Home Alone 2: Lost in New York poster
Home Alone 2: Lost in New York

Apex Mountain

Macaulay Culkin; pigeon ladies; benevolent Christmas homeless characters; New York holiday setting; Plaza pop-culture status; kerosene ropes; Daniel Stern; Joe Pesci’s1992 run

In the discussion (10)
Approx. transcript time · 01:15:41Read transcript
  • Culkin receives agreement at the peak of consecutive hits before the later decline.
  • Pigeon ladies and benevolent homeless Christmas characters receive affirmative answers.
  • New York as a holiday setting receives support, with Miracle on34thStreet acknowledged as a competing classic.
  • O’Hara’s later Schitt’s Creek and Guest films complicate her peak; Heard’s identification as the Home Alone father gives this period a tentative case alongside other roles.
  • The Plaza receives agreement specifically for popular-culture prominence rather than historical importance; lost children are compared with Taken without a firm final choice.
  • Kerosene-soaked ropes and Stern receive clear affirmative answers; Pesci’s diverse1992 run after Goodfellas also receives support.
  • Fricker’s period around So I Married an Axe Murderer is initially proposed, then her My Left Foot Oscar is named as the actual peak; the toy store’s peak is the piano scene in Big.
  • Kevin’s pizza makes a movie-pizza shortlist, alongside Back to the FutureII, Wayne’s World and Iron Man; Loverboy is the explicit favorite, so this pizza is not the apex.
  • Along Came Polly and the first Home Alone join the pizza discussion; a thin New York slice looks better on screen than messy Chicago deep dish.
  • The fake-movie comparison includes the Home Alone gangster films, Logjammin’, Boogie Nights’ Angels Live in My Town, Simple Jack, Stab and South Park’s Terrance and Phillip film; Cleaver and a Forgetting Sarah Marshall television parody are added without a definitive apex answer.