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Speed

116 minutes

Explore this movie

The Rewatchables episode

aired September 21, 2017

Producer credits not yet identified.

Most Rewatchable Scene

The bus jump leads; Hopper’s decapitation is another pick

In the discussion (8)
  • The opening elevator rescue is nominated
  • The stretch from the first bus explosion through Annie boarding is nominated
  • Sam’s rescue and Helen’s failed escape are nominated
  • The bus jump is favored for tension and the passengers’ relieved celebration
  • Donnie finds the jump less impressive on rewatch and favors the film’s cumulative tension
  • Hopper’s decapitation is also nominated
  • Jason explicitly chooses the bus jump
  • The absurd upward trajectory becomes part of its appeal

Casting What-Ifs

Stephen Baldwin, Jeff Bridges, Johnny Depp, Ellen DeGeneres and Halle Berry

In the discussion (6)
  • The hosts report Stephen Baldwin, Jeff Bridges and Johnny Depp passed on Jack
  • An earlier comic-relief Annie was reportedly written with Ellen DeGeneres in mind
  • Halle Berry reportedly declined the revised Annie role
  • The panel thinks Bullock’s charm was essential
  • John McTiernan, Renny Harlin and Quentin Tarantino are discussed as directors who passed
  • These casting stories are reported research, not independently confirmed here

What’s Aged the Best?

Sandra Bullock, Keanu Reeves and the relentless premise

In the discussion (7)
  • Bullock’s kindness and easy humor are praised
  • Reeves’s close haircut, physique and increasingly dirty white shirt hold up
  • The stay-on-or-get-off exchange remains memorable
  • The bus’s speed threshold supplies an instantly understandable premise
  • The action starts quickly compared with Die Hard
  • One participant prefers Reeves’s trustworthy command of the bus
  • Another chooses Reeves’s haircut specifically

What’s Aged the Worst?

Stereotyped passengers and implausible Los Angeles driving

In the discussion (8)
  • The lack of cell phones is raised
  • The bus jump’s physics are criticized
  • The panel rejects criticism of Hopper’s broad performance
  • Sustaining fifty miles per hour in Los Angeles feels implausible
  • Passengers are reduced to ethnic and personality stereotypes
  • The gun-carrying passenger’s panic and Jack putting down his badge are questioned
  • An oral history reportedly describes passenger backstories removed from the film
  • The panel also defends Jack’s de-escalation and notes that realistic frightened people can seem annoying onscreen

Picking Nits

The tires, surveillance camera, gasoline and bus-jump physics

In the discussion (11)
  • Could Jack shoot the tires before the bus reaches fifty?
  • Others counter that Hopper would have blown up the bus if the tires had been shot out, since he had a camera inside
  • Would Jack answer the payphone immediately after his friend’s bus explodes?
  • Why puncture a fuel tank to hold onto the bus, and why does the gasoline smell never matter?
  • A participant defends the bus stopping for a regular passenger, comparing it to his own father's habits as a driver
  • Would the blast killing Helen also destroy a tire?
  • The airport tire spikes appear to have little lasting effect
  • Hopper’s repeated Wildcat clue is interpreted as taunting
  • The uninterrupted 1994 video feed is questioned, while onboard cameras are defended as possible
  • Harry entering a bomber’s home without anticipating a trap is criticized
  • The bus could not survive either the jump or the landing

Half-Assed Internet Research

Oscars, stunt stories, script changes and the bus jump

In the discussion (11)
  • The hosts report wins for sound editing and sound mixing
  • A claim that Reeves did ninety percent of his stunts is read
  • The surprise-Jaguar-jump anecdote is challenged as likely publicity exaggeration
  • An early script reportedly made Harry the villain
  • Joss Whedon is credited with script-doctor dialogue including Gigantor
  • Bullock reportedly learned to drive a bus
  • River Phoenix’s death during filming reportedly caused scheduling accommodations for Reeves
  • The freeway gap used early visual effects
  • The bus-jump idea reportedly came from de Bont scouting unfinished freeway
  • The practical jump reportedly traveled beyond expectations and destroyed a camera
  • These remain podcast-reported production claims

