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Rudy

Who Won the Movie?

Jerry Goldsmith

In the discussion (2)
Approx. transcript time · 01:41:47Read transcript
  • Notre Dame is initially chosen for the film’s affectionate, almost fetishistic presentation of the university.
  • The counterargument says Notre Dame declined after this peak, whereas Goldsmith’s music retains its power; the discussion ends with agreement on Goldsmith.
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Jerry Goldsmith
The Grand Budapest Hotel The Rewatchables
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The Grand Budapest Hotel

Half-Assed Internet Research

Oscar nominations; makeup; Fiennes preparation; painting; communal hotel; Keitel takes; Hugo Guinness

In the discussion (8)
Approx. transcript time · 00:37:36Read transcript
  • The film received nine Oscar nominations and won costume, makeup, production design and original score.
  • Fiennes reportedly redid his confessional material after seeing Mathieu Amalric’s intensity, since they initially shot separately.
  • Swinton’s old-age makeup reportedly received unusually generous spending compared with the production’s general thrift.
  • The replacement painting is titled Two Lesbians Masturbating.
  • Fiennes improvised Gustave’s full life story for Anderson, from a street-urchin childhood through East London.
  • Goldblum reportedly stayed for much of the production after finishing his scenes; the company lived and dined together.
  • Keitel reportedly slapped Revolori 42 times while filming the farewell.
  • Hugo Guinness’s story collaboration is belatedly recognized; Anderson wrote the screenplay and Guinness shared the Oscar nomination.
The Grand Budapest Hotel The Rewatchables
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The Grand Budapest Hotel

Roger Ebert's review

Rating not yet verified
In the discussion (2)
Approx. transcript time · 00:38:45Read transcript
  • No Ebert review is available; Richard Brody is substituted and praised the film, while David Thomson is cited as a harsh dissenter.
  • Brody reads the hotel and its preservation in a book as a statement of personal decency surviving historical catastrophe through art.
The Grand Budapest Hotel The Rewatchables
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The Grand Budapest Hotel

Most Rewatchable Scene

Alpine sequence (two choices); lobby-boy training (one choice)

In the discussion (18)
Approx. transcript time · 00:43:43Read transcript
  • Gustave greeting Madame D. establishes the profane humor with his refusal to accompany her to Lutz.
  • Gustave’s disgust at Madame D.’s nail polish interrupts her sincere fear of death and becomes a favorite comic moment.
  • Zero’s lobby-boy training reveals the hotel through Gustave’s rapid approvals and precise routine.
  • The train encounter introduces Henckels and “Keep your hands off my lobby boy.”
  • The will reading and Dmitri’s entrance combine the painting inheritance, insults and Gustave’s reactions.
  • Gustave serving prison mush and explaining his new friendships to Zero reveal his social adaptability.
  • Kovacs refusing Dmitri and reacting to his cat being thrown out the window are nominated.
  • Jopling pursuing Kovacs through transport and the museum is a major sequence.
  • The prison break is admired for elaborate design and practical camera ingenuity.
  • The Society of the Crossed Keys montage delights through Murray, Fisher Stevens, Balaban and Waris cameos.
  • The Alpine pursuit combines cable cars, monks, skiing and bobsledding before leading toward the hotel shootout.
  • The ending returns through the nested narrators, revealing loss and Zero’s preservation of the hotel as the place where he and Agatha were happy.
  • The post-departure hiring conversation, M. Mosher’s window appearance and shoeshine-boy detail are favored small moments.
  • Keitel’s prison-break plan and drawing receive special praise for understated comedy and a Winston Wolf-like presence.
  • Lobby-boy training is one final choice, favoring intimate comedy over the spectacular Alpine chase.
  • The Alpine chase is another final choice as a self-contained example of the film’s virtuosity.
  • The Alpine sequence’s repeated questions and intense confessional exchange add comedy to its miniature spectacle.
  • A second final vote chooses the Alpine chase, making it the majority choice over lobby-boy training.
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The Great Shot Gordo Award for Most Cinematic Shot

