Categories & segments

Rollerball The Rewatchables
In the discussion (3)
Approx. transcript time · 01:28:38Read transcript
  • Network is selected as the highbrow pairing because it connects media with sports and entertainment.
  • Enter the Dragon is selected as a less-highbrow pairing associated with the same era.
  • The Longest Yard is considered as a pairing of early great sports movies.
RoboCop The Rewatchables
RoboCop poster
RoboCop

Most Rewatchable Scene

The ED-209 boardroom demonstration

In the discussion (12)
Approx. transcript time · 00:27:20Read transcript
  • Murphy arriving at the chaotic police station is an opening choice.
  • ED-209 killing Mr. Kinney in the boardroom is the declared number-one scene.
  • Clarence Boddicker’s warehouse pursuit and Murphy’s murder are considered despite the execution being hard to watch.
  • RoboCop’s first day includes the convenience-store arrest and shooting through the woman’s legs.
  • RoboCop returning to Murphy’s house supplies the human core but is also a pee-break candidate.
  • Bob Morton’s apartment combines cocaine, sex, and Clarence’s grenade attack.
  • The cocaine-factory shootout includes falling gunmen firing as they collapse.
  • Toxic-waste Emil and Dick Jones’s final death are late alternatives.
  • ED-209 wins even though RoboCop is absent from the scene.
  • The recurring dollar-buying television joke is treated as a central satirical catchphrase in RoboCop’s first-day sequence.
  • RoboCop ending the Mayor Gibson hostage crisis is another first-day scene candidate.
  • Clarence leaving a futuristic video disc behind prompts a question about whether its evidence could be recovered.
RoboCop The Rewatchables
RoboCop poster
RoboCop

What’s Aged the Best?

The politics, dual villains, media satire, SUX commercial, Peter Weller’s committed suit performance, and a remarkable 1987 theater lineup

In the discussion (8)
Approx. transcript time · 00:49:16Read transcript
  • The film’s future-crime and corporate-policing ideas are praised as unusually durable.
  • “Dead or alive, you are coming with me” works as a setup and callback.
  • Clarence Boddicker and Dick Jones make the two-villain structure work.
  • The futuristic gas price and Media Break news format feel current.
  • The 6000 SUX commercial makes fun of bigger-is-better vehicles.
  • The name Dick and the pause before saying it are celebrated as period villain-writing.
  • Peter Weller endured heat, water loss, and a restrictive suit while insisting on being called Robo or Murphy.
  • A theater marquee with The Lost Boys, RoboCop, Predator, and Full Metal Jacket captures the strength of 1987.
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