Categories & segments

Penny’s idealized life, thin mission logic and rushed funeral

The panel is imagining how this might look in the future.

Spelling Entertainment, car phones and fax machines, the rattlesnake, Griffin’s police-station laugh, June’s characterization, clothes, and the Range Rover draw criticism.

The runtime, narrator structure, mannequin explosion, ethnicity, Gimme Shelter, shootings, and childcare draw objections.

Sopranos associations, Janice’s casting, two later Lufthansa adaptations, a BC-basketball reference, ketchup on pasta, Boogie Nights echoes, and pre-9/11 airline cocaine transport make up the explicit aged-worst field.

Splintered patriotism, recycled footage, TV-delivered bad news, robot sexual jokes, reduced death impact, poor officiating/training, accents, continuity, and the Stallone–Nielsen relationship were discussed.

Indy and Marion’s romantic chemistry, dated effects and casting, the monkey, Temple of Doom, and several creative choices draw objections.

The mud-disguise continuity, Anna’s thinly explained role, and contrived cleavage were the main concerns; Predator 2 was also dismissed.

The title history, missing backstory, comparison with Silence of the Lambs, and several period details draw criticism.

Future-war effects, dated chronology and hair, exposed nudity, a personal scooter association, the Harlan Ellison dispute, Ginger’s food and pet choices, and John Connor’s weak message draw criticism.

U.S.–China cooperation, Golden Globes category fraud, some casting choices, government transparency, public attention, unchanged cable news, and Teddy’s press manner were questioned.

The 150-minute runtime, Twin Towers image, training premise, Affleck’s replacement teeth, weaker romance, Rockhound’s sexual behavior, and the Godzilla swipe have aged poorly.

The runtime, repeated Elysium imagery, Senate ending, digital Oliver Reed, and missing Proximo action draw objections.