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RoboCop The Rewatchables
RoboCop poster
RoboCop

Probably Unanswerable Questions

The panel asks when the story occurs and whether Bob Morton engineered Murphy’s transfer; the transfer theory is treated as answerable.

In the discussion (3)
Approx. transcript time · 01:41:50Read transcript
  • A home-video ad reportedly placed the story in 1991, but the film itself does not establish a year.
  • The panel guesses a setting around 2005 to 2011 based on the technology.
  • Bob Morton is suspected of transferring suitable cops into dangerous districts to create RoboCop candidates.
RoboCop The Rewatchables
In the discussion (3)
Approx. transcript time · 01:45:32Read transcript
  • The Terminator offers a double-robot program and is the main choice.
  • Starship Troopers and Total Recall are director-based alternatives.
  • Terminator 2 is compared with RoboCop through its steel-mill ending, stabbing, and backlit police imagery.
RoboCop The Rewatchables
In the discussion (3)
Approx. transcript time · 01:46:45Read transcript
  • Paul Verhoeven is the immediate winner for the film’s bloody, satirical direction.
  • The closing response praises the film for hiding its message inside cheesy 80s science fiction.
  • The villains are praised as more vivid and genuinely terrible than the restrained leads.
Podcast choices
Speaker not identified
Paul Verhoeven
Speaker not identified
Paul Verhoeven
Brokeback Mountain poster
Brokeback Mountain

Most Rewatchable Scene

The quit-you confrontation and opening

In the discussion (10)
Approx. transcript time · 00:59:01Read transcript
  • The opening glances and famous tent scene are nominated.
  • A first-time young viewer’s surprise at the tent scene becomes tears by the ending.
  • The fight and goodbye, Ennis’s wall punch and the later refusal of another job are highlighted.
  • Lorraine’s arrival and Jack’s reunion visit after the postcard are nominated.
  • The reunion kiss and Alma discovering it expose the relationship through an outsider’s view; the loss of control is both moving and risky.
  • The campfire tire-iron story establishes mortal stakes; the two Thanksgivings contrast father-in-law conflict with Alma revealing she knew about the fishing lie.
  • The double date and cabin invitation are a favorite, with the invitation becoming a personal running joke.
  • The quit-you confrontation is called the best scene; Ledger collapses and Gyllenhaal registers that he pushed too far.
  • The ambiguous call to Lorraine and the parents’ house with the hidden shirts are praised.
  • The opening is the other final favorite, praised as a modern dance between the men.
Brokeback Mountain poster
Brokeback Mountain

Recasting Couch

Paul Meskell, Adam Scott and Josh O Connor illustrate modern possibilities; Mike Feist is floated while Tom Holland lacks the required physicality.

In the discussion (4)
Approx. transcript time · 01:16:26Read transcript
  • Paul Meskell, Adam Scott and Josh O Connor illustrate modern possibilities; Mike Feist is floated while Tom Holland lacks the required physicality.
  • Chalamet is considered unlikely to fit though likely to be approached; muscular Sasha Baron Cohen is a joke, Jesse Plemons may be too old, and Will Poulter is floated.
  • Sabrina Carpenter as Alma is tentatively entertained; Gosling ten years earlier could have worked.
  • Danny McBride as Ennis and Shane Gillis as Jack start as jokes but draw serious interest.
Brokeback Mountain poster
Brokeback Mountain

What’s Aged the Best?

The enduring score, title spoken onscreen and quiet Western-adjacent landscapes

In the discussion (4)
Approx. transcript time · 01:18:46Read transcript
  • The enduring score, title spoken onscreen and quiet Western-adjacent landscapes are praised.
  • The on-set romance and Jack’s dreams are discussed; ordinary unlucky men with bleak futures feel unusual in current movies.
  • The attractive ensemble, cow-castration exchange, score and Ledger’s performance hold up.
  • Aged-best attractive ensemble praise explicitly names Michelle Williams, observed Ann Hathaway, Kate Mera, Linda Cardalini and Anna Farris.
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