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The opening tracking shot

Bill Simmons: The 7:47 opening tracking shot is nominated and ultimately selected.

Bill Simmons: The opening includes Buck Henry pitching The Graduate Part II.

The film

The Player (1992)

Directed by Robert Altman · Comedy

124 minutes

Cast

Selected cast credits · Film reference

Tim Robbins Griffin Mill
Greta Scacchi June Gudmundsdottir
Fred Ward Walter Stuckel
Whoopi Goldberg Detective Susan Avery
Peter Gallagher Larry Levy
Brion James Joel Levison
Cynthia Stevenson Bonnie Sherow
Vincent D'Onofrio David Kahane
Dean Stockwell Andy Sivella
Richard E. Grant Tom Oakley

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

32:47

Most Rewatchable Scene

The opening tracking shot

The opening tracking shot

In the discussion (14)
Approx. transcript time · 00:32:47Read transcript
49:37

What’s Aged the Best?

Early-1990s Los Angeles, the no-stars pitch, cameos, Randall Batinkoff, anonymous threats, and Hollywood-insider jokes

Early-1990s Los Angeles, the no-stars pitch, cameos, Randall Batinkoff, anonymous threats, and Hollywood-insider jokes

In the discussion (14)
Approx. transcript time · 00:49:37Read transcript
1:00:28

What’s Aged the Worst?

Spelling Entertainment, car phones and fax machines, the rattlesnake, Griffin’s police-station laugh, June’s characte...

Spelling Entertainment, car phones and fax machines, the rattlesnake, Griffin’s police-station laugh, June’s characterization, clothes, and the Range Rover

In the discussion (10)
Approx. transcript time · 01:00:28Read transcript
  • Spelling Entertainment’s credit alongside its television slate is treated as incongruous.
  • Car fax machines and giant mobile phones are dated. — Bill Simmons
  • June Gudmundsdottir’s unusually long name is questioned, then explained as common in Iceland. — Wesley Morris
  • The rattlesnake-in-the-car torment is questioned. — Sean Fennessey
  • Griffin’s police-station laughing scene is considered overly broad. — Bill Simmons
  • June’s motivations and lack of suspicion toward Griffin are questioned. — Bill Simmons
  • The panel disputes whether the problem is Greta Scacchi’s performance or the character writing.
  • June is read as an intentionally distant noir-artist archetype.
  • The double-breasted clothes are criticized. — Bill Simmons
  • The Range Rover as a power vehicle is treated as dated.
1:12:46

The Joey Pants “That Guy” Award

Leah Ayres

Leah Ayres

In the discussion (2)
Approx. transcript time · 01:12:46Read transcript
1:15:28

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Cynthia Stevenson as Bonnie, in the climactic confrontation

Cynthia Stevenson as Bonnie, in the climactic confrontation

In the discussion (1)
Approx. transcript time · 01:15:28Read transcript
1:15:39

The Dion Waiters Award for Best Heat Check Performance

Whoopi Goldberg

Whoopi Goldberg

In the discussion (3)
Approx. transcript time · 01:15:39Read transcript
1:22:51

Apex Mountain

Cynthia Stevenson, double-breasted suits, Leeza Gibbons in 1992, and Randall Batinkoff’s early-1990s run: yes

Cynthia Stevenson, double-breasted suits, Leeza Gibbons in 1992, and Randall Batinkoff’s early-1990s run: yes

In the discussion (15)
Approx. transcript time · 01:22:51Read transcript
1:34:28

Sequel, Prequel, Limited Series, or All-Black Remake

A ten-episode contemporary adaptation; doubtful it would improve on Altman

A ten-episode contemporary adaptation; doubtful it would improve on Altman

In the discussion (4)
Approx. transcript time · 01:34:28Read transcript
  • A ten-episode version could spend more time with the different characters. — Bill Simmons
  • A contemporary version could update the story with the internet. — Bill Simmons
  • The mystery element is offered as a reason an episodic version could sustain binge viewing. — Bill Simmons
  • The hosts would adapt the book rather than remake Altman’s movie.
1:41:22

What Piece of Memorabilia Would You Want From This Movie?

The M poster, Griffin’s suit and Rolls-Royce, the Rialto cinema, and the studio jeans

The M poster, Griffin’s suit and Rolls-Royce, the Rialto cinema, and the studio jeans

In the discussion (5)
Approx. transcript time · 01:41:22Read transcript
1:42:17

Who Won the Movie?

Robert Altman

Robert Altman

In the discussion (2)
Approx. transcript time · 01:42:17Read transcript
  • The panel immediately agrees that Altman wins. — Bill Simmons
  • The win is framed as another major Altman comeback. — Bill Simmons

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