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F1

year 2025decade 20sdirector Joseph Kosinski
Cast

Selected cast credits · Film reference

F1 | The Rewatchables

host Bill Simmonshost Chris Ryanhost Van Lathan
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Producer credits not yet identified.

The Stephen A. Smith Hottest Take Award

Younger-driver victory; distrust of card throwers; racing films over racing; diverted star career

In the discussion (8)
Approx. transcript time · 00:20:52Read transcript
  • An early hottest take argues the highly publicized relationship with Angelina Jolie diverted the career from additional substantial leading roles.
  • That career critique is challenged by successful or interesting work including World War Z, The Big Short, Inglourious Basterds and Burn After Reading.
  • A hottest take argues the younger driver should win, both for the story and to let younger stars inherit leading roles.
  • The counterargument says the film develops Sonny far more fully, making his victory more satisfying within the existing script; a reversed ending might still be more interesting.
  • Creed and Any Given Sunday are raised as examples of transferring sporting focus to younger leads.
  • An alternative ending makes Sonny a mentor on the radio after the crash; objections emphasize audience interest in the veteran and possible sequel directions.
  • The hottest take distrusts people who throw playing cards recreationally, calling it obsessive and useless; Gambit is the lone exception.
  • Another hottest take prefers racing films to real racing.

Casting What-Ifs

Unnamed driving-test rivals; deleted Simone Ashley role; unrealized Go Like Hell

In the discussion (3)
Approx. transcript time · 00:39:07Read transcript
  • Reported production facts include the season model, bidding package, star salary, driving training and additional script contributors; named alternative casting is unavailable.
  • The younger lead reportedly passed a driving test; unknown rival actors are not invented, and Simone Ashley’s deleted romance is discussed.
  • The director and star reportedly had an earlier unrealized racing project with Tom Cruise, called Go Like Hell.

Half-Assed Internet Research

Race access; crash model; editing; engineer inspiration; sponsorships; cameras

In the discussion (5)
Approx. transcript time · 00:39:07Read transcript
  • Reported production facts include the season model, bidding package, star salary, driving training and additional script contributors; named alternative casting is unavailable.
  • The director’s action filmmaking and earlier Mad World game commercial are praised, after the song is initially misidentified.
  • The reported budget and worldwide gross support a case that the film strengthened Apple’s theatrical credibility; classification of Cars 2 as a sports film is questioned.
  • Research covers negotiating race-weekend access without villainizing teams, the trailer’s Fleetwood Mac song, the historical crash model, a large editing pool and the engineer character’s inspiration.
  • The soundtrack, sponsorship financing and small remotely controlled cameras are discussed; real driving was intended to produce authentic facial intensity.

Roger Ebert's review

Rating not yet verified
In the discussion (1)
Approx. transcript time · 00:44:14Read transcript
  • Roger Ebert did not review the film because he had died; three-star predictions are hypothetical and comparisons to earlier films are not this film’s rating.

Most Rewatchable Scene

The flying finish (two choices); Monza (one choice)

In the discussion (9)
Approx. transcript time · 00:45:26Read transcript
  • The trailer, Whole Lotta Love, ice bath and Daytona opening efficiently establish Sonny’s character and are scene candidates.
  • The audition challenge and car flip are enjoyable, although the successful timing seems hard to reconcile with the driving errors.
  • The pub conversation and old-school/new-school training montage are scene candidates, with the canal setting and romantic chemistry praised.
  • The rain crash is praised for genuine uncertainty about whether the younger driver might die, unlike protected franchise characters.
  • The recovery montage, poker game and balcony monologue are scene candidates; the speech earns the later flying sensation.
  • Sonny insisting on racing despite medical objections and the final sprint are additional scene candidates; an Anton Chigurh coin toss is jokingly imagined.
  • Monza is one explicit scene choice, especially the rain, safety car, slingshot move and emergency response; the delayed British start is another favorite.
  • The flying finish is the next choice and receives agreement; Monza is the fallback.
  • The diner reunion between old friends is another beloved scene.

