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The film

Deliverance (1972)

Directed by John Boorman · Thriller

109 minutes

Cast

Selected cast credits · Film reference

Jon Voight Ed Gentry
Burt Reynolds Lewis Medlock
Ned Beatty Bobby Trippe
Ronny Cox Drew Ballinger
Bill McKinney Mountain Man
Herbert "Cowboy" Coward Toothless Man
James Dickey Sheriff Bullard
Billy Redden Lonnie
Macon McCalman Deputy Queen

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

23:08

Most Rewatchable Scene

The canoe crash, cliff climb, and “Dueling Banjos”

The canoe crash, cliff climb, and “Dueling Banjos”

In the discussion (9)
Approx. transcript time · 00:23:08Read transcript
  • The category is reframed as memorable or iconic because the assault dominates the film’s reputation. — Ryen Russillo
  • Dueling Banjos is praised as riveting and strange, compared with Butch and Sundance’s musical bicycle sequence.
  • The opening canoe run is nominated; Reynolds’s sleeveless wetsuit invites jokes about a modern tech-owner equivalent.
  • The assault’s long duration, circling attackers, face touch and focus on the restrained Ed sustain dread; Pulp Fiction is compared. — Chris Ryan
  • Separating the more vulnerable men enables the attack; Lewis’s distant appearance and rescue do not undo the trauma or guarantee triumph.
  • The canoe crash is praised; reported danger is debated rather than accepted uniformly.
  • Ed’s cliff climb, killing and rope disposal are nominated along with another harrowing canoe run. — Bill Simmons
  • Ed’s confrontation with the sheriff and final farewell to Bobby are nominated. — Bill Simmons
  • The big canoe crash, cliff climb and banjo sequence are separate final choices. — Bill Simmons
39:42

What’s Aged the Best?

Reynolds’s sleeveless wetsuit, the shifting hierarchy after his injury, character archetypes and canoeing’s ominous a...

Reynolds’s sleeveless wetsuit, the shifting hierarchy after his injury, character archetypes and canoeing’s ominous appeal hold up.

In the discussion (4)
Approx. transcript time · 00:39:42Read transcript
  • Reynolds’s sleeveless wetsuit, the shifting hierarchy after his injury, character archetypes and canoeing’s ominous appeal hold up. — Bill Simmons
  • The dead attacker’s convincing stillness over many scenes is praised. — Bill Simmons
  • Opening dialogue lays out the themes; the ambiguous deaths and need to believe Ed killed the right man invite revisiting. — Chris Ryan
  • Better planning is jokingly offered after the poor car arrangements and choice of landing bank. — Ryen Russillo
41:21

The Dion Waiters Award for Best Heat Check Performance

The convincing dead attacker and cucumber lady are initial candidates.

The convincing dead attacker and cucumber lady are initial candidates.

In the discussion (1)
Approx. transcript time · 00:41:21Read transcript
  • The convincing dead attacker and cucumber lady are initial candidates.
41:21

Just One Oscar

The convincing dead attacker is explicitly floated for Just One Oscar; the response says the possibility was consider...

The convincing dead attacker is explicitly floated for Just One Oscar; the response says the possibility was considered. This is a tentative suggestion, not a final award choice.

In the discussion (1)
Approx. transcript time · 00:41:21Read transcript
  • The convincing dead attacker is explicitly floated for Just One Oscar; the response says the possibility was considered. This is a tentative suggestion, not a final award choice.
45:10

The Great Shot Gordo Award for Most Cinematic Shot

Ed on the cliff and impaled by his own arrow

Ed on the cliff and impaled by his own arrow

In the discussion (1)
Approx. transcript time · 00:45:10Read transcript
  • Ed on the cliff and impaled by his own arrow is the choice; day-for-night photography gives an eerie appearance.
45:27

The Butch’s Girlfriend Award for the Weakest Link in the Film

Confusion about car shuttling is resolved, leaving criticism of arriving without a transport plan and trusting insult...

Confusion about car shuttling is resolved, leaving criticism of arriving without a transport plan and trusting insulted strangers.

In the discussion (2)
Approx. transcript time · 00:45:27Read transcript
  • Confusion about car shuttling is resolved, leaving criticism of arriving without a transport plan and trusting insulted strangers.
  • Drew is selected as the weak character, with his musical ability and collapse mocked.
47:30

What’s Aged the Worst?

Drew’s poorly motivated fall (gunshot, nervous collapse, or both disputed)

Drew’s poorly motivated fall (gunshot, nervous collapse, or both disputed)

In the discussion (5)
Approx. transcript time · 00:47:30Read transcript
  • Drew’s ambiguous fall is criticized as poorly motivated; a gunshot, nervous collapse or both are debated, with the book and director’s reported account distinguished. — Ryen Russillo
  • Voight’s resemblance to Angelina Jolie and Beatty’s teeth provoke objections and jokes. — Ryen Russillo
  • The exposed femur effect is criticized for looking artificial and anatomically misplaced. — Chris Ryan
  • Ed’s inability to shoot the deer is called an obvious setup; falling on his own arrow seems contrived.
  • The teeth, hat and gun leave the identity of Ed’s victim disputed; one participant likes the moral uncertainty while another finds it cheap. — Ryen Russillo
54:51

Is There a Better Title for This Movie?

