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Film credit

Bobby Cannavale

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Episodes featuring their films
1
Movies in this archive
2

Rewatchables episodes featuring Bobby Cannavale’s films

Chef

2014 film

Bill Simmons · Dave Chang

Aired May 9, 2023

Displaying 1 episode

Mentioned in discussions

Chef The Rewatchables
In the discussion (4)
Approx. transcript time · 01:07:28Read transcript
Chef The Rewatchables
Chef

The Vincent Chase Award: Are We Sure This Character Is Actually Good at Their Job?

Carl’s supposedly exceptional Cubanos; Bobby Cannavale’s substitute kitchen leader

In the discussion (3)
Approx. transcript time · 00:57:16Read transcript
  • The panel asks whether any worker is as good as the movie claims. — Bill Simmons
  • Carl’s Cubanos may be delicious and timely but also replicable. — Bill Simmons
  • The food put out while the substitute was in charge is called straight garbage. — Dave Chang
Chef The Rewatchables
Chef

What’s Aged the Best?

The child performance, kitchen authenticity, Leguizamo, criticism and social media, Gary Clark Jr., New Orleans, restaurant PR, Los Angeles detail, cornstarch, soundtrack, and creator-critic dynamic

In the discussion (16)
Approx. transcript time · 00:45:19Read transcript
  • The child actor carries comic, emotional, and ensemble weight across many scenes without breaking the movie. — Bill Simmons
  • Kitchen movement, tension, technique, and banter remain authentic even where 2013 plating has dated. — Dave Chang
  • John Leguizamo gives the participant’s favorite version of his screen persona and embodies loyalty to the chef. — Dave Chang
  • Bobby Cannavale’s less-loyal sous chef is disputed because a real version might be more hungover, disengaged, and resented. — Dave Chang
  • “Digital palette” is praised as a perfect blogger-site name for the period. — Bill Simmons
  • The movie accurately preserves a period when a hostile critic could become a defining chef antagonist. — Bill Simmons
  • Gary Clark Jr. appears naturally in the Austin setting without dialogue calling attention to his cameo. — Bill Simmons
  • Carl calling himself a meme while his kid teaches him social media captures an early stage of adult Twitter literacy. — Dave Chang
  • The New Orleans beignet stop is praised as a rare tourist attraction that locals also value. — Bill Simmons
  • The PR pitch to turn a humiliating event into Hell’s Kitchen content feels professionally accurate. — Bill Simmons
  • The Brentwood restaurant, likely Pasadena market, and Los Angeles neighborhoods give the movie specific local texture. — Bill Simmons
  • The owner battling with a chef is called a timeless conflict. — Bill Simmons
  • Cornstarch in restaurant bathrooms is confirmed as a commonplace line-cook response to extreme kitchen heat. — Dave Chang
  • The Latin jazz, New Orleans jazz, blues, and Gary Clark Jr. tracks change with the cities and make the movie pleasant to inhabit. — Dave Chang
  • The marionette skeleton sequence may operate as a metaphor for Carl, although the participants leave its meaning unresolved. — Dave Chang
  • The critic saying Carl was one of his early discoveries captures how critics can feel ownership over artists they promoted. — Dave Chang
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Films in the archive