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Podcast producer

Julia Phillips

Julia Phillips is acknowledged as a producer in the episode transcript.

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The Sting poster
The Sting

Half-Assed Internet Research

The Sting The Rewatchables

Period streets and cars; an accidental drink spill; the diner set; Redford’s broken thumb and lateness; the adapted score; Julia Phillips’s producing milestone.

In the discussion (11)
Approx. transcript time · 01:26:25Read transcript
  • George Roy Hill reportedly copied the sparse extras of 1930s gangster films, creating empty-looking streets.
  • Many cars were authentic period vehicles sourced by producer Tony Bill.
  • Snyder pouring the rejected drink onto Billie’s hand was an accident retained in the film.
  • The diner set later appeared in Back to the Future.
  • Redford worked around a broken thumb from a skiing accident.
  • Robert Shaw recalled people recognizing Newman more than Redford; the hosts question whether he was teasing Redford.
  • The adapted-score Oscar recognized Marvin Hamlisch’s arrangement of Scott Joplin music, a category whose rules later changed.
  • The discussion contrasts a proposed 1930s Chicago blues soundtrack with Hill’s preference for older ragtime music.
  • Julia Phillips became the first woman to win Best Picture as a producer.
  • Julia Phillips recalled that the producers had not negotiated their credit lettering, leaving their names looking less prominent.
  • Phillips reported that Newman confronted Redford about arriving late, after which Redford reduced his lateness.
Close Encounters of the Third Kind poster
Close Encounters of the Third Kind

Half-Assed Internet Research

Research covers Schrader's rejected script, military noncooperation, the alien performers, the $3.3 million effects budget, motion-control advances, and Truffaut's response to the sets.

In the discussion (13)
Approx. transcript time · 01:36:40Read transcript
  • Spielberg is quoted calling Paul Schrader's screenplay one of the most embarrassing scripts submitted to a studio or director.
  • Schrader's version reportedly followed an experiencer who threatened to expose the government after fifteen years of attempted contact.
  • The Air Force and NASA reportedly refused to cooperate, which Spielberg interpreted as encouraging evidence for the film.
  • Julia Phillips criticized Spielberg as a perfectionist before being removed from the production.
  • Fifty girls, each six years old and from Mobile, were cast as aliens after puppetry failed.
  • Douglas Trumbull supervised visual effects that advanced motion-control photography.
  • The visual-effects work is reported to have had a $3.3 million budget.
  • Ralph McQuarrie's contribution to the mothership is noted alongside his Star Wars work.
  • Truffaut reportedly ignored the giant landing-site set but praised the small hotel-room set as familiar to his filmmaking experience.
  • Truffaut's role is defended because communication beyond language is a central theme and his films influenced the filmmakers' generation.
  • The Searchers is cited as a visual influence, including its doorway and horizon compositions.
  • Topps reportedly issued sixty-six trading cards and eleven stickers, excluding Dreyfuss and Truffaut at their request.
  • Jaws, Rocky, Rocky II, and E.T. are cited as other films with card sets.
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