rewatchvault.
‹ All episodes
Jaws poster

Jaws

124 minutes [ 2 ]

Explore this movie

The Rewatchables episode

aired July 4, 2018

Producer credits not yet identified.

Most Rewatchable Scene

The nighttime boat sequence, Indianapolis speech and ending

In the discussion (9)
  • Chrissie’s opening attack is an honorable mention
  • Ben Gardner’s head is an honorable mention
  • The beach attack and a mother searching for her child are nominated
  • Brody’s son copying him at the table is a personal favorite
  • The Indianapolis monologue is nominated
  • Quint’s death and the shark’s destruction through Hooper resurfacing are nominated
  • Hooper bringing wine to Brody’s house is praised for character chemistry
  • Quint’s introduction at the town meeting is nominated
  • Chris chooses the entire nighttime boat stretch, including the monologue

Half-Assed Internet Research

An extraordinarily troubled shoot shaped the finished film

In the discussion (22)
  • Spielberg reportedly paid for the Ben Gardner head reshoot in a swimming pool
  • Powdered milk and a tarp simulated murky water
  • Spielberg reportedly tried to leave for Lucky Lady before Universal blocked him
  • The shallow ocean floor at Martha’s Vineyard supported mechanical-shark retrieval
  • The crew continuously dried, repainted and repaired the shark
  • Weather, intruding boats and equipment problems repeatedly delayed shooting
  • The Orca sank with actors aboard on one occasion
  • The shoot reportedly expanded from roughly fifty days to 155
  • Spielberg reportedly left before the final shot to avoid a crew prank
  • Camera movement compensated for the horizon’s rocking
  • Shaw’s drinking, tax-related trips and hostility toward Dreyfuss are recounted
  • The mechanical shark was nicknamed Bruce after Spielberg’s lawyer
  • MythBusters reportedly challenged the exploding scuba-tank ending
  • Real shark footage used a smaller cage to alter apparent scale
  • Unexpected cage-attack footage prompted Hooper’s survival in the rewrite
  • Lee Fierro reportedly struck Scheider repeatedly because she could not fake the slap
  • Benchley reportedly objected to the ending and was removed from the set
  • A discarded Quint introduction had him mocking Moby Dick in a theater
  • Gregory Peck reportedly refused use of that film
  • Adding the head scare reduced the later shark reveal’s surprise
  • The Indianapolis speech’s authorship is unresolved among Sackler, Milius, Shaw and Gottlieb contributions
  • Shaw reportedly failed an intoxicated monologue take and returned to deliver it successfully the next day

What’s Aged the Best?

John Williams’s score, concealed shark and summer-town atmosphere

In the discussion (8)
  • Williams’s minimal shark theme remains immediately effective
  • Quint is nominated
  • Withholding the shark is praised as a lasting suspense technique
  • Widescreen HD restores the ocean compositions
  • The seasonal community’s economy, power structure and July Fourth rhythm feel authentic
  • The town evokes Cape Cod and Montauk before commercialization
  • Spielberg’s moving camera shows modest houses and ordinary lives
  • The panel splits among the score, summer setting and unseen shark

What’s Aged the Worst?

The mechanical shark and limited representation

In the discussion (6)
  • Some visible shark shots look artificial on modern televisions
  • Brody’s reaction can outweigh the weak effect in the first reveal
  • Quint’s death is singled out for visible latex and awkward mechanics
  • The absence of minority characters stands out
  • Women are mostly mothers, while the opening victim is a single woman
  • The panel debates whether changes would improve the film without treating it as uniformly politically offensive

Casting What-Ifs

Robert Duvall, Lee Marvin, Sterling Hayden and alternative Hoopers

In the discussion (7)
  • Duvall reportedly declined Brody because he wanted Quint, for whom Spielberg considered him too young
  • Lee Marvin, Sterling Hayden and Oliver Reed are reported Quint alternatives
  • Hayden’s tax situation is cited as a barrier
  • Spielberg reportedly wanted Jon Voight for Hooper
  • Kevin Kline, Timothy Bottoms, Joel Grey and Jeff Bridges are discussed for Hooper
  • Charlton Heston reportedly wanted Brody and resented rejection
  • The panel thinks Heston would be too commanding and Scheider supplies necessary unease

The Dion Waiters Award for Best Heat Check Performance

Murray Hamilton as Mayor Vaughn

In the discussion (6)
  • Quint is excluded because his role is too substantial
  • Mrs. Kintner is an honorable mention for two forceful scenes
  • Ben Gardner’s head is another honorable mention
  • Hamilton is the clear choice for the mayor’s blend of obstruction and charisma
  • His ferry introduction, autopsy objection and July Fourth warning are singled out
  • The hosts connect his casting to Spielberg admiring The Graduate

