The speakers report that Gaines moved into college assistant jobs and later returned to Permian, and acknowledge the difficulty of imagining an aftermath for known real people.
Berg is chosen and agreement cites the resulting television show. Thornton, Luke and Hedlund are praised separately for performances, without replacing the Berg choice.
The central premise requires parents who already left Kevin once to travel all the way to baggage claim without noticing he is missing again.
Enjoyment requires accepting both the repeated separation and burglars surviving injuries; otherwise the movie becomes an exercise in objections.
The mother’s confidence that ten-year-old Kevin can survive alone in New York seems drastically under-panicked compared with an ordinary parent’s brief scare.
A scene admitting parental failure is suggested; the luggage joke to a police officer is the film’s insufficient attempt to acknowledge the absurdity.
Kevin should notice no relatives on a lengthy flight, and the parents should return immediately instead of inspecting their Florida hotel room.
The entire household oversleeping in bright daylight because one alarm is unplugged is implausible before a major family trip.
The family losing Kevin and realizing he is absent is the first nominated scene.
Kevin buying Chinatown fireworks is an appealing childhood fantasy.
The free limousine with pizza, Coke and a television is another childhood wish-fulfillment highlight.
Kevin scattering pearls to escape the renamed Sticky Bandits and using the videotape against hotel staff are nominated; his exact remote timing is implausibly expert for a hotel VCR.
The pigeon lady’s heart-to-heart is perversely rewatchable because its long adult relationship confession to a lost child is so misguided.
The pigeon-lady material duplicates the heart already supplied by the toy-store owner and hospital donation story, and her unrestricted Carnegie Hall access is implausible.
Kevin preparing traps has the appeal of a Commando-style weapons montage, amplified into a sadistic fantasy.
The trap sequence includes four falling bricks, a staple/nail gun, slippery ladder and floor, falling tools, electrical sink, burning head and exploding toilet; the worst injuries should be fatal.
Further punishment includes sand, the swinging pipe, tool chest, burning rope and falling paint cans, accompanied by taunts about injury.
The kerosene-soaked rope is one favorite gag, especially the confused burglars and futile demand to climb upward.
The pipe is the competing favorite, from the paint-can fake-out through the fall into the basement and the pipe dropping onto them.
The mother finding Kevin at the tree is criticized for both characters’ oddly subdued reunion.
The final scene selection is the chaotic destruction in the renovated apartments.
Displaying discussions 3097 - 3108 of 6801 in total