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Film credit

John Diehl

Stats

Episodes featuring their films
3
Movies in this archive
4

Rewatchables episodes featuring John Diehl’s films

A Time to Kill

1996 film

Bill Simmons · Wesley Morris

Aired July 11, 2023

Stripes

1981 film

Bill Simmons · Brian Koppelman

Aired June 22, 2021

Displaying all 3 episodes

Mentioned in discussions

National Lampoon’s Vacation

Apex Mountain

D’Angelo; family-vacation films; Ferrari 308 GTS; Brinkley; dead aunts (tentative); white privilege

In the discussion (13)
Approx. transcript time · 01:16:49Read transcript
  • Chase’s apex is disputed between this film and Fletch, with Clark’s popular recognition and the later Christmas film’s longevity supporting Vacation.
  • D’Angelo receives an affirmative apex selection. — Bill Simmons
  • Hall is rejected in favor of The Breakfast Club or Weird Science; his Dark Knight role is raised as another comparison.
  • Family vacation films receive agreement.
  • The Ferrari 308 GTS receives an affirmative Apex choice. — Bill Simmons
  • Brinkley receives an affirmative choice, with the near-contemporary Uptown Girl video considered as an alternative. — Bill Simmons
  • John Diehl is rejected as not yet at his peak; a later television death is suggested, and Madhouse is recalled as another strong appearance.
  • Holiday Road prompts a debate about purpose-written 1980 s opening-credit songs: The Power of Love and Danger Zone are favored alternatives, while Purple Rain and Call Me raise eligibility questions. — Chris Ryan
  • The Power of Love is distinguished as perhaps the strongest standalone song, while Danger Zone and Holiday Road are praised for immediately establishing their films’ moods.
  • Candy is rejected for Apex here. — Bill Simmons
  • Roller-coaster films are initially affirmed, then withdrawn after Fear and Final Destination are mentioned.
  • Dead aunts receive a tentative number-one claim without a competing example.
  • Clark repeatedly escaping consequences is belatedly labeled an apex of white privilege. — Van Lathan
In the discussion (5)
Approx. transcript time · 01:10:04Read transcript
A Time to Kill

What’s Aged the Best?

Mississippi atmosphere; cast presence; surnames; familiar character actors; lawyer’s office

In the discussion (8)
Approx. transcript time · 00:45:56Read transcript
  • The sweaty Mississippi atmosphere makes the setting physically palpable. — Bill Simmons
  • Bullock and Judd’s screen presence and Kiefer’s committed villainy remain strengths. — Bill Simmons
  • Platt’s prepared but spontaneous presence and playful chemistry with Bullock are praised. — Wesley Morris
  • Attractive female characters addressed by surname, such as Roark, are nominated. — Bill Simmons
  • Anthony Heald’s familiar smarmy-doctor persona makes his unreliability instantly recognizable from The Silence of the Lambs. — Wesley Morris
  • John Diehl’s sympathetic Klansman role is recalled, while the idea that a Klansman can be a good guy is explicitly challenged. — Bill Simmons
  • Research reportedly claims McConaughey began filming while dating Judd and subsequently dated Bullock for two years; the claim surprises the other participant and is not independently established. — Bill Simmons
  • The old-fashioned lawyer’s office with a secretary announcing visitors and managing the day is a timeless movie device. — Wesley Morris
Displaying all 4 discussions

Films in the archive