To Live and Die in L.A. poster
To Live and Die in L.A.

Most Rewatchable Scene

The freeway chase

In the discussion (10)
Approx. transcript time · 00:52:23Read transcript
  • Scene candidates include the terrorist opening, credits, burning art and bridge jump; Petersen’s real jump prompts a proposed lead-actor safety category and discussion of the camera rig.
  • The police-bar scene is enjoyed for its social atmosphere, prompting a personal recollection of a police drinking club.
  • The counterfeiting montage is a scene favorite for music, tactile detail and convincing artistic labor; it was also an initial enjoyment-category candidate.
  • The LAX chase highlights Petersen’s athleticism and reportedly unauthorized filming on the people mover; pre-2001 airport freedom is discussed with qualifications.
  • The attempted prison killing is a scene candidate and suggests a possible extended Turturro prison story.
  • Masters and his henchman beating three attackers and the train-to-abduction-to-chase sequence are praised; the undercover agent’s humiliating death is highlighted.
  • Chance and Cody on opposite sides of a wall supplies a shot candidate; Chance’s sudden death remains shocking, while the studio-demanded alternate ending is condemned and compared with Fatal Attraction.
  • The final coercive visit, Waxman’s murder, the gym meeting and Chance’s threatening treatment of Ruth are additional scene candidates.
  • Chance’s dismissal of Ruth’s expenses, threat to revoke parole and indifference to her child establish his cruelty.
  • The extended chase is the final scene preference, praised for its build, disorienting traffic directions and Petersen’s reckless-character performance.