Out of Sight The Rewatchables
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Out of Sight

Most Rewatchable Scene

Hotel bar scene; trunk scene

In the discussion (28)
Approx. transcript time · 00:47:27Read transcript
  • The trunk scene is introduced as the candidate that is going to win.
  • Snoopy's prison shakedown of Albert Brooks's Ripley, ending with the goldfish killing, is praised as an amazing four-minute scene with a beginning, middle and end.
  • The ending is loved for being so mean: Clooney's character gives Ripley a prison education in being a mark, and the price rises from two grand to three.
  • Killing the fish is a signpost that the character is truly bad, like Dennis Freena threatening Charles Groden in Midnight Run, and it gives the movie jeopardy.
  • The earlier kidney shank after a thrown fight felt like 'just prison'; only the goldfish made him the bad guy.
  • Albert Brooks plays the shakedown like a pawn-shop haggle, and the Bauschen Lom mispronunciation is great comedy.
  • Michael Keaton's one scene is a candidate that won't win; Tarantino allowed his Jackie Brown character in the movie as a crossover, and Lopez wears a Marino jersey.
  • A speaker who puts actors from earlier shows on the next one recalls a Cougar Town and Community crossover with Danny Poody working as an extra.
  • Keaton reportedly took no money and liked that viewers might see the character as a real cop; Tarantino had to clear the cameo across two studios.
  • Keaton's uncomfortable laugh when Dennis Farina confronts him only lands if you have seen Jackie Brown; it may be the only movie with two Batmen.
  • Asked for a favorite crossover, the answer recalls a Facts of Life and Different Strokes connection. — Ryen Russillo
  • The favorite crossover offered is Coolidge from The White Shadow appearing as a janitor on St. Elsewhere and greeting Salami in an elevator.
  • Next candidate: the hotel bar scene, which cuts between the sex scene and its foreplay like Don't Look Now and ends with Clooney's "what if" speech, called as good as an actor's monologue gets.
  • Detroit glows in the background, and the uninteresting guys from New York City who hit on her set up Clooney as the hero.
  • Parts come straight from the book; the lines are not written to show off, and the stranger-connection idea is relatable because people just keep walking.
  • The scene is not awkward or uncomfortable, and on rewatch there is nothing in it that could not be shown in a PG movie, yet it is still one of the sexiest love scenes.
  • Free-pass anecdote: the speaker's wife, Krista, named George Clooney as her free pass and was later found sitting beside him on the Warner Brothers lot, where the Drew Carey and ER stages were next to each other; she still finds this scene sexy.
  • Bottle Rocket's hotel scene under the sheet is named a favorite sex scene for its restraint; a Requiem for a Dream answer is a joke.
  • The aftermath, where Lopez's character walks out angry at Clooney out of shame, plays like an actual couple.
  • The trunk is the famous scene, but the hotel bar chemistry between the two actors is rare.
  • Candidate: the ending at Albert Brooks's house with double staircases, White Boy Bob accidentally killing himself and Lopez debating whether to shoot Clooney, a very 90s 15-minute stretch.
  • Candidate: the Sam Jackson cameo and the realization of why she put them in the car together.
  • The trunk scene was shot 45 times but none of those takes were used because a test audience disliked one long take, so it was reshot.
  • One speaker thinks the hotel bar scene is better while the trunk is more important for its uniqueness, and personally goes with the hotel bar scene.
  • The trunk sets up the hotel bar by forcing a conversation that would never happen otherwise, so it is probably more important; the changing distance between the actors in the hotel bar shots is questioned as a trick or bad editing. — Ryen Russillo
  • Asked 'Bill, trunk or hotel bar?', the reply goes trunk, starting from Clooney emerging from the escape hole and the chaotic shootout seen from Lopez's point of view.
  • The Three Days of the Condor exchange in the trunk becomes clever on rewatch, since she doubts a quick romance and then does it herself.
  • Clooney's character misquotes Network, and she is annoyed but doesn't call it out because they just met.