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No Way Out

What’s Aged the Worst?

Assassins; limo sex; spy conventions; underused Duff; audition allegation; detours; stereotypes; haircuts

In the discussion (10)
Approx. transcript time · 01:02:11Read transcript
  • The supposedly elite assassins run awkwardly and look insufficiently formidable.
  • The limousine sex scene has corny music and unclear positioning.
  • The long-term embedded Russian-spy model feels dated relative to modern technological espionage, although Russian spying itself remains active.
  • Howard Duff is underused in a role lasting roughly a scene and a half.
  • Young’s reported account of Donaldson requiring her to expose herself at an audition is condemned.
  • The extended overseas rescue and Manila detour seems excessive for its narrative purpose, despite a defense of establishing Tom’s hero status.
  • The phantom-submarine subplot receives too little explanation for its importance.
  • Costner listing Russian authors is proposed as a weakness, with an immediate objection.
  • Scott participates in an outdated stereotype of the hysterical queer villain, even though the performance remains entertaining.
  • The supposedly sexy film has awkward haircuts for Susan, Tom, Scott and party guests.