Picking Nits

Race eligibility; age and injury; jogging; pit mistakes; flashback; poker; van logistics

In the discussion (8)
Approx. transcript time · 00:50:39Read transcript
  • The strategic minor crashes are entertaining exposition but their legality and plausibility are questioned, with intentional fouling offered as an analogy.
  • Sonny’s age and spinal history are another weak-link choice, although others classify that implausibility as a nitpick they happily accept.
  • Sonny arriving after a long economy-class flight and racing without qualifying is criticized, especially given his injured back.
  • The jogging looks awkward; a counterargument says the movement may be character acting for an injured driver.
  • The pit-crew mistakes are said to merit immediate firing, with that judgment acknowledged as opinion rather than verified team policy.
  • The 1993 flashback wig and de-aging are criticized as unconvincing despite the budget.
  • The poker scene could be stronger, and the presence of Sonny’s van in Las Vegas is unexplained after international travel.
  • Long-haul travel, a metal rod in the back and double vision make safe elite racing seem implausible.

The most "year the movie came out" thing

Drive to Survive; Las Vegas; YouTube; global celebrity fandom

In the discussion (2)
Approx. transcript time · 01:01:06Read transcript
  • Drive to Survive, the Las Vegas race, YouTube archival footage and celebrity-heavy global popularity define the period.
  • Formula One fandom is compared with fashionable American soccer fandom, followed by a sports tangent and discussion of supporting teams versus drivers.

What’s Aged the Best?

Trailer persona; soundtrack; Kerry Condon; race graphics; diner waitress; morning runs; opening credits; pit-crew redemption

In the discussion (7)
Approx. transcript time · 01:04:01Read transcript
  • The star’s trailer-dwelling persona is praised, with favorite earlier roles including Floyd, Fight Club and Burn After Reading.
  • An expensive licensed soundtrack and a new-song album are aged-best selections.
  • Kerry Condon’s presence and the car-insult line are praised; the pit call box, box becomes a running joke.
  • The laundromat, radio and Led Zeppelin establish Sonny as out of step with modern life.
  • Technical graphics make race positions and strategy legible, while the glamorous setting works as an unusually effective advertisement for the sport.
  • The wise diner waitress, morning runs and old-fashioned opening credits are praised.
  • The nervous pit-crew member’s eventual redemption is enjoyed as an effective sports-film convention.

When I Would Have Died

Clearing gravel from the track

In the discussion (1)
Approx. transcript time · 01:10:31Read transcript
  • The death flex imagines being distracted while clearing gravel from the track rather than dying as a driver.

The Butch’s Girlfriend Award for the Weakest Link in the Film

Joshua’s manager; Sonny’s age

In the discussion (3)
Approx. transcript time · 01:10:55Read transcript
  • The manager is the initial weak-link choice despite praise for the performer, because the role is thin.
  • The manager needs a clearer comic or self-interested motive; his mild response to the athlete rejecting social media leaves the character underdeveloped.
  • Sonny’s age and spinal history are another weak-link choice, although others classify that implausibility as a nitpick they happily accept.

What’s Aged the Worst?

Roscoe’s death; multiple endings; limited driver interaction

In the discussion (3)
Approx. transcript time · 01:13:49Read transcript
  • The death of Lewis Hamilton’s dog Roscoe makes its appearance newly sad.
  • The multiple farewells and Baja ending are considered excessive; a defense says the final destination confirms Sonny’s commitment to driving rather than money.
  • More interaction with actual drivers is wanted; the aggressive British reporter is the overacting selection.

Top Five List

Old guys schooling young guys: Good Will Hunting; Star Wars tie; Above the Rim; Rocky V; Lean on Me

In the discussion (5)
Approx. transcript time · 01:16:06Read transcript
  • The invited top-five flex ranks Joe Clark confronting Sams on the Lean on Me roof fifth, with the dangerous method questioned.
  • Fourth is Rocky beating Tommy Gunn, whose provocation is said to justify the confrontation.
  • Third is Shep beating Kyle Watson one-on-one in Above the Rim; the deceased-friend subplot prompts a tangent.
  • Second is a tie between Yoda teaching Luke at Dagobah and Obi-Wan defeating Anakin in Revenge of the Sith.
  • After the rank is clarified as second rather than first, the top slot goes to the park-bench speech in Good Will Hunting, contrasting experience with intelligence.

