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Dirty Work

What’s Aged the Best?

Dirty Work The Rewatchables

The note-to-self device, period soundtrack, bloopers, Jack Warden, Jim Downey, Artie Lange, and Chris Farley lead the discussion.

In the discussion (10)
Approx. transcript time · 00:42:08Read transcript
  • The note-to-self recorder remains a funny extension of the lead comic persona.
  • A rapid sequence of three period pop hits fixes the comedy firmly in the late 1990s.
  • Closing-credit bloopers are praised as a comic tradition associated with the Cannonball Run films.
  • Jack Warden holding the invented old-men magazine remains a strong visual gag.
  • Jim Downey's homeless-man routine repeatedly sets up sentimental music and wisdom only to be cut off.
  • Jack Warden's long supporting career is celebrated through The Replacements, 12 Angry Men, Shampoo, The Verdict, and Heaven Can Wait.
  • The compact jokes about stopping people and the brothers’ parentage are praised for efficiency.
  • Artie Lange's casting looks smart because the film helped lead to his later radio career.
  • Chris Farley's final film role preserves one of his strongest short comic appearances.
  • The catalog of note-to-self lines is praised, with the beer reminder called the most memorable.
Dirty Work poster
Dirty Work

What’s Aged the Worst?

Dirty Work The Rewatchables

Dated Gary Coleman and Ken Norton references, the rushed ending, and thin girlfriend roles draw criticism.

In the discussion (5)
Approx. transcript time · 00:50:32Read transcript
  • The Gary Coleman and Ken Norton material is expected to confuse viewers under forty.
  • The final twenty minutes feel rushed, as though the crew had only a week left to turn sketches into a movie ending.
  • The fed-up girlfriend who throws out a loser hero repeats a familiar comedy opening used in Stripes, Happy Gilmore, and Big Daddy.
  • The female lead receives no interesting dialogue or useful character material.
  • The casting is compared unfavorably with Julie Bowen and the performance draws a blunt negative reaction.
In the discussion (3)
Approx. transcript time · 00:57:46Read transcript
  • The field includes Jim Downey, Chris Farley, Don Rickles, Chevy Chase, and the delighted opera critic.
  • Farley is initially selected for one of the strongest comedy heat checks in the category.
  • Chase earns the co-win for his low-frequency doctor performance and bookie logic.
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Dirty Work

Half-Assed Internet Research

Dirty Work The Rewatchables

Research covers an NBC advertising ban, competing accounts of the firing, and material removed for the PG-13 cut.

In the discussion (5)
Approx. transcript time · 00:58:59Read transcript
  • NBC reportedly banned advertising for the movie, though the sourcing is openly questioned.
  • A later interview complicated the familiar account that one network executive alone caused the comedian's firing.
  • A deleted sequence involved donuts photographed around the leads’ genitals.
  • In the jail scene, an explicit phrase visible on the speaker's lips is dubbed over.
  • The dead-prostitute and Saigon material makes the family rating itself seem inconsistent.
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Dirty Work

Apex Mountain

Dirty Work The Rewatchables

Norm Macdonald’s apex is placed in 1998 or at publication of his first Grantland column; no other film participant peaks here.

In the discussion (3)
Approx. transcript time · 01:01:37Read transcript
  • The year 1998 is proposed because he had just left SNL and still appeared poised for a larger screen run.
  • Publication of his first Grantland column is the preferred personal apex.
  • The memoir is also praised, but the movie is not judged an apex for the director, writer, or supporting cast.
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Dirty Work

Picking Nits

Dirty Work The Rewatchables

The locket, family photos, office lease, crimes, public skunks, and formal business structure are questioned.

In the discussion (7)
Approx. transcript time · 01:03:29Read transcript
  • The father's decision to wear a locket containing a sexual photo for fifty years is questioned.
  • A second family photo and the half-brother relationship further strain credibility.
  • The expensive business sign appears before the office has even been rented.
  • The stomach-punch rental agreement and the leads’ ability to qualify for office space are implausible.
  • Nearly every revenge job appears likely to send the visible storefront operators to jail.
  • Releasing skunks at close range in a crowd raises questions about injury and legality.
  • The revenge operation’s possible corporate and consumer-protection structure is questioned.
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