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Hugh Keays-Byrne

Also referred to as Hugh Keyes Byrne, Hugh Keaton's Keysburn, hugh keys burn

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Rewatchables episodes featuring Hugh Keays-Byrne’s films

Mad Max: Fury Road

2015 film

Chris Ryan · Sean Fennessey · Micah Peters · Jason Concepcion

Aired August 23, 2018

Displaying 1 episode

Mentioned in discussions

In the discussion (2)
Approx. transcript time · 00:49:44Read transcript
  • Michael K. Williams, because besides Zoe Kravitz it would have been nice to see somebody else of colour. — Micah Peters
  • The observation follows that there are no War Boys of colour; Buscemi as Immortan Joe is floated, since without the voice modulator Joe might sound like Buscemi, especially his Fargo character after being shot in the face, which would echo the Toe Cutter from the original Mad Max, also played by Hugh Keyes Byrne (as transcribed), with an Australian accent.
In the discussion (4)
Approx. transcript time · 00:32:43Read transcript
  • Recommendations: Nathan Jones as Rictus Erectus, who was really going for it with expert line readings; Zoe Kravitz in a flex performance before the hosts had much of a relationship to her; and Hugh Keaton's Keysburn (as transcribed) as Immortan Joe.
  • The pick is the Doof Warrior, played by iOTA (transcribed 'Oda'), described as a musician, writer and painter from New Zealand who apparently beat Hugh Jackman for a Tony Award; in a landscape of dust, brown, chrome, neutral colours and monotone voices he wears a red pajama suit and plays a flaming double-neck guitar, impossible not to look at, and wakes from a hammock of guitar straps straight into his riff like G.E. Smith coming out of a commercial break.
  • In a Noisy (as transcribed) interview iOTA described being strapped into the harness for eight hours after six-a.m. makeup, noodling ACDC songs to himself and eventually banging out nonsensical riffs because staying animated mattered most; the thinking behind the character is left as a question: is it that an announcement of destruction was needed?
  • Though also nominated as what aged the worst for its wasteful nu-metal excess, the Doof Warrior is loved, and the Dion Waiters Award goes to the Doof Warrior.
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Films in the archive