Most Rewatchable Scene
Last ten minutes; convincing Max; training montage and football practice
In the discussion (13)
- The first fifteen minutes are loved, narrowed to Max’s birthday visit that quickly establishes their friendship; another speaker favors the first eight minutes through the bike ride. The initially silent title sequence is praised for treating the player seriously.
- Beatty’s throwing mechanics, touch passes, cadence and football terminology are praised. A prompted Craig reply prefers his physicality to Reynolds, with Mayfield comparison; other voices distinguish running versus system-quarterback styles. Mark Harmon is floated hypothetically, with uncertain chronology.
- The Super Bowl was reportedly shot within fourteen halftime minutes at a Rams/Chargers preseason game; play calling looks authentic. F1 and Days of Thunder are comparisons for filming around live sport, followed by an uncertain Reacher sighting anecdote.
- The tunnel accident works; dark events such as attempted murder and pollution are handled lightly, with a repeated plate gag allowing the audience to move on.
- The body-candidate montage is liked, with wishes for several more alternatives. A Hollywood waiter and porn performer are joking imagined additions; the artificial rules are enjoyed.
- Farnsworth’s return and the mouse panic, then Joe and Betty’s limo attraction and lingering looks, are candidates.
- Joe telling Max the secret is called the movie’s single best part; private details and the neck adjustment finally persuade him. The reunion is appreciated. The actor-history comment at the start of351 instead continues the preceding Beatty/Christie romantic scene.
- The servant football montage could run eight more minutes; Grodin crashing into a bush, attempted catches and Warden tossing the ball are enjoyed, with Warden’s football experience guessed.
- The montage’s spacious backyard and Farnsworth’s first Rams practice are praised; the supposed LA house being in Northern California is a small disappointment. Grodin’s instruction to ignore offensive remarks is admired as comedy.
- Joe’s goodbye to Betty, shooting and Super Bowl are candidates. The ending hurts because Max regains then permanently loses his friend; a speaker does not cry here despite crying at films generally. A biography analogy to Beatty moving on from friendships remains a report.
- One final scene choice is the last ten minutes, especially Christie’s bittersweet meeting and the reassuring darkness moment.
- Another final choice is convincing Max, with honorable praise for the boardroom’s compassion and the penny-to-save-a-thinking-fish idea. Beatty’s comic timing and the May/Henry writing support are praised.
- The remaining final choice is training montage and football practice, especially Grodin watching him get sacked.