Recasting Couch

No change

In the discussion (1)
Approx. transcript time · 01:24:22Read transcript
  • No director or city recasting is wanted; the absent producer’s flex is explicitly skipped.

Cruise or Hanks?

Cruise

In the discussion (1)
Approx. transcript time · 01:30:07Read transcript
  • Cruise is the immediate star choice; a possible Days of Thunder crossover and an aging-driver-license comedy are imagined.

Scorsese or Spielberg?

Scorsese; Spielberg

In the discussion (1)
Approx. transcript time · 01:30:50Read transcript
  • The filmmaker choice splits between Scorsese and Spielberg, with the latter defended through the spectacle of Jurassic Park.

Is This Movie Better With…?

Kirk Herbstreit; Mad Dog Russo

In the discussion (1)
Approx. transcript time · 01:36:28Read transcript
  • Hypothetical additions include a belated Kirk Herbstreit race call and Mad Dog Russo complaining about rain and tire changes.

Just One Oscar

Cinematography

In the discussion (1)
Approx. transcript time · 01:38:13Read transcript
  • Editing is initially suggested for the Oscar, then cinematography is preferred for the camera work.

Probably Unanswerable Questions

Anton Chigurh wardrobe; whether Sonny shows prejudice

In the discussion (2)
Approx. transcript time · 01:38:31Read transcript
  • A recurring hypothetical asks whether the team owner should dress like Anton Chigurh throughout.
  • A suggestion that Sonny shows a trace of racism through the participation-trophy line is rejected by another response.

The Coach Finstock Award for Best Life Lesson

Redeem missed potential; create breaks; workplace romance can work

In the discussion (2)
Approx. transcript time · 01:40:03Read transcript
  • Life lessons are that a missed sporting destiny can still be redeemed and that one should create one’s own breaks.
  • The successful workplace romance is offered as an additional life lesson.

Who Won the Movie?

Joseph Kosinski (two choices); Brad Pitt (one choice)

In the discussion (3)
Approx. transcript time · 01:40:45Read transcript
  • Joseph Kosinski receives the first explicit winner choice.
  • Joseph Kosinski receives a second explicit choice and agreement that the film matters more to his stature than to its established star.
  • Brad Pitt receives a dissenting final winner choice because the film confirms his renewed leading-man standing.
Podcast choices
Speaker not identified
Joseph Kosinski
Speaker not identified
Joseph Kosinski
Speaker not identified
Brad Pitt

