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High Fidelity The Rewatchables
High Fidelity poster
High Fidelity

The Stephen A. Smith Hottest Take Award

The Hulu show, Rob and Laura’s future, Nirvana, the soundtrack, and absent Chicago music generate separate hot takes

In the discussion (7)
Approx. transcript time · 01:20:34Read transcript
  • Rob and Laura are predicted not to reunite or last once Marie DeSalle and the Chicago Reader mixtape surface.
  • The Hulu series is called better than the movie and its cancellation is condemned.
  • The film is described as a crucial moment in Rob’s life that still gives him too little time to complete a credible journey.
  • Laura is said not to have returned despite the film giving her more point of view than the book.
  • “Smells Like Teen Spirit” is called bad and overrated, with the criticism expanding to grunge’s authenticity.
  • The movie’s soundtrack is called insufficiently strong and too dependent on deep cuts.
  • The absence of the Smashing Pumpkins from a Chicago music movie set in 2000 is criticized.
High Fidelity The Rewatchables
High Fidelity poster
High Fidelity

Casting What-Ifs

Jack Black, David Arquette, Liz Phair, alternate fantasy musicians, deleted performers, and an uncleared Lennon song

In the discussion (6)
Approx. transcript time · 01:30:10Read transcript
  • Jack Black initially passing on Barry is reported.
  • David Arquette was reportedly offered Dick, a choice judged much worse.
  • Liz Phair was reportedly considered for Marie DeSalle, which is treated as a very different version.
  • Bob Dylan and Billy Corgan are considered as fantasy replacements for Springsteen.
  • The Ramis and Beverly DeAngelo deleted scenes are recalled.
  • An uncleared John Lennon song is identified as Cusack’s desired choice for Rob’s proposal.
High Fidelity The Rewatchables
High Fidelity poster
High Fidelity

Recasting Couch

Samantha Mathis, Laura Linney, or Famke Janssen as Laura, with reservations about fit and star power

In the discussion (3)
Approx. transcript time · 01:35:11Read transcript
  • Samantha Mathis is proposed as an early-1990s version of Laura.
  • Laura Linney is proposed, with doubt that she fits Laura’s partying history.
  • Fomka Johnson is proposed if Laura remains European, then rejected as too much firepower.
High Fidelity The Rewatchables
High Fidelity poster
High Fidelity

Half-Assed Internet Research

Marie DeSalle’s cover album, Tim Robbins’s wig deal, the original finale song, the Cusack siblings, and Rob’s visible records

In the discussion (5)
Approx. transcript time · 01:38:56Read transcript
  • Marie DeSalle’s album is reported to include “Ghostbusters,” “Beat It,” “Mbop,” and “My Heart Will Go On.”
  • Tim Robbins reportedly took small roles partly so he could keep the custom wigs.
  • “Got to Give It Up” was reportedly the original Jack Black finale song before the chosen replacement.
  • Joan and John Cusack are said to have appeared together in ten films.
  • Five visible albums are proposed as Rob’s implied top five, including Funkadelic, Neil Young, the Beach Boys, Sonic Youth, and the Minutemen.
High Fidelity The Rewatchables
In the discussion (2)
Approx. transcript time · 01:41:52Read transcript
  • Frears reportedly gathered women from hair, makeup, wardrobe, and craft services to guide the Tim Robbins fantasy sequence.
  • The actress who plays Laura reportedly called it her most comfortable and best sex scene.
High Fidelity The Rewatchables
High Fidelity poster
High Fidelity

Apex Mountain

The Beta Band: yes

In the discussion (5)
Approx. transcript time · 01:43:17Read transcript
  • Cusack’s peak is placed in 1996–97 rather than this film.
  • The Beta Band is given a yes.
  • Microbangs, Katrina and the Waves, sad-bastard music, and breaking the fourth wall are considered separately.
  • Ferris Bueller is preferred as the apex for fourth-wall address.
  • Good book-and-film combinations are discussed as a separate Apex prompt.
High Fidelity The Rewatchables
High Fidelity poster
High Fidelity

Picking Nits

Barry’s hidden music, his flyer, Ian, record handling, apartment economics, Laura’s moves, funeral mud, and autobiographical shelving

In the discussion (10)
Approx. transcript time · 01:47:45Read transcript
  • Barry never performing before the finale is questioned.
  • Barry’s listed influences are said not to match the soul performance he gives.
  • Laura choosing Ian is treated as a familiar and implausible period trope.
  • Calling Ian a Supertramp fan is called gratuitously insulting.
  • Using Royal Trucks as the teenagers’ music is challenged because that band belongs inside the store’s Chicago scene.
  • Lewis is criticized for bending an expensive Captain Beefheart sleeve by its corner.
  • Rob’s apartment and the store’s ability to pay two workers are questioned.
  • Laura’s immediate moves into partners’ homes are questioned as a repeated habit.
  • Rob jumping into mud after the funeral and immediately having sex in a car is called disgusting and visually inconsistent.
  • Autobiographical record shelving is debated as satisfying but practically impossible.
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