The Running Man poster
The Running Man

What’s Aged the Best?

The long future-setting graphic, invented reality shows, first ten minutes, Richard Bachman pen name, old-age Mick Fleetwood makeup, Captain Freedom, net tasers, the dystopian Los Angeles setting, and Harold Faltermeyer’s score are praised; several observations also have mixed or negative qualifications.

In the discussion (16)
Approx. transcript time · 00:43:04Read transcript
  • The opening graphic that declares society collapsed by 2017 immediately sells the premise.
  • Climbing for Dollars feels like a plausible modern streaming competition show despite its blunt name.
  • The unexplained Hate Boat is praised as a reality-show concept that could work now.
  • Captain Freedom is compared to a steroidal modern sideline reporter.
  • The first ten minutes move efficiently from the future graphic through the helicopter, prison, Chico, and Dawson.
  • Stephen King publishing as Richard Bachman is praised as a pen-name power move.
  • Mick Fleetwood’s future-age makeup is said to resemble how he looks decades later.
  • Dynamo’s vehicle is compared to a contemporary Tesla truck.
  • Arnold’s conspicuously fake early beard exemplifies an enjoyable 1980s action-movie convention.
  • The conveniently fitted World’s Gym shirt and construction hat make Richards’s escape outfit funny.
  • The net tasers used on the airport tarmac are praised as useful futuristic weapons.
  • The film’s run-down future Los Angeles looks uncomfortably close to present-day Los Angeles.
  • Harold Faltermeyer’s score gives the movie weight; its similarity to cop two prompts speculation that musical ideas were reused.
  • The podcast says the actor it names as “Erlin Van Liff” was a real baritone, performed Dynamo’s singing, and died in the film’s release year.
  • American Gladiators is said to have drawn direct inspiration from The Running Man.
  • Possible Hate Boat formats include people who already hate each other, loving couples breaking apart, and separated couples forced to get along with their children at sea.