Carousel; pastry truck; ghost staff; dining table; elevator; Dmitri pan; prison ladder

In the discussion (7)
Approx. transcript time · 00:51:15Read transcript
  • The ladder descending into the prison-break frame is singled out.
  • Agatha’s carousel-lit close-up is the initial consensus favorite.
  • Zero and Agatha surrounded by pink Mendl’s boxes in the truck is another favorite.
  • The ghostly formal staff portrait after Gustave’s death delivers a strong emotional blow.
  • The pullback from Mustafa and the author into the darkened hotel makes the space feel like a cemetery and a stage.
  • The carefully arranged elevator portraits are admired for their exact positioning.
  • A camera pan arriving ahead of Brody’s running character demonstrates how the movement contributes comedy.
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The Grand Budapest Hotel

What’s Aged the Best?

Anderson; Fiennes; small roles; Gustave; Brody; accents; Swinton; Revolori; meals; palette

In the discussion (15)
Approx. transcript time · 00:56:05Read transcript
  • The film confirms Anderson’s historical stature through commercial success, awards and a defining central performance.
  • Fiennes’s versatility rarely receives a full reputational reassessment with each new film.
  • Fiennes can play villains, honorable authority figures and small character roles.
  • Fiennes’s melancholy beneath the comedy is essential to the film’s success.
  • The film sits within an extraordinary decade of Fiennes performances, alongside regular stage work.
  • Small roles get remarkable impact from minimal screen time; Wilkinson’s contribution is praised before a later reservation is previewed.
  • Gustave’s flexible principles are funny: grand vows quickly yield to practical needs, selling the painting or enjoying the money.
  • Gustave asking Henckels about his mother is a favored line.
  • Sleeping with wealthy older women is playfully defended as a strategy.
  • Brody’s profanity and ordinary New York delivery are singled out.
  • The cast’s varied natural accents, including Ronan’s Irish voice, work within the invented setting.
  • Swinton’s elderly Madame D. performance and makeup are praised.
  • Revolori’s untrained quality suits a novice lobby boy rather than detracting from the performance.
  • Small frequent meals for stamina is an appealing line or principle.
  • The film’s palette had a lasting influence on graphic design and fashion.
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The Grand Budapest Hotel

The Den of Thieves Benihana Award for Scene-Stealing Location

1960s hotel; funicular; department store

In the discussion (3)
Approx. transcript time · 01:13:58Read transcript
  • The 1960s hotel’s sparse brutalist version is one choice.
  • The Alpine cable cars and hotel funicular are alternatives.
  • The department store transformed into the hotel and Dresden’s museum location are further candidates.
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The Slow Ride / Kid Cudi – Pursuit of Happiness Award for Best Needle Drop

Opening Swiss yodeling; Desplat’s Canto at Gabelmeister’s Peak (score)

In the discussion (3)
Approx. transcript time · 01:16:40Read transcript
  • The opening Swiss folk yodeling is selected, with the group and song pronunciation uncertain.
  • Avoiding an anachronistic Kinks or Ramones song is praised as aesthetically coherent.
  • Desplat’s Canto at Gabelmeister’s Peak is offered, with acknowledgment that original score may fall outside the category.
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The Big Kahuna Burger Award for Best Use of Food and Drink

Mendl’s pastry; dinner; mush; champagne

In the discussion (6)
Approx. transcript time · 01:18:19Read transcript
  • The Mendl’s pastry that prison guards find too beautiful to cut is the leading choice.
  • Tools concealed in pastry shapes are admired as a clever escape device.
  • The duck, rabbit and lamb dinner is another nominee, though eating all three at once seems daunting.
  • The Mendl’s pastry is identified as courtesan au chocolat.
  • Prison mush is defended as nourishing and consequential to the escape.
  • Bringing superior champagne rather than drinking the train’s poor wine is another choice.
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