The Hangover

What’s Aged the Worst?

The end-credits photo reveal now that everyone knows it is coming; the sequels; the surprise of the Mike Tyson cameo; the mystique of Vegas; Who Let the Dogs Out; Justin Bartha not becoming famous; Ken Jeong's crazy Asian stereotype; Ed Helms' glasses frames; Mike Tyson's potbelly

In the discussion (11)
Approx. transcript time · 00:44:19Read transcript
  • The end credits are argued as aged worst: ten years later it is hard to capture how funny the photo reveal was in the theater, with Wayne Newton, Carrot Top and Galifianakis getting blown ratcheting it up 17 notches; comedies are hard to end and this one sent people out saying it was the funniest movie they had ever seen, but now everybody knows it is coming.
  • The sequels have aged terribly and one host would rather pretend two and three did not happen; the makers more or less disavowed three as done for the money; two has moments, is pretty dark and is set in Thailand.
  • The surprise Mike Tyson cameo was a massive surprise and a marketing draw in 2009 and now carries no surprise; Tyson has acknowledged battling drugs during the shoot.
  • The mystique of Vegas has turned into something else, so commercialized that a movie like this now would feel like branded content and a partial money grab with strategically placed things.
  • Who Let the Dogs Out feels like ten years ago, a very literal case of aging badly, though they were already making it a joke, with the 'who brought this guy along' exchange recited.
  • Justin Bartha because he did not come out of this famous; Sudeikis or Gyllenhaal in the part would not have mattered since Doug is barely in the movie.
  • One host saw Bartha in the wild at a wine tasting around 2012, dating one of the Olsen twins, seeming really happy and thriving.
  • Another host and his wife saw him at dinner at the SLS hotel one table over with both Olsen twins, and then Galifianakis showed up, which made LA feel very weird six months after the movie; the four obviously became real friends, which may belong in what aged best.
  • The final one is called probably the winner: Ken Jeong playing up the tiny-dick crazy Asian stereotype, funny in the moment but not great, which Donnie Quack (as transcribed) wrote about on the Ringer last year; the fiancée accepting an extra night is held for nitpicks.
  • The homophobia is raised and shrugged off; there are a couple of lines you would be surprised to hear in a movie again.
  • An early aside proposes tabling the category because it would ruin what is fun about the movie, then offers Ed Helms' little rectangular glasses frames and a fat Mike Tyson whose potbelly could be fixed with CGI.