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The Grand Budapest Hotel

100 minutes

Cast

Selected cast credits ·

Ralph Fiennes M. Gustave
F. Murray Abraham Mr. Moustafa
Mathieu Amalric Serge X.
Adrien Brody Dmitri
Willem Dafoe Jopling
Jeff Goldblum Deputy Kovacs
Harvey Keitel Ludwig
Jude Law Young writer
Bill Murray M. Ivan
Edward Norton Henckels
Saoirse Ronan Agatha
Léa Seydoux Clotilde
Tilda Swinton Madame D.
Tom Wilkinson Author
Owen Wilson M. Chuck
Larry Pine Mr. Mosher

The Grand Budapest Hotel | The Rewatchables

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Producer credits not yet identified.

Half-Assed Internet Research

Oscar nominations; makeup; Fiennes preparation; painting; communal hotel; Keitel takes; Hugo Guinness

In the discussion (8)
Approx. transcript time · 00:37:36Read transcript
  • The film received nine Oscar nominations and won costume, makeup, production design and original score.
  • Fiennes reportedly redid his confessional material after seeing Mathieu Amalric’s intensity, since they initially shot separately.
  • Swinton’s old-age makeup reportedly received unusually generous spending compared with the production’s general thrift.
  • The replacement painting is titled Two Lesbians Masturbating.
  • Fiennes improvised Gustave’s full life story for Anderson, from a street-urchin childhood through East London.
  • Goldblum reportedly stayed for much of the production after finishing his scenes; the company lived and dined together.
  • Keitel reportedly slapped Revolori 42 times while filming the farewell.
  • Hugo Guinness’s story collaboration is belatedly recognized; Anderson wrote the screenplay and Guinness shared the Oscar nomination.

Roger Ebert's review

Rating not yet verified
In the discussion (2)
Approx. transcript time · 00:38:45Read transcript
  • No Ebert review is available; Richard Brody is substituted and praised the film, while David Thomson is cited as a harsh dissenter.
  • Brody reads the hotel and its preservation in a book as a statement of personal decency surviving historical catastrophe through art.

Recasting Couch

Hurt; Gambon; Stamp; Wilson; Schreiber; Wright; del Toro

In the discussion (3)
Approx. transcript time · 01:33:04Read transcript
  • John Hurt, Michael Gambon or Terence Stamp could replace Wilkinson as the older author.
  • Owen Wilson might replace Norton as Henckels, though improvement is uncertain.
  • Liev Schreiber, Jeffrey Wright and Benicio del Toro are considered talented possibilities but thought visually less suited to the character’s presentation.

Casting What-Ifs

Lansbury; Depp rumor denied; Norton’s versatility

In the discussion (3)
Approx. transcript time · 01:38:19Read transcript
  • Angela Lansbury was intended for Madame D. but a stage commitment to Driving Miss Daisy caused a scheduling conflict.
  • Anderson denied a rumor that Johnny Depp was considered for Gustave.
  • Norton could choose a role except Gustave, which was reserved for Fiennes; Norton would otherwise have pursued it.

Picking Nits

Lamb; more Agatha; painting value

In the discussion (3)
Approx. transcript time · 01:51:31Read transcript
  • Lamb appears at dinner despite not being ordered.
  • More Agatha and Zero scenes would be welcome, though their secondary role may be deliberate.
  • Boy with Apple’s artistic greatness is questioned.

Probably Unanswerable Questions

Career ladder; rudeness; Soviet-era hotel; Madame D’s will

In the discussion (4)
Approx. transcript time · 01:55:57Read transcript
  • Lobby boy is treated as the starting point before becoming concierge.
  • Rudeness as an expression of fear is affirmed.
  • The hotel’s survival under socialism is explained through Zero surrendering his fortune and the tradition of retaining tourist hotels; bugged rooms are speculation.
  • Madame D’s secret ownership and conditional second will explain Gustave inheriting the hotel after her murder.
In the discussion (6)
Approx. transcript time · 01:58:20Read transcript
  • The Silence and Hail, Caesar! are proposed.
  • The Lady Vanishes is proposed.
  • The Earrings of Madame de… is recommended for its camera movement and influence.
  • Grand Hotel is recommended; its year is corrected from 1936 to 1932.
  • Avengers: Age of Ultron is jokingly proposed as a post-Soviet counterpart about a butler who stops saying yes.
  • The Remains of the Day is chosen for its institution persisting through political change.

Producer review

Film-school influence; satisfying pace and humor; Fiennes; style integral to character

In the discussion (4)
Approx. transcript time · 02:02:59Read transcript
  • The film dominated film-school cinematography exercises because its symmetrical framing and dolly shots seemed reproducible.
  • It prompted exploration of Anderson’s earlier films.
  • Its pace, energy and overt humor make it especially satisfying; Fiennes gives a favorite performance.
  • The controlled style feels integral to Gustave and the plot, reducing the irritation some feel with Anderson’s other films.