Categories & segments

F1 The Rewatchables
F1

What’s Aged the Worst?

Roscoe’s death; multiple endings; limited driver interaction

In the discussion (3)
Approx. transcript time · 01:13:49Read transcript
  • The death of Lewis Hamilton’s dog Roscoe makes its appearance newly sad.
  • The multiple farewells and Baja ending are considered excessive; a defense says the final destination confirms Sonny’s commitment to driving rather than money. — Van Lathan
  • More interaction with actual drivers is wanted; the aggressive British reporter is the overacting selection. — Chris Ryan
F1 The Rewatchables

Flex pick · Bill Simmons

In the discussion (5)
Approx. transcript time · 01:16:06Read transcript
  • The invited top-five flex ranks Joe Clark confronting Sams on the Lean on Me roof fifth, with the dangerous method questioned.
  • Fourth is Rocky beating Tommy Gunn, whose provocation is said to justify the confrontation. — Van Lathan
  • Third is Shep beating Kyle Watson one-on-one in Above the Rim; the deceased-friend subplot prompts a tangent. — Van Lathan
  • Second is a tie between Yoda teaching Luke at Dagobah and Obi-Wan defeating Anakin in Revenge of the Sith. — Van Lathan
  • After the rank is clarified as second rather than first, the top slot goes to the park-bench speech in Good Will Hunting, contrasting experience with intelligence. — Van Lathan
F1 The Rewatchables
F1

The Stephen A. Smith Hottest Take Award

Younger-driver victory; distrust of card throwers; racing films over racing; diverted star career

In the discussion (8)
Approx. transcript time · 00:20:52Read transcript
  • An early hottest take argues the highly publicized relationship with Angelina Jolie diverted the career from additional substantial leading roles. — Bill Simmons
  • That career critique is challenged by successful or interesting work including World War Z, The Big Short, Inglourious Basterds and Burn After Reading. — Van Lathan
  • A hottest take argues the younger driver should win, both for the story and to let younger stars inherit leading roles. — Chris Ryan
  • The counterargument says the film develops Sonny far more fully, making his victory more satisfying within the existing script; a reversed ending might still be more interesting. — Van Lathan
  • Creed and Any Given Sunday are raised as examples of transferring sporting focus to younger leads. — Van Lathan
  • An alternative ending makes Sonny a mentor on the radio after the crash; objections emphasize audience interest in the veteran and possible sequel directions.
  • The hottest take distrusts people who throw playing cards recreationally, calling it obsessive and useless; Gambit is the lone exception. — Van Lathan
  • Another hottest take prefers racing films to real racing. — Van Lathan
F1 The Rewatchables
F1

Casting What-Ifs

Unnamed driving-test rivals; deleted Simone Ashley role; unrealized Go Like Hell

In the discussion (3)
Approx. transcript time · 00:39:07Read transcript
  • Reported production facts include the season model, bidding package, star salary, driving training and additional script contributors; named alternative casting is unavailable. — Bill Simmons
  • The younger lead reportedly passed a driving test; unknown rival actors are not invented, and Simone Ashley’s deleted romance is discussed.
  • The director and star reportedly had an earlier unrealized racing project with Tom Cruise, called Go Like Hell. — Bill Simmons
F1 The Rewatchables
In the discussion (2)
Approx. transcript time · 01:23:24Read transcript
F1 The Rewatchables
F1

Half-Assed Internet Research

Race access; crash model; editing; engineer inspiration; sponsorships; cameras

In the discussion (5)
Approx. transcript time · 00:39:07Read transcript
  • Reported production facts include the season model, bidding package, star salary, driving training and additional script contributors; named alternative casting is unavailable. — Bill Simmons
  • The director’s action filmmaking and earlier Mad World game commercial are praised, after the song is initially misidentified.
  • The reported budget and worldwide gross support a case that the film strengthened Apple’s theatrical credibility; classification of Cars 2 as a sports film is questioned. — Bill Simmons
  • Research covers negotiating race-weekend access without villainizing teams, the trailer’s Fleetwood Mac song, the historical crash model, a large editing pool and the engineer character’s inspiration. — Van Lathan
  • The soundtrack, sponsorship financing and small remotely controlled cameras are discussed; real driving was intended to produce authentic facial intensity. — Bill Simmons
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