No — Deliverance

No — Deliverance

In the discussion (1)
Approx. transcript time · 00:54:51Read transcript
  • Date Night and Guys Trip are jokes; Deliverance is defended as ominous and enduring, with its escape-from-city-life meaning discussed. — Ryen Russillo
56:46

The Stephen A. Smith Hottest Take Award

Deliverance is called secretly influential across wilderness and wrong-turn horror; Breakdown is cited and distinguis...

Deliverance is called secretly influential across wilderness and wrong-turn horror; Breakdown is cited and distinguished from U-Turn.

In the discussion (2)
Approx. transcript time · 00:56:46Read transcript
  • Deliverance is called secretly influential across wilderness and wrong-turn horror; Breakdown is cited and distinguished from the Sean Penn film mentioned alongside it. — Bill Simmons
  • The premise of a hostile local jury is questioned by asking whether the relatives would attend jury duty.
1:05:53

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Cox and Reynolds shouting about the law are nominated.

Cox and Reynolds shouting about the law are nominated.

In the discussion (2)
Approx. transcript time · 01:05:53Read transcript
  • Cox and Reynolds shouting about the law are nominated.
  • The attacker’s extended death rattle and Ed’s exaggerated trembling before shooting the deer are other choices.
1:07:13

The Joey Pants “That Guy” Award

Ronny Cox

Ronny Cox

In the discussion (2)
Approx. transcript time · 01:07:13Read transcript
1:08:20

The Dion Waiters Award for Best Heat Check Performance

The banjo child (Redden)

The banjo child (Redden)

In the discussion (1)
Approx. transcript time · 01:08:20Read transcript
  • The banjo child, Redden, wins; the hidden banjo player is also acknowledged.
1:10:40

Apex Mountain

No affirmative selection

No affirmative selection

In the discussion (2)
Approx. transcript time · 01:10:40Read transcript
  • Drunken fighting writers are considered, then Hemingway is favored over the Dickey era. — Ryen Russillo
  • The four actors are rejected; canoeing, banjos, disturbing assault, exposed femurs and sleeveless scuba vests are considered, with River Wild, Steve Martin and O Brother alternatives.
1:23:06

Sequel, Prequel, Limited Series, or All-Black Remake

An all-Black remake

An all-Black remake

In the discussion (1)
Approx. transcript time · 01:23:06Read transcript
  • An all-Black cast is enthusiastically proposed; prestige TV is considered but the lack of a plausible third season undermines it. — Ryen Russillo
1:24:07

Is This Movie Better With…?

Wayne Jenkins fits as sheriff, Lewis or a Griner brother; impressions imagine arrest, driving the car and coping with...

Wayne Jenkins fits as sheriff, Lewis or a Griner brother; impressions imagine arrest, driving the car and coping with the broken leg.

In the discussion (1)
Approx. transcript time · 01:24:07Read transcript
  • Wayne Jenkins fits as sheriff, Lewis or a Griner brother; impressions imagine arrest, driving the car and coping with the broken leg.
1:25:04

Just One Oscar

Burt Reynolds or Boorman

Burt Reynolds or Boorman

In the discussion (1)
Approx. transcript time · 01:25:04Read transcript
  • Burt Reynolds is one choice; Boorman is another for physically demanding direction, with The Longest Yard preferred as a Reynolds performance.
1:28:15

What Piece of Memorabilia Would You Want From This Movie?

Reynolds’s vest.

Reynolds’s vest.

In the discussion (1)
Approx. transcript time · 01:28:15Read transcript
  • The canoe is supplanted by Reynolds’s screen-worn vest, with a live-show outfit idea. — Bill Simmons
1:28:32

The Coach Finstock Award for Best Life Lesson

Never get out of the boat, avoid canoe trips, and know the water

Never get out of the boat, avoid canoe trips, and know the water

In the discussion (1)
Approx. transcript time · 01:28:32Read transcript
  • Never get out of the boat, avoid canoe trips, and know the water are the lessons. — Bill Simmons
1:29:19

Who Won the Movie?

Burt Reynolds

Burt Reynolds

In the discussion (3)
Approx. transcript time · 01:29:19Read transcript
  • Reynolds is selected for first-half star power and a second participant agrees. — Ryen Russillo
  • Georgia’s landscapes are floated, then the speaker explicitly returns to Reynolds. — Ryen Russillo
  • Before full stardom, Bert Reynolds could be taken out halfway through the movie by a broken leg; later he would want Lewis to win the day. — Chris Ryan
Podcast choices
Speaker not identified
Burt Reynolds
Speaker not identified
Burt Reynolds

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