Sequel, Prequel, Limited Series, or All-Black Remake
A ten-episode series centered on Lufthansa or told from the police side is proposed, but the police-side version is judged potentially uninteresting because the gangsters were already widely known and protected by corruption.
Mann rejects a television remake; a prequel/sequel novel is coming
The Hannibal television series already explored much of the remake space, and the panel sees the property as saturated.
A ten-episode version could cross-cut Kyle and John’s machine-war future against Sarah’s pursuit until the two timelines collide.
A ten-episode remake is rejected because the film already approaches three hours; the only extension pitched is Chick’s post-mission family relapse.
The panel advises against expanding the film into a ten-episode remake because Rome already covered the terrain; it then traces apparent Gladiator echoes in Game of Thrones.
The panel supports a ten-episode series that expands the Hammersley/Reynolds conflict, Jason Lee, the mafia thread, Brill’s lair, and the NSA manhunt.
A ten-episode adaptation is accepted immediately, with room for Felix, the witnesses, and the investigation.
A ten-episode series could use the four-hour material and deepen Hamm, Jim, Chris, and Doug’s hockey story.
A ten-episode Netflix remake is rejected
A present-day ten-episode remake is rejected; a period version or a carefully written late-life sequel is imaginable, though the panel strongly resists moving Harry and Sally out of New York.
The ten-episode remake is rejected; joking alternatives focus on Carla Jean’s mother or Chigurh’s domestic life.