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Close Encounters of the Third Kind poster

Close Encounters of the Third Kind

year 1977decade 70sdirector Steven Spielberggenre science fiction drama

135

IMDb
Cast

Selected cast credits · Film reference

Richard Dreyfuss Roy Neary
François Truffaut Claude Lacombe
Teri Garr Ronnie Neary, Roy's wife. Meryl Streep and Amy Irving also auditioned for the role
Melinda Dillon Jillian Guiler. Garr wanted to portray Jillian, but was cast as Ronnie. Hal Ashby
Bob Balaban David Laughlin, Lacombe's assistant and English-French interpreter
J. Patrick McNamara Project Leader
Warren J. Kemmerling Major "Wild Bill" Walsh
Phil Dodds Jean Claude
Cary Guffey Barry Guiler, Jillian's son. Spielberg conducted a series of method acting techniques to help Guffey
Merrill Connally Team Leader
George DiCenzo Major Benchley
Josef Sommer Larry Butler
Carl Weathers Military Police
David Abraham Cheulkar English-Hindi interpreter

Close Encounters of the Third Kind | The Rewatchables

host Bill Simmonshost Chris Ryanhost Sean Fennesseyproducer Craig Horlbeck theme Big-Ass '70s Month
Explore episodeClose episode

Most Rewatchable Scene

Roy's railroad-crossing close encounter wins after an extensive field that includes air traffic control, Barry's bedroom, India, the abduction, the town hall, mashed potatoes, and the landing.

In the discussion (9)
Approx. transcript time · 00:47:53Read transcript
  • The air-traffic-control sequence builds suspense from radio dialogue, camera movement, and overlapping controller reactions.
  • Barry's bedroom encounter is praised as a major practical-effects achievement and a precursor to Poltergeist.
  • Roy's railroad-crossing encounter and the UFO highway chase are nominated as an escalating seven-minute sequence.
  • The Northern India crowd singing the five-note theme is praised for communicating the melody's importance before its meaning is known.
  • Barry's abduction through the dog door is nominated while prompting questions about the house.
  • The Air Force town hall is nominated for showing Roy resist what is happening to him.
  • The mashed-potato dinner is praised for combining an ordinary family setting with Roy's mounting obsession.
  • Roy throwing material into the house, the eavesdropped UFO communication, and the final landing sequence complete the nominee field.
  • The final answer selects Roy's close encounter at the truck and railroad crossing, and another participant agrees.

The most "year the movie came out" thing

The 1977 markers include World War II's recency, always-on television, rotary phones, neighborhood streets, and whole milk.

In the discussion (6)
Approx. transcript time · 00:58:32Read transcript
  • The story treating World War II as only thirty years earlier is proposed as a distinctly 1977 perspective.
  • Roy leaving broadcast television on for hours to receive news is identified as a vanished media habit.
  • A McDonald's sign advertising only twenty-four billion served is singled out as a period marker.
  • Rotary phones and neighbors gathering in the street are proposed as additional 1977 details.
  • A three-year-old child named Barry is treated as a name choice unlikely to recur now.
  • A pitcher of whole milk at the dinner table is the final period candidate.

What’s Aged the Best?

The direction, practical effects, Dreyfuss, Dillon, child performance, and suburban wonder have aged best.

In the discussion (13)
Approx. transcript time · 01:02:25Read transcript
  • The film preserves wonder about UFOs while the panel debates whether extraterrestrial visits have occurred.
  • Recurring maps, crossroads, and shots of Roy moving against crowds are praised as visual expressions of his inner life.
  • Melinda Dillon's performance and the mission-control worker who solves the coordinate problem are separate Aged Best choices.
  • The film's combination of cynicism, wonder, spectacle, and family story is credited with influencing later event filmmakers.
  • Motion-control photography, Douglas Trumbull's effects, Bob Baker's marionette, and Spielberg's limited writing credits receive craft praise.
  • Gene Siskel's description of the film as a fairy tale for adults is praised as its best concise description.
  • Small-town suburban America is praised as a durable setting inherited by later adventure stories.
  • The film's refusal to explain the alien compulsion literally is said to keep it timeless.
  • Roy's half-face sunburn and Barry's performance are praised as memorable character details.
  • Spielberg is reported to have elicited Barry's reactions by slowly opening presents above the camera.
  • The giant globe, Devil's Tower plot, numbered youth shirts, and the family's domestic setting receive further period appreciation.
  • The long Spielberg-Michael Kahn editing partnership is reported to have begun on this film.
  • Melinda Dillon's 1977 work and her appearances in two famous mashed-potato scenes are praised.

The Great Shot Gordo Award for Most Cinematic Shot

Barry's abduction light, India, the crowd embrace, and the five-note board lead an unusually deep field.

In the discussion (6)
Approx. transcript time · 01:14:40Read transcript
  • The wide view of the house under the stars is nominated.
  • Barry's red-lit abduction doorway is nominated.
  • Roy and Jillian embracing while crowds stream around them is a leading choice.
  • The India sequence is nominated for its crowded composition.
  • The five-note communication board is selected as a chills-inducing image.
  • The wind-blown opening and Devil's Tower appearing on television beside Roy's sculpture are additional choices.

The Butch’s Girlfriend Award for the Weakest Link in the Film

Larry Butler and Roy's failures as a husband and father are the main weak links.

