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In the discussion (1)
Approx. transcript time · 01:48:47Read transcript
  • The skipped line-reading award is recalled for Hoffman warning Jo about Meg’s town and later announcing an approaching F5 beside Meg’s ambulance.
Twister poster
Twister

Producer review

Enthusiastic first-view response; disputed Hoffman take

In the discussion (2)
Approx. transcript time · 01:49:38Read transcript
  • A first or unremembered earlier viewing leaves an enthusiastic impression of a tight emotional story and balanced effects; airplane turbulence reportedly amplified the experience.
  • Hoffman’s supporting work is controversially described as similar goofy outsider roles; Ripley is partially withdrawn from the comparison and The Master praised as different.
Austin Powers: The Spy Who Shagged Me poster
Austin Powers: The Spy Who Shagged Me

Most Rewatchable Scene

Spaceship euphemism montage; Mini-Me introduction

In the discussion (12)
Approx. transcript time · 00:22:17Read transcript
  • The Springer scene is nominated for Dr. Evil's entrance and ensuing brawl, while its dependence on the show's once-central cultural status is flagged as a future obstacle.
  • Mini-Me's introduction and immediate hostility to Scott are nominated; the reveal is remembered as a major comic event.
  • Verne Troyer's sudden celebrity is recalled through awards-show visibility and reality television, alongside acknowledgment of his later personal struggles.
  • The Alan Parsons Project sequence is nominated for Scott's sarcastic reactions and Dr. Evil's insulted response, while the musical reference may escape younger viewers.
  • The president and war room laughing at the $100 billion demand is nominated.
  • Austin's space fight with Mini-Me is nominated as effective slapstick and a callback to the first film's toilet sequence.
  • The spaceship euphemism montage is the favorite scene for one speaker and also amuses the producer; the Harrelson and Nelson cameos are highlighted, with an uncertain recollection that test reactions prompted extra filming.
  • Mini-Me's first scene remains another choice; the tent silhouette and objects emerging from the bag are additional nominees for juvenile but effective comedy.
  • The incompetent guard falling into the fire pit is nominated for its deliberate stupidity.
  • Fat Bastard's crying confession about eating and unhappiness is praised, though the character is considered more effective in 1999 than 2019.
  • Fat Bastard meeting Mini-Me and the baby-back-ribs song are additional memorable bits; the latter's 1969 setting is acknowledged as incoherent and its reference as time-bound.
  • The sex-scene lead-up with Frau Farbissina is considered weak, but the awkward coffee encounter afterward is praised and suggested as another rewatchable scene.
In the discussion (5)
Approx. transcript time · 00:29:15Read transcript
  • America Online's prominent name, email sound and video communication are most 1999 candidates, though the video technology looks surprisingly capable.
  • The Chili's jingle and Rebecca Romijn cameo are most 1999 candidates.
  • Myers's comedy-genius status and Starbucks expansion are most 1999 candidates; the Starbucks investment joke is nevertheless considered still effective.
  • Jerry Maguire catchphrases and Springer are further dated references.
  • America Online is the agreed most 1999 choice, prompting discussion of continuing to use an AOL address.
Austin Powers: The Spy Who Shagged Me poster
Austin Powers: The Spy Who Shagged Me

What’s Aged the Best?

Connected-sketch structure; Mini-Me–Scott feud

In the discussion (10)
Approx. transcript time · 00:31:31Read transcript
  • The opening credits and between-scene face-making transitions are praised for maintaining pace and coherence between sketches.
  • Mojo is praised as an enduring concept and the colorful, larger-budget production design is admired, including the canister's convincing appearance.
  • Dr. Evil's combination of Blofeld and a Lorne Michaels impression is praised; Dana Carvey's claim to the impression and the resulting estrangement are discussed, distinguishing comic invention from Myers's ability to build a film around a character.
  • Dr. Evil's unexplained oversized nipples are an aged-best choice.
  • The sex-scene lead-up with Frau Farbissina is considered weak, but the awkward coffee encounter afterward is praised and suggested as another rewatchable scene.
  • Mustafa calling up from below after his injury is praised as a successful repeated gag from the first film.
  • Mini-Me humping the laser and his hostile farewell card to Scott are aged-best choices.
  • I shall call him Mini-Me is praised as a reusable line, alongside the Mini-Me fight.
  • Final aged-best choices split between the unapologetic connected-sketch structure and the Mini-Me–Scott feud; Dr. Evil's nipples are explicitly rejected by the structure voter.
  • Lowe and Wagner are proposed as aged-best choices, interrupted by an explicitly speculative and then qualified accusation about Natalie Wood's death; the speakers acknowledge they do not know what happened.
Austin Powers: The Spy Who Shagged Me poster
Austin Powers: The Spy Who Shagged Me

What’s Aged the Worst?

Felicity with Fat Bastard; musical numbers

In the discussion (5)
Approx. transcript time · 00:37:56Read transcript
  • Felicity sleeping with Fat Bastard is the final aged-worst choice for one speaker, who finds the encounter gross despite understanding the plot reason.
  • Kristen Johnston's Ivana Humpalot scenes are criticized for an unfunny performance and accent.
  • Fat Bastard reusing the Scottish voice from Axe Murderer is criticized, with Shrek completing the trio of similar voices.
  • Just the Two of Us and the One of Us musical bits are disliked; musical numbers are the other final aged-worst choice.
  • Colin Quinn reportedly turned down Scott Evil in the original film; the missed opportunity is noted alongside the earlier Carrey story.
In the discussion (3)
Approx. transcript time · 00:34:18Read transcript
  • Jim Carrey reportedly passed on Dr. Evil in the original film, prompting a question about why Carvey was not approached and speculation about the pair's relationship.
  • Colin Quinn reportedly turned down Scott Evil in the original film; the missed opportunity is noted alongside the earlier Carrey story.
  • Rob Lowe reportedly obtained the young Number Two role after doing a Robert Wagner impression while golfing with Myers; knowing Wagner through dating his daughter is offered as background.
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