Rollerball · The Rewatchables ·August 12, 2025 Rollerball The Coach Finstock Award for Best Life Lesson Corporate society is inevitable In the discussion (1) Approx. transcript time · 01:28:12Read transcript The chosen lesson repeats Bartholomew's claim that corporate society is inevitable.
Rollerball · The Rewatchables ·August 12, 2025 Best Double Feature Rollerball + Poster unavailable Network Poster unavailable Enter the Dragon Poster unavailable The Longest Yard In the discussion (3) Approx. transcript time · 01:28:38Read transcript Network is selected as the highbrow pairing because it connects media with sports and entertainment. Enter the Dragon is selected as a less-highbrow pairing associated with the same era. The Longest Yard is considered as a pairing of early great sports movies.
Rollerball · The Rewatchables ·August 12, 2025 Rollerball Who Won the Movie? James Caan In the discussion (1) Approx. transcript time · 01:29:34Read transcript The final vote awards the movie to James Caan. Podcast choices Speaker not identifiedJames Caan
Rollerball · The Rewatchables ·August 12, 2025 Rollerball Most Rewatchable Scene The Jonathan–Bartholomew argument during the tree-burning party In the discussion (2) Approx. transcript time · 01:31:17Read transcript Producer Craig selects Jonathan's argument with Bartholomew during the tree-burning party as his most rewatchable scene. — Craig Horlbeck Craig also praises the party as the film's most interesting sequence. — Craig Horlbeck
Rollerball · The Rewatchables ·August 12, 2025 Rollerball Picking Nits Producer Craig objects to the uniforms and to the players not looking like elite athletes. In the discussion (2) Approx. transcript time · 01:32:04Read transcript Craig calls the jerseys and helmets the worst-looking uniforms he has seen in a sport. — Craig Horlbeck Craig objects that most of the players look like ordinary workers rather than elite athletes. — Craig Horlbeck
RoboCop · The Rewatchables ·August 5, 2025 RoboCop Roger Ebert's review ☆★☆★☆★☆★ In the discussion (2) Approx. transcript time · 00:25:56Read transcript The podcast states that Roger Ebert gave RoboCop three stars. The panel says Ebert could have added another half star because the film was ahead of its time.
RoboCop · The Rewatchables ·August 5, 2025 RoboCop Most Rewatchable Scene The ED-209 boardroom demonstration In the discussion (12) Approx. transcript time · 00:27:20Read transcript Murphy arriving at the chaotic police station is an opening choice. ED-209 killing Mr. Kinney in the boardroom is the declared number-one scene. Clarence Boddicker’s warehouse pursuit and Murphy’s murder are considered despite the execution being hard to watch. RoboCop’s first day includes the convenience-store arrest and shooting through the woman’s legs. RoboCop returning to Murphy’s house supplies the human core but is also a pee-break candidate. Bob Morton’s apartment combines cocaine, sex, and Clarence’s grenade attack. The cocaine-factory shootout includes falling gunmen firing as they collapse. Toxic-waste Emil and Dick Jones’s final death are late alternatives. ED-209 wins even though RoboCop is absent from the scene. The recurring dollar-buying television joke is treated as a central satirical catchphrase in RoboCop’s first-day sequence. RoboCop ending the Mayor Gibson hostage crisis is another first-day scene candidate. Clarence leaving a futuristic video disc behind prompts a question about whether its evidence could be recovered.
RoboCop · The Rewatchables ·August 5, 2025 RoboCop “OK, Motherfucker” Award for When the Movie Goes Up a Notch Murphy’s brutal execution In the discussion (3) Approx. transcript time · 00:34:17Read transcript Murphy’s hand being blown off changes the movie from comic spectacle to a brutal execution. The shot through the woman’s legs is another jump-out-of-your-seat escalation. Toxic-waste Emil being hit by the car is treated as a final extreme escalation.
RoboCop · The Rewatchables ·August 5, 2025 RoboCop The Ron Burgundy Flute Award for the Best Time for a Pee Break RoboCop returning to Murphy’s former house, despite its importance to the ending In the discussion (2) Approx. transcript time · 00:39:10Read transcript The house return is called the possible pee break. The scene is still necessary because Murphy’s family memories support the ending.
RoboCop · The Rewatchables ·August 5, 2025 RoboCop Marion Cobretti Pizza Cutting Award: Why Didn’t They Stop This on Set? A drug lord carrying estate Cabernet around the cocaine house is the inaugural example. In the discussion (2) Approx. transcript time · 00:42:22Read transcript The greasy drug lord walks through the cocaine house holding an estate Cabernet. The new award is named for something that should have been stopped because it would never happen.
RoboCop · The Rewatchables ·August 5, 2025 RoboCop The most "year the movie came out" thing Leza Gibbons In the discussion (4) Approx. transcript time · 00:45:58Read transcript ED-209’s stop-motion effects are charming and linked to Phil Tippett. Over-the-top street thugs and watching banks of televisions through a store window are very 1980s. Falling backward out of a building is another period image. Leza Gibbons wins as a defining 1987 celebrity presence.
RoboCop · The Rewatchables ·August 5, 2025 RoboCop What’s Aged the Best? The politics, dual villains, media satire, SUX commercial, Peter Weller’s committed suit performance, and a remarkable 1987 theater lineup In the discussion (8) Approx. transcript time · 00:49:16Read transcript The film’s future-crime and corporate-policing ideas are praised as unusually durable. “Dead or alive, you are coming with me” works as a setup and callback. Clarence Boddicker and Dick Jones make the two-villain structure work. The futuristic gas price and Media Break news format feel current. The 6000 SUX commercial makes fun of bigger-is-better vehicles. The name Dick and the pause before saying it are celebrated as period villain-writing. Peter Weller endured heat, water loss, and a restrictive suit while insisting on being called Robo or Murphy. A theater marquee with The Lost Boys, RoboCop, Predator, and Full Metal Jacket captures the strength of 1987.