Mass media is imagined stopping at early cable, radio and scarce personal video cameras; the speaker accepts a record-store career in that world and recalls the music of 1984–85. — Chris Ryan
Everybody probably thinks their childhood moment of games or cable TV was perfect. — Chris Ryan
Keith Gordon is proposed as having extreme performance variation: praised here and in Dressed to Kill, criticized in Back to School, with a mixed reconsideration of Christine and a positive Jaws 2 mention. — Bill Simmons
Gordon is praised as a director, particularly A Midnight Clear; The Chocolate War credit is uncertain, and his acting persona is compared to a darker off-brand Matthew Broderick. — Chris Ryan
Craig’s addressed contribution questions immediate romance with the first man she meets as weakening empowerment and preventing an exploration of fame’s loneliness. — Chris Ryan
A revision gives Billie Jean prior history with Hubie and a triangle with Lloyd; his souvenir-store inheritance is mocked. — Bill Simmons
Putter’s mother reportedly slapped Yeardley Smith for real, leaving her face numb; Smith reportedly refused a haircut and used a concealed ponytail. — Bill Simmons
Smith’s comic timing is praised; City Slickers and an uncertain sitcom memory are discussed. — Bill Simmons
The miniature golf course is reported replaced by the Texas State Aquarium, and an abandoned-mall video is mentioned. — Chris Ryan
The claim that Benatar called this the worst movie ever made is repeated with explicit doubt and a settle-down response. — Bill Simmons
Fast-Rewind accepts visitor-submitted anecdotes, so stories about Helen Slater’s haircut opinions are treated as unverified. — Chris Ryan
Helen Slater prompts debate among this film, Supergirl and The Secret of My Success, with box-office failures weighed against the Michael J. Fox opportunity. — Bill Simmons
City Slickers is counteroffered; expectations for Slater are compared to Elizabeth Shoe and Kelly Preston, with a hypothetical Working Girl role. — Bill Simmons
Billie Jeans prompt comparison of the film, song and tennis player, with uncertainty about the filmmakers’ reaction to the shared name and a Billy the Kid interpretation. — Bill Simmons
Fair being fair and short-haired women are proposed; specific haircut memories remain uncertain. — Chris Ryan
Too many detectives pursue a shoulder shooting, and Hubie repeatedly interferes without an obstruction charge. — Chris Ryan
The children should be caught quickly because they stay in Corpus Christi and revisit the same places. — Bill Simmons
An expensive unlocked scooter in a trailer park is questioned, though the purchase itself is supported. — Bill Simmons
Breaking into the district attorney’s house by chance, his absence and the private shopper stretch belief. — Bill Simmons
Remaining safely at Lloyd’s house or borrowing gas money seems easier than the hostage plan, with returning the sisters home offered as an explanation. — Bill Simmons
Rally sharpshooters apparently obeying the district attorney and the final Binks hostage plan are called absurd. — Bill Simmons
Billie Jean leaving without charges is questioned; Piat’s wrongdoing and falsely attributed simultaneous robberies are possible explanations. — Bill Simmons
Cutting her hair after recording the tape would better protect anonymity; driving a plated station wagon among repeated destinations strains the chase. — Chris Ryan
Displaying discussions 1993 - 2004 of 11315 in total
