Father of the Bride

Apex Mountain

Mainstream Steve Martin, Kimberly Williams, San Marino, father-daughter movies, and wedding movies

In the discussion (9)
Approx. transcript time · 01:04:35Read transcript
  • Steve Martin's late-1970s comedy peak is distinguished from a possible mainstream-dad peak beginning with this film. — Bill Simmons
  • The movie is argued to enable Martin's later Oscars-host and America's-dad roles. — Bill Simmons
  • Diane Keaton is rejected because Annie Hall and Something's Gotta Give offer stronger career peaks. — Bill Simmons
  • Kimberly Williams receives a yes based on her defining role. — Bill Simmons
  • Father-daughter movies receive an unqualified apex verdict. — Bill Simmons
  • San Marino receives an emphatic yes. — Bill Simmons
  • Dads receive a tentative but explicit probably-not verdict. — Bill Simmons
  • Wedding movies receive an apex case because this film builds an entire happy story around the wedding. — Amanda Dobbins
  • The film is credited with helping start a 1990s wave including Four Weddings and a Funeral, The Wedding Planner, and The Wedding Singer. — Amanda Dobbins