Categories & segments

In the discussion (4)
Approx. transcript time · 00:41:41Read transcript
  • Jimmy Smits as the villain and Sweet Freedom shoehorned into the movie open the 1986 list.
  • Walter Payton gear, the 1985 Bears, Michael Jordan, and a 1983 White Sox cap make Chicago sports central to the answer.
  • Darlane Flugel, Joey Pants with hair, and roller skating are further period markers.
  • The Honda Elite scooters win because of their era-specific ad campaign and disappearance.
Running Scared poster
Running Scared

What’s Aged the Best?

Cop names; angry lieutenants; rival buddy cops; Steven Bauer’s look; uncontainable villains; unannounced visits; dead-body escalator; friendship; poster; company cars; croissant mockery; Chicago bars

In the discussion (10)
Approx. transcript time · 00:43:48Read transcript
  • Ray Hughes and Danny Costanzo are praised as archetypal cop names.
  • Dan Hadea preserves the angry-lieutenant tradition and prompts a long Inspector Todd riff.
  • A buddy-cop movie with rival buddy cops is admired even though the “young” rivals are the same age as Hines.
  • Stephen Bauer’s layered clothes, beard, and unwashed energy are described as peak mid-1980s texture.
  • A villain committing murder and immediately returning to the street is defended as an essential action-movie staple.
  • Unannounced visits are remembered as common before cellphones; a recent personal doorstep visit shows the habit has not entirely vanished.
  • A dead bad guy descending an escalator, “you are the detectives, go and detect,” and the poster are preserved as memorable images.
  • Company cars, including the detectives’ unmarked car, prompt nostalgia for shared workplace vehicles.
  • The period’s derision toward croissants is treated as a comic cultural marker.
  • Chicago bars look unusually good on film and function as the characters’ living rooms.
Running Scared poster
Running Scared

What’s Aged the Worst?

Reused title; uncontainable villains; Uzis; police abuse; scarf flourish; interrupted sex; repetitive final hour; soundtrack beyond Sweet Freedom; fake snow; underused R rating

In the discussion (10)
Approx. transcript time · 00:46:28Read transcript
  • The unrelated 2006 Running Scared creates title confusion on cable, streaming, search, and the episode title.
  • Uzis are described as a once-common film prop that seems to have fallen out of fashion; the speakers remain unsure whether they still appear in newer action films.
  • Constant police brutality and rule-breaking are identified as another dated genre convention.
  • Crystal’s repeated scarf flip feels more like a performer bit than Danny Costanzo behavior.
  • Walking into a friend’s bedroom during sex is described as something films rarely show now, while Hines’s character seems completely comfortable with the interruption.
  • The last hour repeats confrontations with Julio and could lose roughly seven minutes, especially from the airport chase.
  • Sweet Freedom carries an otherwise weak, loud, synth-heavy soundtrack.
  • Some artificial Chicago snow looks cheap.
  • The movie is rated R, but the hosts ask why it did not “earn the R” with the adult material it repeatedly approaches.
  • A murderer being released immediately after an obvious public killing is offered as Aged Worst before the same trope is defended separately as Aged Best.
Running Scared poster
Running Scared

Mallory Rubin Award: Did This Movie Need a Better Sex Scene?

Fuller Hines scene; apartment-raid or Key West nudity

In the discussion (3)
Approx. transcript time · 00:59:10Read transcript
  • The episode says it might have had Heinz step in for about 30 seconds.
  • The hosts ask for more sex happening in the apartments the detectives bust into.
  • The film repeatedly flirts with nudity in bedrooms and Key West but stops short.
Running Scared poster
Running Scared

The Stephen A. Smith Hottest Take Award

Lethal Weapon franchise potential; aspirational Key West location

In the discussion (4)
Approx. transcript time · 00:59:54Read transcript
  • A planned sequel called Still Running failed because Crystal and Hines rejected the scripts, which the hosts call an enormous missed business opportunity.
  • The main take argues this chemistry and premise could have become the Lethal Weapon franchise in a friendlier release window.
  • The hosts sketch sequels that finish one last Chicago job and then defend a Key West bar from a past enemy.
  • A separate take places Key West beside Cocktail’s Jamaica and Hardbodies’ Santa Monica and Malibu as childhood escape fantasies.
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