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Goodfellas (1990)

Directed by Martin Scorsese · Crime

146 minutes

Cast

Selected cast credits · Film reference

Robert De Niro James "Jimmy" Conway
Ray Liotta Henry Hill
Christopher Serrone Young Henry
Joe Pesci Tommy DeVito
Joseph D'Onofrio Young Tommy
Lorraine Bracco Karen Hill
Paul Sorvino Paulie Cicero
Frank Sivero Frankie Carbone
Tony Darrow Sonny Bunz
Mike Starr Frenchy

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

29:08

The Coach Finstock Award for Best Life Lesson

Ten darkly comic lessons about made men, post-heist spending, airports, mob ownership, cocaine, violence, loyalty, da...

Ten darkly comic lessons about made men, post-heist spending, airports, mob ownership, cocaine, violence, loyalty, dating, crew executions, and divorce

In the discussion (10)
Approx. transcript time · 00:29:08Read transcript
  • Do not kill a made man, because it will come back to hurt you.
  • After a massive heist, do not buy anything fancy; lie low. — Bill Simmons
  • When you need money, rob an airport. — Bill Simmons
  • Do not make a mob boss your silent restaurant partner.
  • If you sell cocaine, do not use it. — Bill Simmons
  • If you truly hate someone, shoot them in the face so their mother cannot hold an open-casket funeral. — Bill Simmons
  • Never rat on your friends, and always keep your mouth shut. — Bill Simmons
  • If a new boyfriend pistol-whips someone in front of you, reconsider ending up with him. — Bill Simmons
  • If you are part of a crew, nobody tells you they are going to kill you. — Bill Simmons
  • The bonus lesson is not to get divorced.
54:30

Most Rewatchable Scene

The Billy Batts sequence through Tommy’s mother’s house (two choices); the funny-guy exchange (one)

The Billy Batts sequence through Tommy’s mother’s house (two choices); the funny-guy exchange (one)

In the discussion (20)
Approx. transcript time · 00:54:30Read transcript
  • The opening trunk murder is nominated. — Bill Simmons
  • Young Henry’s first arrest and celebration are nominated. — Bill Simmons
  • The Bamboo Lounge introductions are nominated. — Bill Simmons
  • The funny-guy exchange is nominated and receives one final choice.
  • Sonny complaining to Paulie about the restaurant is nominated.
  • The Copacabana tracking shot is nominated.
  • Billy Batts insulting Tommy is nominated.
  • The continuation at Tommy’s mother’s house is nominated; two final choices favor the combined sequence. — Bill Simmons
  • Spider being shot and later killed is nominated.
  • Henry lying to Paulie about Billy Batts is nominated as the moment the movie turns toward lies and horror. — Sean Fennessey
  • Karen holding a gun on Henry is nominated as a horror-like sequence. — Sean Fennessey
  • Henry learning of the Lufthansa heist in the shower is nominated, along with its Shining homage. — Bill Simmons
  • The post-heist gaudy purchases are nominated. — Bill Simmons
  • Jimmy sizing up Morrie in slow motion is nominated. — Bill Simmons
  • Morrie’s murder is nominated. — Bill Simmons
  • The Layla corpse montage is nominated and praised as operatic.
  • Tommy’s execution and Jimmy’s phone-booth reaction are nominated. — Sean Fennessey
  • The cocaine-and-helicopter day is nominated for replicating the sensation of Henry’s paranoia. — Chris Ryan
  • Karen’s assault and Henry’s pistol-whipping retaliation are nominated. — Sean Fennessey
  • The wives’ social scene is nominated for portraying a part of the mob world usually unseen.
1:31:40

What’s Aged the Best?

The young Henry performance, freeze frames, Sopranos connections, narration, comedy, color, wigs, music, food, the un...

The young Henry performance, freeze frames, Sopranos connections, narration, comedy, color, wigs, music, food, the unseen Lufthansa heist, and Henry and Karen’s fights

In the discussion (17)
Approx. transcript time · 01:31:40Read transcript
  • The young Henry performer is praised. — Bill Simmons
  • The freeze-frame device remains effective. — Bill Simmons
  • Tommy asking Henry to go on the double date is praised. — Bill Simmons
  • The extensive Sopranos casting connections reward later viewings. — Bill Simmons
  • The narration is praised despite one host’s general dislike of narration. — Bill Simmons
  • The corpse-excavation joke remains startling. — Bill Simmons
  • Alec Baldwin’s De Niro impression gives the film added comic afterlife. — Bill Simmons
  • The wedding’s repeated Italian names are praised. — Bill Simmons
  • The pistol-whipping sequence remains forceful. — Bill Simmons
  • Its bright-green suburban palette is contrasted with the film’s usual red, blue, and black. — Bill Simmons
  • The high ratio of conspicuous wigs is praised as character detail. — Bill Simmons
  • The soundtrack is praised. — Bill Simmons
  • The movie’s food scenes make the panel hungry. — Bill Simmons
  • The prison visit and children’s eagerness to see Uncle Paulie are singled out as a darkly funny family detail. — Bill Simmons
  • Not showing the Lufthansa heist is praised as a budget-saving and story-centering choice. — Chris Ryan
  • Henry and Karen’s fights are praised for their raw intimacy and continuing attraction. — Chris Ryan
  • The music is praised as a seamless 25-year snapshot of American popular music. — Chris Ryan
1:40:54

What’s Aged the Worst?

