Categories & segments

The Nice Guys

Gandolfini Butter on My Ass So It Pops in My Mouth Award

Organic endings that invite another adventure are enjoyed.

In the discussion (2)
Approx. transcript time · 00:36:37Read transcript
  • The final detective-agency setup makes a sequel feel possible without forcing it, deepening regret that no follow-up happened. — Bill Simmons
  • The research says they read the script instantaneously and agreed to do it if the other did; it was a pleasure to make. — Bill Simmons
The Nice Guys

What’s Aged the Best?

Seedy seventies Los Angeles, running jokes and the actors endure.

In the discussion (7)
Approx. transcript time · 00:40:12Read transcript
  • The period setting, young Qualley, the and-stuff correction and memorable lines are praised; the Crowe/Basinger reunion means little to one participant. — Bill Simmons
  • Crowe’s reported claim of gaining weight for the role prompts joking comparisons with athletes returning overweight. — Chris Ryan
  • Dive bars, adult theaters, bookstores and the airport hotel’s multiple bars create an appealingly seedy setting.
  • The running jokes about Janet and her sister are enjoyed, especially Gosling talking to kids like adults and the daughter driving.
  • Hannibal Burris as the killer bee in the back seat while the driver sleeps is great. — Chris Ryan
  • Suspicion of corporations remains timely. The automaker conspiracy is questioned as overcomplication but defended for the smog-related comedy it enables.
  • Gosling’s subsequent rise strengthens appreciation of the performance. — Bill Simmons
The Nice Guys

The Slow Ride / Kid Cudi – Pursuit of Happiness Award for Best Needle Drop

Several party and closing songs are nominated without one final choice.

In the discussion (3)
Approx. transcript time · 00:45:03Read transcript
  • Kiss Rock and Roll or Night and America Horse with No Name are initial alternatives. — Chris Ryan
  • Get Down on It is another participant’s choice. — Bill Simmons
  • September at the party and Al Green over the closing credits are also liked, alongside bands playing on a roof. — Bill Simmons
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