Before Sunset The Rewatchables
Before Sunset

Most Rewatchable Scene

Car ride (two choices); ending (one choice); waltz (one choice)

In the discussion (22)
Approx. transcript time · 00:34:56Read transcript
  • Jesse’s bookstore press conference is enjoyed despite its implausibility and slightly heightened performance, including the unusually interested reporter. — Bill Simmons
  • Flashbacks to the earlier faces cut to Celine now, turning the first film’s location montage into a montage of who they were. — Bill Simmons
  • Jesse’s wedding ring initially leaves open whether Celine is his wife; his melting reaction combines reunion joy with the realization that they were separated. — Mallory Rubin
  • The awkward walk reveals that Jesse did return to Vienna; his joking account of a ruined life and her apology over her grandmother create an emotional roller coaster. — Mallory Rubin
  • The supposed Gretchen composite and Celine’s worry about seeming normal are funny examples of their nervous defenses. — Bill Simmons
  • The cafe exchange about looking thinner, his facial line and their physical changes is a highlight; the cigarettes finally appear. — Bill Simmons
  • Celine pretending not to remember sex, the remembered night outweighing whole years and their changed sexual outlook are admired. — Bill Simmons
  • Jesse’s lottery-winner theory sounds like a practiced explanation for disappointment rather than detached philosophy. — Bill Simmons
  • The Paris boat ride is considered nearly impossible to spoil, though an even stronger final scene is expected to win. — Bill Simmons
  • On the boat, Jesse admits that writing the book was an attempt to find Celine and ask why she never returned. — Bill Simmons
  • The line about discovering that real connections happen only a few times becomes more painful with age.
  • The possibility that Jesse saw Celine near his wedding, when they unknowingly lived nearby in New York, is devastating. — Bill Simmons
  • Celine’s car confession says the book revived lost romantic hope and that she gave away part of herself during their night together. — Bill Simmons
  • The angry-activist joke punctures the pain without undoing the confession. — Bill Simmons
  • Jesse’s loveless-marriage account is painful because he endures it to avoid missing time with his son, despite a home without joy or laughter. — Bill Simmons
  • The car scene is favored for expressing profoundly intimate feelings without contemporary therapy jargon or self-conscious signaling. — Sean Fennessey
  • The apartment sequence, waltz, Nina Simone and missed-plane ending receive one explicit final choice as an extraordinary last fifteen minutes. — Bill Simmons
  • Celine’s embarrassment while singing the song to its subject makes the waltz a natural continuation of the car’s emotional unburdening. — Mallory Rubin
  • One respondent chooses the car ride but calls Jesse’s widened eyes when his name enters the song the best individual moment.
  • Another chooses the limo, especially Celine reaching toward him without touching; the timing within the apparently unbroken shot is admired. — Bill Simmons
  • Jesse’s repeated account of Celine passing by on a train in his dream is unforgettable and echoes his last glimpse of her years earlier. — Sean Fennessey
  • The final respondent chooses the waltz; the whole stretch from boat or limo onward is also proposed as an irresistible extended selection. — Bill Simmons
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