Beverly Hills Cop

Most Rewatchable Scene

Axel checking into the Beverly Palm Hotel with the Rolling Stone and Michael Jackson routine, running all the way through the Serge gallery scene

In the discussion (10)
Approx. transcript time · 00:31:39Read transcript
  • Nothing in the first 20 minutes is exceedingly rewatchable to one host, who flips channels waiting for Axel to reach Beverly Hills; another disagrees, saying the chase is really good, and would watch an hour and a half of the cigarette deal as a Jim Jarmusch movie, and loves the Mean Streets moment that takes it out of 80s blockbuster territory; without the title you would not know what to make of Axel.
  • Axel arriving in Beverly Hills and checking into the hotel, claiming to be a Rolling Stone reporter in town to interview Michael Jackson, might be the funniest thing he has ever done; he cries racism without saying racism, playing an entitled white person and an affronted black person at the same time, which gets the manager to give him the room at half price; he overhears the no-reservations phone call so he has an opening line, and the wordless take at $240 a night is an all-timer.
  • From there it goes straight to Jenny Summers and the $130,000 piece with Serge, an almost impeccable nine minutes of comedy; an 80s trope of the pop song over the montage being turned down for a scene and brought back is noted as Stir It Up returns when he passes the two Michael Jacksons; the Serge part is compared to Shawn Michaels making any wrestler better, and Bronson Pinchot got a whole career and a sitcom out of two scenes after Risky Business.
  • Other nominations: the banana in the tailpipe, ordering the shrimp sandwich room service in the suite where the Rosewood and Taggart interplay starts, and the strip joint scene leading into the Super Cops monologue where everybody is cracking up; the 'Billy, you don't have to be embarrassed' bit and the Phil, Vanity Six exchange are recited.
  • The first team's 'not gonna fall for the banana in the tailpipe' outside Maitland's house became an iconic Little League taunt with no idea of the context, and Tiger Woods talking like the tailpipe guy in 1997 gave it five more years; the ending is enjoyed for the inept guards hailing bullets without hitting anyone in the age of the poorly deployed Uzi.
  • Axel getting chewed out by Cobb (as transcribed) over the truckload of cigarettes from the Dearborn hijack, with Paul Reiser's 'this is not my locker', is nominated; Cobb and James Russo are called the only two people who go over the top of Murphy, going higher than Icarus.
  • Asked for 30 seconds on James Russo and granted 45, the Michael Tandino thing is framed as a weird love story at the start of the movie that sets everything up. — Chris Ryan
  • The setup is a 24-hour working-class man using his vacation to solve a murder instead of going to Hawaii; an aside confirms Beverly Hills is its own city with its own police department, expensive, good schools, safe; the pool, bar and apartment sequence with Tandino is one host's rewatchable pick, and 'before he dies, they're doing it' is raised and saved for later.
  • Why the movie happened is saved for half-assed research; Axel at the customs facility asking about the Porsche and 'then you're my fucking problem' is added; the final pick is checking into the hotel all the way to Serge.
  • During the super cop scene John Ashton is visibly fighting laughter with his head down like a Carol Burnett show sketch, Ronnie Cox can be seen fighting it too, and Judge Reinhold reportedly pinched the inside of his thigh to keep from laughing at Eddie's ad libs; one host says it changes how he will watch the movie forever.