Singles The Rewatchables
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Singles

Most Rewatchable Scene

Alice in Chains sequence; implant consultation

In the discussion (21)
Approx. transcript time · 00:08:03Read transcript
  • The garage-door-opener detail and the Xavier McDaniel sexual-distraction scene became clearer and funnier with age.
  • Steve’s drunken club phone call once seemed as romantic as Lloyd Dobler’s boombox gesture.
  • Linda’s betrayal by the apparently mysterious Luis is a gutting opening that establishes emotional chaos before Steve enters.
  • Linda insisting she will not lose another garage opener and Steve resolving to focus on work express defensive certainty before romance disrupts it.
  • The Peter Horton negotiation and the “popcorn with half this city” line remain memorable.
  • Janet’s adoration cuts to Cliff’s Hendrix posturing and Touch Me I’m Dick, then his insistence that he sees other people meets her refusal to believe him.
  • Stoltz’s bitter talking mime provides an excellent transition into Alice in Chains performing.
  • Steve seeing Linda at the club is a love-struck reversal of his declared disinterest, followed by the sharp rejection that not having an act is itself his act.
  • The first date reveals Steve’s albums, wall decorations and X-Man poster, then his supertrain pitch meets Linda’s attachment to her car.
  • The Andy flashback establishes the sensitive-ponytail man and his emotional-larceny line.
  • The parking-underneath callback and Steve admitting he was nowhere near Linda’s neighborhood deepen the first-date sequence.
  • Xavier McDaniel’s basketball clip becomes the sexual-distraction cameo ending in the instruction not to come.
  • The café discussion that casual sex is lethal, with Cliff reacting as though he needs a clinic, is praised as the apparent blueprint for Friends’ dating-neighbors coffee-shop setup.
  • Vedder reading the devastating Citizen Dick review while Cliff tries to remain positive is a favorite short sequence; the review attacks his mediocre talent and urges him to leave town.
  • Piven’s fan recognizes Steve and invites him to DJ, demonstrating the Elvis Costello–Public Enemy mix; the short cameo felt authentic in 1992.
  • Debbie’s dating video and Tim Burton’s aspiring-director cameo are singled out as especially funny early-nineties material.
  • Depressed Steve passes the mime, then Soundgarden and the phone-booth call create another strong sequence.
  • Janet visiting the withdrawn Steve leads through the parallel-universe couple line into Drown.
  • The implant consultation is a final favorite: Pullman’s refusal to manipulate Janet’s body helps her recognize her worth, and he seems a better match than Cliff.
  • The concluding “What took you so long?” reunion is admired as an early example of Crowe’s climactic romantic line, later echoed in Jerry Maguire.
  • The whole Alice in Chains sequence, including the car ride, mime and Linda’s no-act rejection, receives two final scene choices.