Sopranos associations, Janice’s casting, two later Lufthansa adaptations, a BC-basketball reference, ketchup on pasta...

Sopranos associations, Janice’s casting, two later Lufthansa adaptations, a BC-basketball reference, ketchup on pasta, Boogie Nights echoes, and pre-9/11 airline cocaine transport

In the discussion (7)
Approx. transcript time · 01:40:54Read transcript
  • Michael Imperioli’s later identity as Christopher Moltisanti can overwhelm Spider. — Bill Simmons
  • Janice is criticized as an underpowered choice for Henry’s girlfriend. — Bill Simmons
  • Two later films about the Lufthansa heist are mentioned as apparently unsuccessful afterlives. — Bill Simmons
  • A Boston College basketball reference prompts a dated personal association. — Bill Simmons
  • Ketchup on pasta is condemned. — Bill Simmons
  • Boogie Nights’ overt homage can make its Janice-apartment echo intrude on later Goodfellas viewings.
  • Carrying cocaine on commercial airlines is judged far harder now than before 9/11.
1:53:35

The Joey Pants “That Guy” Award

Mike Starr

Mike Starr

In the discussion (10)
Approx. transcript time · 01:53:35Read transcript
1:56:33

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Liotta’s flushed-cocaine reaction

Liotta’s flushed-cocaine reaction

In the discussion (3)
Approx. transcript time · 01:56:33Read transcript
  • Liotta’s funny-guy laugh is raised but ruled ineligible. — Bill Simmons
  • Morrie is nominated. — Chris Ryan
  • Liotta’s reaction when Karen says she flushed the cocaine is favored.
1:58:10

The Dion Waiters Award for Best Heat Check Performance

Frank Vincent

Frank Vincent

In the discussion (5)
Approx. transcript time · 01:58:10Read transcript
2:04:42

Apex Mountain

Martin Scorsese, gangster movies, the 1990 Scorsese–De Palma rivalry, the Copacabana sequence, gangster names, razor-...

Martin Scorsese, gangster movies, the 1990 Scorsese–De Palma rivalry, the Copacabana sequence, gangster names, razor-bladed garlic, the Lufthansa heist, Joe Pesci’s 1989–95 run, pistol-whipping, mobster wigs, prison tomato sauce, Ray Liotta, Lorraine Bracco, “fucko,” and Pittsburgh drug dealers

In the discussion (17)
Approx. transcript time · 02:04:42Read transcript
  • Scorsese is selected at his artistic apex, with The Departed raised as a later juice-based alternative.
  • Goodfellas is called a capstone for gangster movies before the form moved to television.
  • The Scorsese–De Palma rivalry is placed at its apex around November 1990. — Sean Fennessey
  • The Goodfellas Copacabana sequence is favored over Barry Manilow’s song for the name “Copacabana.” — Bill Simmons
  • Movie-gangster names are called an unquestionable apex. — Bill Simmons
  • De Niro’s apex is debated between his late-1970s/early-1980s run and 1990-era juice. — Bill Simmons
  • Razor-blading garlic is called a one-of-one apex.
  • Goodfellas is treated as the apex for the Lufthansa heist.
  • Joe Pesci is placed in an apex run spanning Lethal Weapon 2 through Casino.
  • “It is what it is” from The Irishman is favored among mob murder-code justifications. — Bill Simmons
  • The film is selected as an apex for pistol-whipping on film.
  • Mobster wigs and prison tomato sauce receive affirmative apex rulings. — Bill Simmons
  • Ray Liotta and Lorraine Bracco receive affirmative apex rulings. — Bill Simmons
  • Paul Sorvino’s apex remains unresolved against his long career. — Bill Simmons
  • Henny Youngman is rejected, while the word “fucko” receives an affirmative apex ruling.
  • Cutty Sark is discussed as a once-prominent drink rarely seen now. — Chris Ryan
  • Pittsburgh drug dealers receive a final joking apex nomination.
2:23:43

Sequel, Prequel, Limited Series, or All-Black Remake

A ten-episode Lufthansa series; a police-side version (possibly uninteresting)

A ten-episode Lufthansa series; a police-side version (possibly uninteresting)

In the discussion (3)
Approx. transcript time · 02:23:43Read transcript
  • A ten-episode series could center on the Lufthansa heist. — Bill Simmons
  • A police-side version is proposed. — Bill Simmons
  • The police-side idea is qualified because the mobsters were well known and protected through corruption until federal prosecution and RICO changed the system. — Sean Fennessey
2:29:50

What Piece of Memorabilia Would You Want From This Movie?

The Cadillac, living room, crucifix, painting, and bar fixtures

The Cadillac, living room, crucifix, painting, and bar fixtures

In the discussion (5)
Approx. transcript time · 02:29:50Read transcript
  • A Cadillac is proposed.
  • The living-room furniture is proposed.
  • Karen’s crucifix is proposed.
  • Tommy’s mother’s painting is proposed.
  • Owning a bar like the Bamboo Lounge or Suite Lounge is proposed.
2:30:45

Who Won the Movie?

Martin Scorsese

Martin Scorsese

In the discussion (3)
Approx. transcript time · 02:30:45Read transcript
  • Three audible choices explicitly select Martin Scorsese.
  • Pesci, De Niro, and Liotta are discussed as plausible alternatives if the film were not itself one of the great American movies.
  • The panel asks whether losing Best Director for Goodfellas helped build the later campaign to recognize Scorsese. — Sean Fennessey
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