Categories & segments

Accuracy, diversity, casting, college life, and the roles of Dustin Moskovitz and Eduardo Saverin drive the nitpicks.

The landlord/dance-recital thread may be extraneous, the Busby Berkeley dream sequences are skippable for some, and the sudden ending initially denies narrative closure.

The tires, surveillance camera, gasoline and bus-jump physics

Costigan accepting undercover erasure, the impossible statehouse view, the central romance, Madolyn’s inaction, an intentionally forgettable killer, Queenan missing Sullivan, and the literal final rat drive the nitpicks.