What’s Aged the Worst?
Early box-office skepticism
In the discussion (4)
Approx. transcript time · 02:06:51Read transcript
- Early profit skepticism is criticized for undervaluing successful original filmmaking.
- Studio notions of responsible budgets are discussed with uncertainty about the applicable thresholds.
- Coogler’s deal is defended as meeting Warner’s need to attract proven talent; the sports-contract analogy provokes objections.
- The lengthy section before the vampires appear is acknowledged as a plausible studio concern, countered by Coogler’s track record.