More from the conversation

The final movie episode of 2025 follows a production whose long schedule, cost reports and technical demands had suggested a potential failure.
Approx. transcript time · 00:01:28Read transcript
The technical spectacle is praised as advancing filmmaking and delivering an exhilarating theatrical experience, while remaining enjoyable at home.
Approx. transcript time · 00:03:47Read transcript
The film is valued as a revival of the entertaining star-driven sports movie, alongside a broad history of racing films.
Approx. transcript time · 00:04:58Read transcript
Enjoyment of racing movies is distinguished from limited interest in watching actual races.
Approx. transcript time · 00:06:39Read transcript
Cooking, billiards and table tennis illustrate activities whose screen dramatization may be more appealing than routine viewing.
Approx. transcript time · 00:07:28Read transcript
The major crash and camera technology are praised as physical, emotional spectacle, with the director compared to Tony Scott.
Approx. transcript time · 00:09:41Read transcript
The final flying sequence, stripped-down sound and reaction shot of the team owner are praised as difficult emotional effects successfully earned.
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Celebrating spectators prompt a sports-movie tangent, followed by recollection of The Best That Never Was and Marcus Dupree footage.
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Effective sports tropes include the lost great talent, old-versus-young pairing, teammates overcoming differences, endangered team, inspirational speech, accident and climactic contest.
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The strategic underdog element is compared with Moneyball, especially winning through marginal gains rather than raw speed.
Approx. transcript time · 00:14:22Read transcript
Recruiting a retired specialist is another effective trope; the romantic lead refreshingly avoids simply opposing the dangerous pursuit.
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The engineer is praised as a credible professional and romantic partner; a claim that the romance develops too quickly is challenged by the season’s elapsed months.
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Sonny’s casual departure seems emotionally abrupt, while the casting and believable technical ambition strengthen the relationship.
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Moneyball and F1 establish a sports-film contribution within a long career; the late-career iconic phase is compared with Paul Newman.
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An explicitly invited response argues that the star’s eclectic choices and lack of a long-running action franchise distinguish him from contemporaries.
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The career is characterized as following interesting scripts rather than a fixed director or franchise strategy.
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Late-career transitions are compared with Redford, Newman, Cruise and Damon, with differing routes through a wilderness period.
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A comparison of seven durable films prompts disagreement over whether Damon is a true peer; cultural stature is offered as a different measure from filmography.
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Acting range and movie-star presence are distinguished, then disputed through role examples and the impact of public relationships.
Approx. transcript time · 00:26:12Read transcript
An affair-era scenario is jokingly proposed for the How Would Van Get Out category without a worked-out answer.
Approx. transcript time · 00:28:14Read transcript
An informal decade-by-decade athlete list names the North Dallas Forty lead, Ivan Drago, Tidwell or Beamen, the Friday Night Lights archetype, Adonis Creed and Joshua Pearce; the television character name and film title are confused and corrected during the 2000s slot.
Approx. transcript time · 00:28:33Read transcript
Sports speeches from Friday Night Lights, Any Given Sunday and Miracle enter the decade-list digression.
Approx. transcript time · 00:30:02Read transcript
The younger lead is praised for conveying a recognizable distracted rising-athlete archetype despite limited screen time and a cut love story.
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The partnership avoids a simple savior-mentor arc, and the growing morning jogging group communicates teamwork economically.
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The runtime feels justified by character beats and unhurried pacing.
Approx. transcript time · 00:34:25Read transcript
Sixteen covered films are attributed to Jerry Bruckheimer, illustrating five decades of popular filmmaking and a recent revival.
Approx. transcript time · 00:34:40Read transcript
The producer is praised for solving the film’s financial, logistical and technological challenges so that the expense appears on screen rather than visible compromises.
Approx. transcript time · 00:35:39Read transcript
A future Black Hawk Down episode prompts a suggestion to invite a special-operations commentator.
Approx. transcript time · 00:38:16Read transcript
Limited drinking and the absence of villainous real teams prompt discussion of the film as a Formula One promotional vehicle and of mixed reactions from insiders.
Approx. transcript time · 00:49:03Read transcript
A related Kerry Condon film prompts an extended villain-monologue tangent.
Approx. transcript time · 01:05:51Read transcript
A first-time family viewing of The Shawshank Redemption is recalled as a powerful surprise.
Approx. transcript time · 01:19:17Read transcript
A claim that a colleague participates in an offensive catchphrase is explicitly retracted: the colleague never said it and refused the proposed joke.
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A supposed athlete request to appear on another podcast is admitted as an intoxicated prank.
Approx. transcript time · 01:30:01Read transcript
Old televised racing footage is recalled as lacking enough cameras to capture major incidents.
Approx. transcript time · 01:34:22Read transcript
A joking podcast idea would assess prejudice in familiar film characters.
Approx. transcript time · 01:39:04Read transcript
Future roles, a sequel built around the younger driver and the prevalence of British casting in American roles are discussed.
Approx. transcript time · 01:41:23Read transcript
Closing thanks identify producers only by short or unclear names, then the hosts recall favorite episodes of the year.
Approx. transcript time · 01:43:37Read transcript