Picking Nits

Mayor Vaughn’s risks and Quint’s decisions

In the discussion (5)
  • Why is the mayor willing to risk lives to keep beaches open?
  • The novel’s mafia-blackmail explanation is absent from the film
  • One host argues dependence on a single tourist season already explains the mayor
  • Why does Quint strand the others by destroying the radio?
  • The possibility of seeking Coast Guard help is raised

Apex Mountain

Scheider and Shaw are debated; Dreyfuss’s later peak is preferred

In the discussion (7)
  • Scheider’s Jaws breakthrough is contrasted with All That Jazz as his strongest solo showcase
  • The hosts explicitly debate career power versus best performance as Apex’s meaning
  • Shaw’s Jaws work is compared with A Man for All Seasons, From Russia with Love and The Sting
  • Dreyfuss is generally placed at Close Encounters rather than Jaws
  • The Goodbye Girl is another career-peak candidate
  • Mr. Holland’s Opus and What About Bob? are discussed as favorites rather than decisive Apex choices
  • Dreyfuss reportedly accepted Jaws after fearing his performance in Duddy Kravitz would damage his prospects

Is This Movie Better With…?

Danny Trejo could fit several parts

In the discussion (3)
  • Trejo could be Quint in a low-budget version
  • Other jokes place Trejo as Bruce, Mrs. Kintner, Mayor Vaughn or Ben Gardner
  • His severed-head appearance in Breaking Bad is recalled

The Joey Pants “That Guy” Award

Murray Hamilton

In the discussion (2)
  • Younger viewers primarily recognize Hamilton as the mayor from Jaws
  • The hosts distinguish this from older audiences who know his earlier career

Unintentional Comedy Award

Mrs. Brody’s sudden alarm and the visible shark

In the discussion (5)
  • Quint being eaten can look unintentionally funny because of the shark effect
  • Knowing Shaw’s behind-the-scenes treatment of Dreyfuss changes the humor of their scenes
  • Mrs. Brody only panics after seeing an illustration of a shark biting a boat
  • The helpful man’s plainly telegraphed death is nominated
  • Olivia Newton-John’s beach song prompts a question about tonal intent

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

You’re going to need a bigger boat

In the discussion (7)
  • The bigger-boat line is treated as the iconic choice and distinguished from its frequent misquotation
  • Hooper’s broken-heart answer in the scar exchange is nominated
  • Brody’s sweater remark is appreciated
  • Hooper having no spit before entering the cage conveys fear
  • The Indianapolis speech is praised throughout
  • The final tide-and-swimming exchange is fondly recalled
  • A Belushi Landshark parody is remembered alongside the autopsy scene

Probably Unanswerable Questions

Vaughn’s reelection, Quint’s missing decades and a possible sequel

In the discussion (10)
  • Did Mayor Vaughn get reelected?
  • The hosts invent a campaign framing the shark crisis as national attention and shared recovery
  • What did Quint do between 1945 and 1975?
  • His shark hunting and drinking are speculated about, not established biography
  • How exactly was the barrel-and-harpoon plan supposed to finish the shark?
  • Should the existing Jaws sequels count?
  • A Cobra Kai-style continuation could return forty years later instead of remaking the film
  • A grown Brody child could be police chief and a Kintner relative a vengeful mayor
  • Hooper could run a research institute or become mayor
  • The panel disagrees over returning to Jaws versus inventing a new ocean story

Who Won the Movie?

Steven Spielberg

In the discussion (4)
  • Spielberg, Shaw, Scheider, Dreyfuss, Williams and the shark are nominated
  • The panel chooses Spielberg for salvaging production failures through artistic decisions and launching an extraordinary career
  • Sean explicitly says Spielberg
  • A strong case is made for Shaw’s irreplaceable Quint, followed by agreement on Spielberg
Podcast choices
Speaker not identified
Steven Spielberg
Sean Fennessey
Steven Spielberg
Speaker not identified
Steven Spielberg

More from the conversation

Chris Ryan calls Jaws his favorite movie of the past fifty years. The hosts recall childhood fear of beaches and pools and emphasize how well its suspense works for new generations.
The panel credits Jaws with a national summer-blockbuster strategy: a wide opening balanced against scarcity, saturation television advertising and timing around the paperback. They debate its effect on director-led New Hollywood.
They trace later viewing through laserdisc, network television, VHS and widescreen HD, discuss the surprisingly permissive PG rating, and revisit an unusually strong 1975 Oscar field. Reported release, audience and award figures remain podcast claims.
Roy Scheider’s run through Marathon Man, Sorcerer and All That Jazz prompts a debate over his shorter-than-expected leading-man career and whether Michael Douglas later occupied similar roles.
Chris proposes a behind-the-scenes series about seasonal workers and island romances during the Jaws shoot, with the filmmakers in the background.
A speculative discussion of surviving shark injuries leads to jokes about polling the audience; this is not a medical claim or category award.
The hosts contrast real ocean locations with artificial-looking modern effects, discuss the intimacy of the three leads on the boat, and reflect on fear of open water.