In the discussion (3)
Approx. transcript time · 01:17:50Read transcript
  • Larry Butler is criticized as under-realized in an otherwise carefully cast film.
  • Roy is attacked as a husband and father for abandoning three children and his wife.
  • The panel also considers whether alien contact creates an obsession that makes Roy's decision unavoidable.

What’s Aged the Worst?

Some alien effects, too little period-appropriate smoking, the lack of PTSD awareness, stealth observation, and endless recutting have aged worst.

In the discussion (6)
Approx. transcript time · 01:20:39Read transcript
  • The child-performed alien suits are criticized while the marionette and final alien are defended.
  • The lack of cigarette smoking is selected as an element that does not match the film's 1977 setting.
  • The family's failure to recognize Roy's trauma and half-face burn as evidence of PTSD is judged to have aged badly.
  • The possibility of keeping UFO observation secret in a camera-phone era is rejected.
  • The forgotten television series Soap and its abduction plot are proposed as a dated reference.
  • The mothership interior in the 1980 cut and repeated recutting are criticized as revisions that aged poorly.

The Stephen A. Smith Hottest Take Award

Roy's decision to leave may be defensible, and the movie may be the best ever with a six-word title.

In the discussion (6)
Approx. transcript time · 01:25:00Read transcript
  • The panel argues that first contact with extraterrestrial life could justify Roy leaving his family.
  • Close Encounters is proposed as the best movie with a title of six or more words.
  • The Fellowship of the Ring and Everything Everywhere All at Once are considered as long-title alternatives, with Close Encounters preferred to Fellowship.
  • Dr. Strangelove, Den of Thieves 2: Pantera, and The Assassination of Jesse James by the Coward Robert Ford are proposed as further long-title contenders.
  • Borat is conceded to be funnier, but the panel still does not rank it above Close Encounters overall.
  • A hypothetical 2025 remake is criticized as likely to turn Roy into an online obsessive, medicate the children, provoke protests, and scare away the aliens with phones.

Apex Mountain

Spielberg is rejected before Dreyfuss and post-New-Hollywood UFO movies receive apex status.

In the discussion (11)
Approx. transcript time · 01:41:15Read transcript
  • Steven Spielberg is considered and immediately rejected as being at his apex here.
  • Richard Dreyfuss is placed at his apex because he won an Oscar and starred in major films during this run.
  • The film is selected as the apex of UFO movies in the post-New-Hollywood era.
  • UFO-related sunburns are given an apex here.
  • François Truffaut is rejected as being at his apex here.
  • Melinda Dillon is considered near her apex because Close Encounters and Slap Shot arrived the same year.
  • Mashed potatoes and their use as construction material receive an apex nomination.
  • Movie fathers losing control is rejected in favor of The Shining and Goodfellas examples.
  • Muncie, Indiana is proposed as reaching its screen apex here.
  • Teri Garr's apex is deferred to her Tootsie and talk-show era.
  • Bad parenting in a major hit is debated against This Boy's Life and other examples.

Cruise or Hanks?

Hanks wins, though Cruise better fits the obsessive drive.

In the discussion (2)
Approx. transcript time · 01:44:53Read transcript
  • Tom Hanks wins because he better fits Roy's ordinary working-life identity.
  • Tom Cruise is praised as the stronger choice for Roy's obsession but risks turning the story into an action movie.

Sequel, Prequel, Limited Series, or All-Black Remake

A prestige sequel about returned abductees is pitched while the original remains effectively untouchable.

In the discussion (3)
Approx. transcript time · 01:54:21Read transcript
  • A prestige series is proposed about returned abductees adjusting to families that aged without them.
  • Roy's eventual return is proposed as a first-season ending.
  • The panel notes Spielberg considered but rejected sequel opportunities despite making other sequels.

Is This Movie Better With…?

Doris Burke, a skeptical Jay Williams character, and Wilford Brimley are inserted into the film.

In the discussion (3)
Approx. transcript time · 01:55:26Read transcript
  • Doris Burke is proposed to address Roy's oldest son about becoming the man of the house.
  • Jay Williams is proposed as a skeptical commentator who minimizes Lacombe's achievement and questions the science.
  • Wilford Brimley is proposed to question Mitch about what Jillian finds at Devil's Tower.

Just One Oscar

Spielberg wins, with John Williams and the cinematography also considered.

In the discussion (2)
Approx. transcript time · 01:58:09Read transcript
  • Steven Spielberg is selected for the film's single Oscar.
  • John Williams and the cinematographers are considered as alternatives.

What Piece of Memorabilia Would You Want From This Movie?

The jumpsuit, clay mountain, cymbal monkey, and a 1977 McDonald's burger are selected.

In the discussion (4)
Approx. transcript time · 02:01:43Read transcript
  • Roy's mission jumpsuit is selected as memorabilia.
  • Roy's clay Devil's Tower sculpture is selected as memorabilia.
  • Barry's cymbal-banging monkey toy is selected as memorabilia.
  • A 1977 McDonald's burger is proposed as a time-specific collectible and taste comparison.

The Coach Finstock Award for Best Life Lesson

Trusting your gut can justify leaving everything behind, at least within the movie's logic.

In the discussion (2)
Approx. transcript time · 02:02:29Read transcript
  • The joking lesson says following an extraordinary intuition can justify leaving one's family.
  • The panel debates whether the lesson holds only if the aliens are real or if Roy is delusional.