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Internal Affairs poster

Internal Affairs

115 minutes

Cast

Selected cast credits · Film reference

Richard Gere Dennis Peck
Andy Garcia Raymond Avilla
Nancy Travis Kathleen Avilla
Laurie Metcalf Amy Wallace
William Baldwin Van Stretch
Michael Beach Dorian Fletcher
Faye Grant Penny Stretch
Katherine Borowitz Tova Arrocas
John Kapelos Steven Arrocas
Xander Berkeley Rudy Mohr
Allan Havey Judson
Julio Oscar Mechoso Cousin Gregory
Marco Rodriguez Demetrio
Annabella Sciorra Heather Peck
Ron Vawter Jaegar
Elijah Wood Sean Stretch

Internal Affairs | The Rewatchables

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Producer credits not yet identified.

Most Rewatchable Scene

The first Dennis–Raymond encounter; the jealousy sequence through the elevator fight.

In the discussion (11)
Approx. transcript time · 00:30:23Read transcript
  • The middle hour is praised as the film's strongest stretch; the first nominated scene is Raymond meeting Dennis at the taco stand.
  • Dennis turns Raymond's insinuation about Penny into an intimate attack on his own marriage, blurring manipulation with apparent friendly advice.
  • Dennis's speech that all wives seek something new is a memorable part of the taco-stand encounter.
  • The taco-stand scene reveals Peck's real nature after earlier scenes present him as a helpful father figure to colleagues.
  • Dennis meets the Arrocas, fondles the wife while the husband asks him to kill his parents, and converts the secret into leverage; John Kapelos's awkwardness is praised.
  • The second Dennis–Raymond encounter deliberately provokes punches with explicit sexual taunts. The first encounter is considered subtler and harder to perform.
  • The camera pulls back during Van's phone call to reveal Penny having sex with Dennis, a shocking and sad reveal.
  • Dennis arranges Van's shooting, kills the shooter and finishes Van as he pleads to return to his child; the initially abusive man becomes sympathetic.
  • The later shootout and chase are solid additional action scenes.
  • Raymond's jealousy after Dennis's lunch with his wife leads to the elevator ambush and brutal sexual taunts.
  • Final preferences divide between the first restaurant encounter and the jealousy-to-elevator sequence, whose sudden danger resembles horror.

What’s Aged the Best?

Evidence planting; menswear and haircuts; Los Angeles; Figgis; Metcalf; marriage tension; co-parenting; revised ending; mall security; cuckolding.

In the discussion (13)
Approx. transcript time · 00:45:11Read transcript
  • Evidence planting remains an effective fictional device, especially before ubiquitous cameras and phones.
  • The good investigator beginning to resemble the corrupt man he pursues.
  • Off-duty menswear, including Gere's polo and sunglasses, remains contemporary.
  • Figgis contributing music and appearing as Nancy Travis's dinner companion.
  • Los Angeles as a vibrant crime-film setting, and Gere and Garcia's early-1990s haircuts.
  • Laurie Metcalf excels despite a limited role and has strong chemistry with Garcia.
  • The unusual sexual slang root, made ironic by Peck's affair with Van's wife.
  • Unfinished suburban developments as crime-film locations and suspiciously expensive houses revealing corruption.
  • Faye Grant's performance and the tense Garcia–Travis marriage, with her sexual frustration and his fixation on work.
  • Peck's unconventional co-parenting and the dirty-cop excuse that a woman is his informant.
  • Replacing the convoluted original ending, with a threatened assault, shooting, window fall and apparent drowning, after hostile test reactions.
  • Xander Berkeley as Rudy and cops forced to work second jobs as mall security.
  • The cuckolding theme is much more widely recognized in contemporary culture.

The Great Shot Gordo Award for Most Cinematic Shot

Van’s death with the approaching ambulance; the under-table touch; Penny’s phone-call reveal.

In the discussion (3)
Approx. transcript time · 00:54:24Read transcript
  • Peck choking Van as the ambulance approaches behind him, reflected lights visible on the door.
  • The rear view of Peck touching Mrs. Arrocas's leg with her husband between them.
  • The pullback revealing Penny atop Dennis during the phone call.

What’s Aged the Worst?

Domestic violence, Amy’s lost authority, old computers, missing boxing and nightclub scenes, and lost Raiders tickets.

In the discussion (8)
Approx. transcript time · 00:57:54Read transcript
  • The film treats possessive obsession and violence as evidence of love.
  • Taking the officer's Raiders tickets denies him a chance to see peak Bo Jackson and sends him to mall duty instead.
  • Old police computers with green text.
  • The cousin's nightclub scene is too brief to explore its world.
  • Veteran investigator Amy inexplicably lets Raymond take over, with his physical assertion of power carrying a sexual charge.
  • A boxing-training scene could establish Raymond's toughness; his actual fighting offers little support for his reputation.
  • The film's overall attitude toward domestic violence is condemned.
  • Garcia's angry laughing mannerism is enjoyed but questioned as an effective reaction to his wife.

Is This Movie Better With…?

Byron Mayo; Ramon Raymond proposed as a future option.

In the discussion (2)
Approx. transcript time · 01:03:59Read transcript
  • Ramon Raymond is proposed as a recurring addition to the category's stock characters.
  • Wayne Jenkins is almost too scandalized by these cops; Byron Mayo instead proposes gathering the characters over oysters at an unfinished house.

The Stephen A. Smith Hottest Take Award

Internal affairs deserves more credit; Tova may be the true villain.

In the discussion (2)
Approx. transcript time · 01:07:27Read transcript
  • Internal affairs is more worthwhile work than films admit; police-centered storytelling makes accountability officers look like obstructive snitches and encourages sympathy for Peck.
  • Tova may be the true villain, engineering the deaths of her husband's parents and then her husband.

The Joey Pants “That Guy” Award

John Kapelos; Marco Rodriguez and the cousin at the bar are alternatives.

In the discussion (2)
Approx. transcript time · 01:13:25Read transcript

Apex Mountain

Richard Gere and Andy Garcia in 1990; cops sleeping with partners’ wives; slapping.

In the discussion (8)
Approx. transcript time · 01:17:32Read transcript
  • Gere is affirmed for the 1990 combination with Pretty Woman, and Garcia for the same year's Godfather Part III combination.
  • Billy Baldwin is rejected in favor of Backdraft or the film described as Thief of Hearts in the transcript.
  • The Valley receives a suggested case for looking cool and wild, contrasted with Boogie Nights and Magnolia.
  • Dirty Los Angeles cops is debated against Colors, The Onion Field and L.A. Confidential. Internal affairs and cops moonlighting as hitmen are floated without a clear final declaration.
  • Nancy Travis loses to So I Married an Axe Murderer; Metcalf and Sciorra are rejected; Faye Grant gets only a probable yes.
  • Imagining one's wife with another man loses to Indecent Proposal after comparisons with The Best Man, The Big Picture and Unfaithful.
  • Cops sleeping with partners' wives and slapping in movies receive affirmative answers.
  • Gere is tentatively proposed as the apex of an attractive villain, without a firm conclusion.

Sequel, Prequel, Limited Series, or All-Black Remake

A revisionist pro-Peck documentary; a sequel about his grown children.

In the discussion (2)
Approx. transcript time · 01:28:58Read transcript
  • A revisionist documentary could portray Peck as a loving father and relationship fixer, recutting Garcia as the villain.
  • A sequel follows Peck's grown children terrorizing Los Angeles in the late 2000s, blaming their father and perhaps sharing an influencer house.