michael E. Bell Disco Patron (uncredited)
Harry Tappan Heher Holly's New Boyfriend (uncredited)
Will Kempe Rick von Sloneker (uncredited)
Adrian Lee Heart Patient (uncredited)
Jessica Pimentel Clubgoer (uncredited)
Rio Puertollano Disco Dancer (uncredited)
Rohan Quine Marie Antoinette Clubgoer (uncredited)
Michael Rothberger Thug #3 (uncredited)
Jack Serra Cocaine Dealer (uncredited)
Nick Stellate Hot Rod Driver (uncredited)

The Last Days of Disco | The Rewatchables

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Half-Assed Internet Research

Budget and box office; audience recognition; novelization; shared theater location; nightclub filming

In the discussion (5)
Approx. transcript time · 00:25:13Read transcript
  • The stated budget is$8 million and box office$3 million, followed by a stronger repeat-viewing afterlife.
  • Sevigny reportedly says this is the film strangers mention most.
  • Stillman published a novelization in 2000.
  • The disco was a renovating Jersey City movie theater shared with a Turturro production, with refurbishment costs divided.
  • Stillman reportedly liked daytime shooting in a nighttime setting but regretted the large space because it was hard to fill convincingly.

Casting What-Ifs

Affleck wanted Des; Ryder delay led to Sevigny

In the discussion (3)
Approx. transcript time · 01:18:18Read transcript
  • Affleck reportedly wanted Des, but Stillman chose Eigeman.
  • Ryder was offered Alice, but a reported four-day agent delay allowed Sevigny’s audition and casting.
  • Sevigny is preferred because Ryder would have repeated familiar roles while the audience was still discovering Sevigny.

Recasting Couch

Josh: Norton or Hamilton; Jimmy: Affleck or Damon; Lee, Hauser, Casey Affleck and Sean Astin considered; star-casting jokes

In the discussion (15)
Approx. transcript time · 01:18:42Read transcript
  • Affleck is considered for Josh but may be too conventionally handsome; his Mallrats persona is closer to Des.
  • Norton is endorsed for Josh.
  • Jason Lee is considered closer to the Eigeman role.
  • Affleck is preferred over Mackenzie Astin despite praise for the existing performance.
  • Damon is another proposal for the Astin role.
  • Tom Hanks is a joking escalation of the star-heavy casting suggestions.
  • Denzel Washington is another joking escalation.
  • Cole Hauser is considered too gritty for the part.
  • Casey Affleck is proposed then dismissed as too young; the stated age is a conversational estimate.
  • Sean Astin is another suggestion.
  • Josh Hamilton is endorsed over Keeslar for empathy and a reunion with Eigeman.
  • Washington replacing Keeslar is a joking counterproposal.
  • Newman’s availability is jokingly raised.
  • Sidney Poitier as Josh continues the star-casting joke.
  • Denzel Washington in the Mackenzie Astin role continues the star-casting joke.

Picking Nits

Alice’s admirers; drugs and smoking; cocaine’s effects; quiet club conversations; subdued club; hit staging; Des and Alice; AIDS absence

In the discussion (8)
Approx. transcript time · 01:31:53Read transcript
  • Alice would attract more men while sitting alone; a defense says her restrained Connecticut persona may not be what this crowd seeks.
  • There is too little cocaine and cigarette smoking.
  • Cocaine seems to have no effect on Des, unless he is already constantly using it.
  • Quiet, nuanced conversations would be impossible at realistic nightclub volume.
  • The club lacks the wildness associated with Studio 54, though subdued dancing and sound may deliberately preserve legibility.
  • The distant staging of Jimmy being hit is questioned as an apparent way to avoid a blood effect.
  • Des and Alice seem implausible as a couple; cycling through the group is a defense, while Des and Charlotte seem better matched.
  • The lack of AIDS discussion is questioned, with herpes and G&H references possibly foreshadowing it.

Probably Unanswerable Questions

Beckinsale’s career; modern Brown Bunny reaction; best bar-conversation actor

In the discussion (6)
Approx. transcript time · 01:40:09Read transcript
  • Why Beckinsale was not this good again is raised as a question.
  • A present-day Brown Bunny controversy might draw either harsher sexual conservatism or stronger opposition to shaming artistic choices; the discussion remains divided.
  • Eigeman is proposed as the best bar-conversation actor.
  • Liotta and the bar exchange opposite Falco in Cop Land are comparisons.
  • Newman in The Verdict is rejected because the listeners are tired of his stories.
  • Rapaport in Beautiful Girls is praised as another contender.
In the discussion (4)
Approx. transcript time · 01:43:57Read transcript
  • 54’s director’s cut is recommended first, followed by this film.
  • Barcelona is a strong pairing within the trilogy.
  • Metropolitan is another trilogy pairing, with returning performers linking the films.
  • Boogie Nights is proposed despite objections to the combined length.

Producer review

Adoration; relatable young characters; repeat-viewing improvement; EDM parallel

In the discussion (4)
Approx. transcript time · 01:47:55Read transcript
  • The inserted response adores the film, connecting it with Kicking and Screaming, Singles and a love of disco. — Craig Horlbeck
  • Characters sound older than their age while behaving like young adults, making them simultaneously unrealistic and relatable. — Craig Horlbeck
  • The film improved when revisiting clips and is a contender among favorite newly discovered films for the year. — Craig Horlbeck
  • Contemporary EDM club culture is proposed as the closest successor to disco, including remixed ABBA music. — Craig Horlbeck