Roger Ebert's review

Roger Ebert’s review is discussed: 4 stars

In the discussion (2)
  • The panel reports four out of four stars for Speed and his description of gripping a companion’s forearm
  • They separately report three stars for Speed 2, to their surprise

The Dion Waiters Award for Best Heat Check Performance

Joe Morton gets two choices; Alan Ruck and Helen also receive picks

In the discussion (6)
  • Hopper is treated as a star and excluded from this role-player award
  • Glenn Plummer’s Jaguar driver is nominated
  • Alan Ruck is chosen for his airport-tourist complaint
  • Joe Morton receives two selections for calm authority
  • Helen’s failed escape earns one selection
  • Sam and the construction-worker passenger are also mentioned

Apex Mountain

Reeves and Bullock still had higher peaks ahead

In the discussion (5)
  • The panel thinks Reeves later rose higher
  • Bullock’s later star power is judged greater; Amanda Dobbins’s off-podcast Miss Congeniality view is reported
  • Hopper is proposed but Easy Rider is raised as an earlier peak
  • Jeff Daniels’s combined Speed and Dumb and Dumber year is floated
  • Sam the bus driver is jokingly suggested

Unintentional Comedy Award

Helen’s escape, Hopper running and Reeves’s reactions

In the discussion (7)
  • Helen’s attempted transfer and the agent encouraging her are mocked
  • Sam continuing to drive after being shot is mentioned
  • The possibility of sustained freeway speed is funny to locals
  • Hopper’s running is nominated
  • Failure to verify Hopper’s death is nominated
  • Reeves’s Wildcat and cans reactions are cited
  • Jack’s distraught reaction to Harry’s death is finally floated as the winner

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

Pop quiz, hotshot

In the discussion (6)
  • The panel settles on Hopper’s pop-quiz phrase as the most memorable
  • The stay-on-or-get-off exchange is nominated
  • The warning against getting killed is nominated
  • Annie’s suggestion to base the relationship on sex is nominated
  • Harry’s caution about guts getting someone killed is nominated
  • Jack’s basement answer to what stops a falling elevator is nominated

Probably Unanswerable Questions

Freeways, Nicolas Cage and action-movie titles

In the discussion (6)
  • Was 1994 the greatest summer for Los Angeles freeways because of Speed and the O.J. chase?
  • Nicolas Cage as Jack would be more erratic and less reassuring
  • The panel prefers Reeves in Speed and Cage in Con Air or Face/Off
  • Which action movie has the greatest title?
  • Die Hard, The Terminator and Speed are defended, with Cliffhanger and First Blood also nominated
  • Minimum Speed is reported as an earlier title

Who Won the Movie?

Sandra Bullock

In the discussion (4)
  • Three panelists choose Bullock for charm, range and making them want to see more of her work
  • Donnie Kwak explicitly chooses Keanu Reeves
  • Dennis Hopper was included among the initial choices
  • Bullock is praised as a substantive heroine rather than an ornamental love interest
Podcast choices
Speaker not identified
Sandra Bullock
Speaker not identified
Sandra Bullock
Speaker not identified
Sandra Bullock
Donnie Kwak
Keanu Reeves

More from the conversation

The panel places Speed in the transition from muscular 1980s stars to more ordinary-looking action heroes. They discuss Die Hard’s influence, the early summer release, Bullock’s breakthrough and Reeves’s uneven intervening choices after Point Break.
The plot recap praises the opening elevator rescue and Jeff Daniels’s ordinary appearance, questions the lack of a body after Hopper’s explosion, and explains the bus-bomb premise.
The panel discusses when Jack becomes romantically interested in Annie, singling out her support after Harry’s death.
An extended action-movie digression covers Face/Off’s identity premise, favorite action titles and a hypothetical rich-people-hunting-strangers film. This is not a new named category.
The closing discussion considers airport escape strategy, whether extra passenger deaths would help, the fate of the gun-carrying passenger, and the sustained pacing of Speed and The Fugitive.
A future Los Angeles show at Largo is announced, with Face/Off and other films only candidates. The current episode is not marked live.