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After Hours poster
After Hours

What’s Aged the Best?

Arquette; future Home Alone parents; city eccentrics; mob; phone numbers; cab ride; witnessed shooting; Surrender Dorothy; Cheech and Chong

In the discussion (9)
Approx. transcript time · 00:55:30Read transcript
  • Rosanna Arquette in 1985.
  • O’Hara and Heard appearing together foreshadow their Home Alone parents, again searching for someone.
  • The cab driver, subway worker and two diner workers embody distinctive New York characters.
  • The candle-carrying vigilante mob is enjoyable.
  • Using plausible non-555 phone numbers.
  • The frantic cab ride captures a remembered shift toward reckless drivers, supported by a recounted Fran Lebowitz Blu-ray conversation.
  • Witnessing a shooting and immediately fearing blame creates a funny unexplained nightmare moment.
  • The Surrender Dorothy story remains hilarious.
  • Cheech and Chong bring their own comic world inside the Scorsese movie.
After Hours poster
After Hours

The Great Shot Gordo Award for Most Cinematic Shot

Falling keys; bouncing taxi; Marcy’s wink; descending crane; exiting gates

In the discussion (3)
Approx. transcript time · 01:00:16Read transcript
  • Keys dropping toward the camera; their danger may foreshadow Paul’s peril, though the shot is also admired as virtuosity.
  • The bouncing taxi with flamenco music; the favorite push-in on Marcy’s wink; a late crane shot descending toward Paul outdoors.
  • Paul exiting the gates.
In the discussion (2)
Approx. transcript time · 01:01:18Read transcript
  • Peggy Lee’s Is That All There Is? is the stated winner; its use in another television series is recalled uncertainly.
  • Last Train to Clarksville gains a Garr/Head connection; Bad Brains’ Pay to Cum and the opening Mozart piece are also praised.
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